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In the summer of 1982, the Israeli army invaded Beirut. During this time it raided the Palestinian Research Center and looted its entire archive. The archive contained historical documents of Palestine, including a collection of still and moving images. Taking this as a premise, _A Fidai Film_ explores the visual memory of this looting and appropriates images now in the hands of Israeli archives.
_Paradiso, XXXI, 108_ ironically questions our view of war and occupation through archival footage from the Israeli army in the 1960s and 1970s. Palestinian filmmaker Kamal Aljafari creates a montage revealing scenes where acts of war appear simultaneously comic, mundane, and surreal, inviting a deep reflection on the representation of violence and power.
Marketing pitches between 1940 and 1970 lead to believe that new technologies facilitating household chores were responsible for women's emancipation in the 20th century. By reusing commercials and television archives, this retro futurist feminist essay questions this capitalist discourse in order to examine the relationship between women and technology.
Their names are Anne-Charlotte, Joohee, Céline, Niyongira and Mathieu. They are 25- to 52-year-old, hailing from Brazil, Sri Lanka, Rwanda, South Korea, or Australia. These five individuals have something in common: they are adopted. Separated from their family and country from childhood, they grew up in French families. Their life stories and home movies tell an intimate, political story about...
_The War at Home_ examines the anti-war movement in Madison, Wisconsin, during the Vietnam War era. It focuses on the escalation of protests, especially at the University of Wisconsin, and the intense clashes between students and authorities. The film combines interviews with activists, veterans, and community leaders with archival footage to portray a decade of resistance and the war’s impact ...
An immigrant tale, reimagined. 1950s Parisian elites led by Chris Marker and Claude Lanzmann visit the newly established communist state of North Korea that claims the allegiance of the filmmaker’s grandmother during the Korean War. An autobiographical investigation of family separation, sparked by the voyage of French luminaries and their artistic output – films, photographs and published memo...
By opening forgotten boxes in the Montreal Gay Archive Center, fragments of history from the LGBTQIA2S+ community are rediscovered. Among them are Michael and René, the first couple to marry in Canada, Linda and Catherine, two owners of the lesbian bar Le Kiev, and Kimura, multidisciplinary artist of diverse origins. The portraits of these diverse characters bear witness to the diversity of Mon...
_Délire atta_ takes found footage and sound from six archival films and transforms them through a process of abstraction and recontextualization. Image and sound engage in a dialogue of texture and transformation, revealing unexpected resonances within the archive and generating new possibilities from what might otherwise be seen as fixed or obsolete.
Since the fall of the USSR, the question of borders and territories has been sensitive – and sometimes explosive. At the centre of _Extinction_ is Kolya, a young Moldovan who claims citizenship in Transnistria, a state not recognized by the international community. Salomé Lamas blends fiction and documentary to better capture the violent climate brewing in the region, where a Soviet mindset is ...
Leaving her native village to follow her dream of becoming an actress, Hiam Abbass also left behind her mother, grandmother and seven sisters. Thirty years later, her filmmaker daughter Lina returns with her to journey through the vanished places among the scattered memories of four generations of daring Palestinian women.
Zuza Banasińska reinvents the famous Slavic witch Baba Yaga through a clever montage of films from Łódź’s Educational Film Studio, containing sexist content. Questioning their own non-binary identity through an unsettling voice-over that tells the story of a matriarchal family, they unleash the queer dimension of images tasked with conveying a normative conception of identity.
In 1979, the Pacific Club was opened in the basement of La Défense—the business district of Paris. It was the first nightclub for Arabs from the suburbs; a parallel world of dance, sweat, young loves, and one-night utopias. Azedine, 17 years old at the time, tells us the forgotten story of this club and of this generation who dreamed of becoming part of France, but who soon came face to face wi...
Young people from Brussels consult a list of nearly 8,000 objects collected during an expedition to the Congo between 1911 and 1913. These witnesses to colonial history open a dialogue on realities once told, now shown and interpreted. A journey back in time.
For over forty years, Jacques Duhoux, a pioneering explorer in northern Quebec, has lived alone in the Uapishka (Groulx) Mountains. Now 85 years old, he continues to live off the grid, despite the inevitable decline that comes with age. A tribute to a true monument of northern exploration, _Jacques_ reveals the delicate balance between nature, aging, and the search for freedom.
Once, "teenagers" didn't exist. But then, they were invented. As the cultural landscape around the world was thrown into turmoil during the industrial revolution, and with a chasm erupting between adults and youth, the concept of a new generation took shape. Whether in America, England, or Germany, this was a new idea of how people come of age.
_There Will Be No More Night_ relies on footage captured by thermal cameras used by the American and French armies in Afghanistan, Iraq, and Syria. By diverting these images from the propaganda narratives in which they are typically embedded, the film examines the dangers of an unchecked desire to see, prompting a reflection on the new paradigms of modern warfare.
1965: Dimitri and Christine travel across the Near and Middle East by car. They film their journey with an 8mm camera and record a travel journal on a tape recorder. _Journal afghan_ is built from these traces. By replaying them in the chaotic pattern of memory’s persistence, it offers a new experience of travel and an intimate exploration of the mechanisms of memory.
