218 products
Noriko Oi, a Japanese Canadian who has lived in Montreal for more than 20 years, is preparing to return to Nagasaki, her hometown, to help her siblings clear out the family home that will soon be sold. Within the walls of this old house lie fragments of the Oi family’s history. Noriko decides to reconstruct the past of her mother, Mitsuko, an atomic bomb survivor, in the hope of coming to terms...
Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
New product!The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...
In 1982, Jocelyne Saab's 150-year-old family home burns down. In tandem with the Lebanese playwright Roger Assaf, she decided to travel through her city, which was under siege by the Israelis, and to report on the situation in Beirut, the departure of the Palestinians and the incomprehension of the civilians who were suffering from the war.
Portrait of Raymond Eddé, a candidate in the Lebanese presidential elections and a staunch opponent of the sectarian war. During the 1975–1976 conflicts, he and his team actively searched for those who had gone missing in the war, whether Christian, Druze, or Muslim.
Filmmaker Jocelyne Saab gives a voice to Palestinian women, often overlooked victims of the Israeli-Palestinian conflict.
Nous sortirons de nos cuisines - Épisode 2 - Môman travaille pas, a trop d’ouvrage! (1974-75)
Duration: 1h01The UN declared 1975 the “International Women's Year,” ironically using the singular form in French (Année internationale de la femme). It was a pivotal time: more and more women were divorcing or entering the workforce. Yet a pregnancy was enough to justify dismissal, and maternity leave would not exist until 1979. The members of Théâtre des Cuisines returned to the stage with their second pla...
Nous sortirons de nos cuisines - Épisode 1 - Nous aurons les enfants que nous voulons (1968-74)
Duration: 1h02Montreal, 1973. Canadian law now permits abortion. But the criteria are very restrictive, and women depend on the goodwill—more often the ill will—of the men sitting on the committees that approve or deny them. Quebec is the province where it is most difficult to terminate an unwanted pregnancy, and clandestine abortions are common: they are the leading cause of hospitalization among women. Yet...
During the colonial era, Gaspar Yanga was kidnapped from the African coast, brought to Mexico, and enslaved. Though forced to work on the master's plantation, he never stopped dreaming of freedom. Based on historical facts and using shadow theatre with hand-drawn animation, _Nyanga_ pays tribute to the resistance against the chains of colonialism.
_The Illinois Parables_ is an impressionistic portrait of the state of Illinois, sometimes described as a miniature version of the United States, tracing its decidedly eclectic history from the 7th to the 20th century in 11 parables.
In 1967, Alain Resnais, William Klein, Joris Ivens, Agnès Varda, Claude Lelouch, Jean-Luc Godard, and Chris Marker co-directed this film to express their solidarity with the struggle of the Vietnamese people. Each offers a distinct and personal perspective on this conflict, set against a backdrop of international public anger and mobilization.
_The War at Home_ examines the anti-war movement in Madison, Wisconsin, during the Vietnam War era. It focuses on the escalation of protests, especially at the University of Wisconsin, and the intense clashes between students and authorities. The film combines interviews with activists, veterans, and community leaders with archival footage to portray a decade of resistance and the war’s impact ...
An immigrant tale, reimagined. 1950s Parisian elites led by Chris Marker and Claude Lanzmann visit the newly established communist state of North Korea that claims the allegiance of the filmmaker’s grandmother during the Korean War. An autobiographical investigation of family separation, sparked by the voyage of French luminaries and their artistic output – films, photographs and published memo...
By opening forgotten boxes in the Montreal Gay Archive Center, fragments of history from the LGBTQIA2S+ community are rediscovered. Among them are Michael and René, the first couple to marry in Canada, Linda and Catherine, two owners of the lesbian bar Le Kiev, and Kimura, multidisciplinary artist of diverse origins. The portraits of these diverse characters bear witness to the diversity of Mon...
The First 54 Years: An Abbreviated Manual for Military Occupation
Duration: 3h38What is a military occupation? Through the testimonies of soldiers who carried it out, Avi Mograbi reveals the mechanisms of a colonialist occupation and sheds light on the logic behind such practices. In this exposé, the filmmaker refers to the 54 years of Israeli occupation of the Palestinian territories in the West Bank and Gaza Strip to outline a “brief manual of military occupation.”
Beaupré the Giant marked his era with his 8’3” height. Though he died young and far from home in 1904, his journey as a phenomenon was only just beginning. In a stunning series of twists and turns, his mummified body would take more than 80 years to find its way back home.
_A Bear Named Wojtek_ brings to life the extraordinary true story of a brown bear adopted by Polish soldiers in the Levant during World War II. This animated short follows Wojtek’s journey from the Persian desert to the front lines at the Battle of Monte Cassino, where he becomes both a soldier and a powerful symbol of resilience. As the soldiers form an unbreakable bond with Wojtek, the film e...
No Man Is Born to Be Stepped On
Duration: 1h12In the sertão, a desert region in northern Brazil, the vengeful spirit of a bandit of honor prowls. Lampião, who died in 1938, took justice into his own hands in a region exacerbated by agrarian conflict. Following in his footsteps, we meet the men and women who today claim to be his heirs, resisting the fascist demons of Jair Bolsonaro. Choral and poetic, bordering on the mystical, _No Man Is ...
Leaving her native village to follow her dream of becoming an actress, Hiam Abbass also left behind her mother, grandmother and seven sisters. Thirty years later, her filmmaker daughter Lina returns with her to journey through the vanished places among the scattered memories of four generations of daring Palestinian women.