In the summer of 1982, the Israeli army invaded Beirut. During this time it raided the Palestinian Research Center and looted its entire archive. The archive contained historical documents of Palestine, including a collection of still and moving images. Taking this as a premise, _A Fidai Film_ explores the visual memory of this looting and appropriates images now in the hands of Israeli archives.
_Paradiso, XXXI, 108_ ironically questions our view of war and occupation through archival footage from the Israeli army in the 1960s and 1970s. Palestinian filmmaker Kamal Aljafari creates a montage revealing scenes where acts of war appear simultaneously comic, mundane, and surreal, inviting a deep reflection on the representation of violence and power.
Marketing pitches between 1940 and 1970 lead to believe that new technologies facilitating household chores were responsible for women's emancipation in the 20th century. By reusing commercials and television archives, this retro futurist feminist essay questions this capitalist discourse in order to examine the relationship between women and technology.
Their names are Anne-Charlotte, Joohee, Céline, Niyongira and Mathieu. They are 25- to 52-year-old, hailing from Brazil, Sri Lanka, Rwanda, South Korea, or Australia. These five individuals have something in common: they are adopted. Separated from their family and country from childhood, they grew up in French families. Their life stories and home movies tell an intimate, political story about...
_The War at Home_ examines the anti-war movement in Madison, Wisconsin, during the Vietnam War era. It focuses on the escalation of protests, especially at the University of Wisconsin, and the intense clashes between students and authorities. The film combines interviews with activists, veterans, and community leaders with archival footage to portray a decade of resistance and the war’s impact ...
An immigrant tale, reimagined. 1950s Parisian elites led by Chris Marker and Claude Lanzmann visit the newly established communist state of North Korea that claims the allegiance of the filmmaker’s grandmother during the Korean War. An autobiographical investigation of family separation, sparked by the voyage of French luminaries and their artistic output – films, photographs and published memo...
By opening forgotten boxes in the Montreal Gay Archive Center, fragments of history from the LGBTQIA2S+ community are rediscovered. Among them are Michael and René, the first couple to marry in Canada, Linda and Catherine, two owners of the lesbian bar Le Kiev, and Kimura, multidisciplinary artist of diverse origins. The portraits of these diverse characters bear witness to the diversity of Mon...
_Délire atta_ takes found footage and sound from six archival films and transforms them through a process of abstraction and recontextualization. Image and sound engage in a dialogue of texture and transformation, revealing unexpected resonances within the archive and generating new possibilities from what might otherwise be seen as fixed or obsolete.
Since the fall of the USSR, the question of borders and territories has been sensitive – and sometimes explosive. At the centre of _Extinction_ is Kolya, a young Moldovan who claims citizenship in Transnistria, a state not recognized by the international community. Salomé Lamas blends fiction and documentary to better capture the violent climate brewing in the region, where a Soviet mindset is ...
Leaving her native village to follow her dream of becoming an actress, Hiam Abbass also left behind her mother, grandmother and seven sisters. Thirty years later, her filmmaker daughter Lina returns with her to journey through the vanished places among the scattered memories of four generations of daring Palestinian women.
Zuza Banasińska reinvents the famous Slavic witch Baba Yaga through a clever montage of films from Łódź’s Educational Film Studio, containing sexist content. Questioning their own non-binary identity through an unsettling voice-over that tells the story of a matriarchal family, they unleash the queer dimension of images tasked with conveying a normative conception of identity.
In 1979, the Pacific Club was opened in the basement of La Défense—the business district of Paris. It was the first nightclub for Arabs from the suburbs; a parallel world of dance, sweat, young loves, and one-night utopias. Azedine, 17 years old at the time, tells us the forgotten story of this club and of this generation who dreamed of becoming part of France, but who soon came face to face wi...
Young people from Brussels consult a list of nearly 8,000 objects collected during an expedition to the Congo between 1911 and 1913. These witnesses to colonial history open a dialogue on realities once told, now shown and interpreted. A journey back in time.
For over forty years, Jacques Duhoux, a pioneering explorer in northern Quebec, has lived alone in the Uapishka (Groulx) Mountains. Now 85 years old, he continues to live off the grid, despite the inevitable decline that comes with age. A tribute to a true monument of northern exploration, _Jacques_ reveals the delicate balance between nature, aging, and the search for freedom.
Once, "teenagers" didn't exist. But then, they were invented. As the cultural landscape around the world was thrown into turmoil during the industrial revolution, and with a chasm erupting between adults and youth, the concept of a new generation took shape. Whether in America, England, or Germany, this was a new idea of how people come of age.
_There Will Be No More Night_ relies on footage captured by thermal cameras used by the American and French armies in Afghanistan, Iraq, and Syria. By diverting these images from the propaganda narratives in which they are typically embedded, the film examines the dangers of an unchecked desire to see, prompting a reflection on the new paradigms of modern warfare.
1965: Dimitri and Christine travel across the Near and Middle East by car. They film their journey with an 8mm camera and record a travel journal on a tape recorder. _Journal afghan_ is built from these traces. By replaying them in the chaotic pattern of memory’s persistence, it offers a new experience of travel and an intimate exploration of the mechanisms of memory.