Noriko Oi, a Japanese Canadian who has lived in Montreal for more than 20 years, is preparing to return to Nagasaki, her hometown, to help her siblings clear out the family home that will soon be sold. Within the walls of this old house lie fragments of the Oi family’s history. Noriko decides to reconstruct the past of her mother, Mitsuko, an atomic bomb survivor, in the hope of coming to terms...
Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
New product!The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...
In 1982, Jocelyne Saab's 150-year-old family home burns down. In tandem with the Lebanese playwright Roger Assaf, she decided to travel through her city, which was under siege by the Israelis, and to report on the situation in Beirut, the departure of the Palestinians and the incomprehension of the civilians who were suffering from the war.
Portrait of Raymond Eddé, a candidate in the Lebanese presidential elections and a staunch opponent of the sectarian war. During the 1975–1976 conflicts, he and his team actively searched for those who had gone missing in the war, whether Christian, Druze, or Muslim.
Filmmaker Jocelyne Saab gives a voice to Palestinian women, often overlooked victims of the Israeli-Palestinian conflict.
Nous sortirons de nos cuisines - Épisode 2 - Môman travaille pas, a trop d’ouvrage! (1974-75)
Duration: 1h01The UN declared 1975 the “International Women's Year,” ironically using the singular form in French (Année internationale de la femme). It was a pivotal time: more and more women were divorcing or entering the workforce. Yet a pregnancy was enough to justify dismissal, and maternity leave would not exist until 1979. The members of Théâtre des Cuisines returned to the stage with their second pla...
Nous sortirons de nos cuisines - Épisode 1 - Nous aurons les enfants que nous voulons (1968-74)
Duration: 1h02Montreal, 1973. Canadian law now permits abortion. But the criteria are very restrictive, and women depend on the goodwill—more often the ill will—of the men sitting on the committees that approve or deny them. Quebec is the province where it is most difficult to terminate an unwanted pregnancy, and clandestine abortions are common: they are the leading cause of hospitalization among women. Yet...
During the colonial era, Gaspar Yanga was kidnapped from the African coast, brought to Mexico, and enslaved. Though forced to work on the master's plantation, he never stopped dreaming of freedom. Based on historical facts and using shadow theatre with hand-drawn animation, _Nyanga_ pays tribute to the resistance against the chains of colonialism.
_The Illinois Parables_ is an impressionistic portrait of the state of Illinois, sometimes described as a miniature version of the United States, tracing its decidedly eclectic history from the 7th to the 20th century in 11 parables.
In 1967, Alain Resnais, William Klein, Joris Ivens, Agnès Varda, Claude Lelouch, Jean-Luc Godard, and Chris Marker co-directed this film to express their solidarity with the struggle of the Vietnamese people. Each offers a distinct and personal perspective on this conflict, set against a backdrop of international public anger and mobilization.
_The War at Home_ examines the anti-war movement in Madison, Wisconsin, during the Vietnam War era. It focuses on the escalation of protests, especially at the University of Wisconsin, and the intense clashes between students and authorities. The film combines interviews with activists, veterans, and community leaders with archival footage to portray a decade of resistance and the war’s impact ...
An immigrant tale, reimagined. 1950s Parisian elites led by Chris Marker and Claude Lanzmann visit the newly established communist state of North Korea that claims the allegiance of the filmmaker’s grandmother during the Korean War. An autobiographical investigation of family separation, sparked by the voyage of French luminaries and their artistic output – films, photographs and published memo...
By opening forgotten boxes in the Montreal Gay Archive Center, fragments of history from the LGBTQIA2S+ community are rediscovered. Among them are Michael and René, the first couple to marry in Canada, Linda and Catherine, two owners of the lesbian bar Le Kiev, and Kimura, multidisciplinary artist of diverse origins. The portraits of these diverse characters bear witness to the diversity of Mon...
The First 54 Years: An Abbreviated Manual for Military Occupation
Duration: 3h38What is a military occupation? Through the testimonies of soldiers who carried it out, Avi Mograbi reveals the mechanisms of a colonialist occupation and sheds light on the logic behind such practices. In this exposé, the filmmaker refers to the 54 years of Israeli occupation of the Palestinian territories in the West Bank and Gaza Strip to outline a “brief manual of military occupation.”
Beaupré the Giant marked his era with his 8’3” height. Though he died young and far from home in 1904, his journey as a phenomenon was only just beginning. In a stunning series of twists and turns, his mummified body would take more than 80 years to find its way back home.
_A Bear Named Wojtek_ brings to life the extraordinary true story of a brown bear adopted by Polish soldiers in the Levant during World War II. This animated short follows Wojtek’s journey from the Persian desert to the front lines at the Battle of Monte Cassino, where he becomes both a soldier and a powerful symbol of resilience. As the soldiers form an unbreakable bond with Wojtek, the film e...
No Man Is Born to Be Stepped On
Duration: 1h12In the sertão, a desert region in northern Brazil, the vengeful spirit of a bandit of honor prowls. Lampião, who died in 1938, took justice into his own hands in a region exacerbated by agrarian conflict. Following in his footsteps, we meet the men and women who today claim to be his heirs, resisting the fascist demons of Jair Bolsonaro. Choral and poetic, bordering on the mystical, _No Man Is ...
Leaving her native village to follow her dream of becoming an actress, Hiam Abbass also left behind her mother, grandmother and seven sisters. Thirty years later, her filmmaker daughter Lina returns with her to journey through the vanished places among the scattered memories of four generations of daring Palestinian women.