Films that break conventions and invent themselves new forms in order to tell the world differently. Films that will change your perspective and open the window on unexplored possibilities, transforming reality by inventing new points of view by which we can contemplate it.
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An indeterminate location, in summer. The inhabitants of a shared apartment ask themselves where they might live. They imagine countries, communities and places. Time passes and nothing can change that, neither human action nor objects and their condition. At some point, they all drift into a deep sleep.
Women meet for the summer in a Provençal house. In a rather idyllic nature, they get active, paint, do gymnastics, rest, sometimes dressed, sometimes not. They can also be seen inside the house, busy preparing meals and always in the company of animals; cats or chickens. In spite of the fast pace of the images and the wild soundtrack, the atmosphere is serene until the separation, when the holi...
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back th...
A director is hired to make a film about the 50th anniversary of the State of Israel. During the shooting, he realizes that two other anniversaries are taking place at the same time: his own and the Nakba, the "catastrophe" for the Palestinians. At the same time, he recounts the problems caused by a piece of land he bought several years ago. The director is Avi Mograbi himself and it is not alw...
Atoms in search of immateriality
Subscription access"There is only one moral worth in this story, one essential fact: we are nothing but ridiculous sparks in the light of the universe. May we have the wisdom not to forget it." Hubert Reeves
Ron récite un poème de Baudelaire tiré d’un recueil trouvé dans la rue. Ti-Red, sortant de prison, sillonne le quartier à la recherche de sa copine autochtone. Marco et Rob, bien allumés avec du crack, doivent trouver une manière rapide de gagner de l’argent. Daguy, un artiste sans-abri qui campe à Occupons Montréal, cherche un endroit où dormir au chaud. Pendant ce temps, une manifestation spo...
In the summer of 1982, the Israeli army invaded Beirut. During this time it raided the Palestinian Research Center and looted its entire archive. The archive contained historical documents of Palestine, including a collection of still and moving images. Taking this as a premise, _A Fidai Film_ explores the visual memory of this looting and appropriates images now in the hands of Israeli archives.
Lobsters don't see themselves as red, we're the ones boiling them alive.
_Paradiso, XXXI, 108_ ironically questions our view of war and occupation through archival footage from the Israeli army in the 1960s and 1970s. Palestinian filmmaker Kamal Aljafari creates a montage revealing scenes where acts of war appear simultaneously comic, mundane, and surreal, inviting a deep reflection on the representation of violence and power.
Evolution and extinction from the point of view of rocks and various future others. The geo-biosphere is introduced as a place of evolutionary possibility, where humans disappear but life endures.
A secluded beach location, the perfect partner, the most exclusive hotel : it is the life of your dreams. Join an eerie trip to a luxurious place of unfulfilled desire, nostalgia and endless longing. Catch a unique glimpse through the polished facades of a world shaped by abundance and the reality distorting imagery of social media. Caught up in their own fantasies, the main characters wander t...
Evolution and extinction from the point of view of rocks and various future others. The geo-biosphere is introduced as a place of evolutionary possibility, where humans disappear but life endures.
_Délire atta_ takes found footage and sound from six archival films and transforms them through a process of abstraction and recontextualization. Image and sound engage in a dialogue of texture and transformation, revealing unexpected resonances within the archive and generating new possibilities from what might otherwise be seen as fixed or obsolete.
The Dissolution of the Landscape
Duration: 24 minutesThrough visual metaphors, the film offers an incursion into an inner landscape, a dive into subconscious, a mix of childhood memories and recurrent dreams, between surrealism and automatism.
_Drexciya_ portrays an abandoned swimming pool on Riviera Beach in Accra, Ghana. During the postcolonial era, at the beginning of Kwame Nkrumah's reign, the Riviera Beach Club was a luxurious hotel that thrived until the mid-1970s. The once-Olympic pool, now in a state of advanced disrepair, is now used for other purposes by the local community.
In search of a 15-day lock-in, a filmmaker finds himself trapped on a trawler in the open sea, where his distress becomes entwined with the fate of what he films. A sensory experience oscillating between anticipation and panic, this first short film has become an act of atonement for a traumatized filmmaker.
The postal system serves as more than just a means of transportation; for these two filmmakers it becomes a conduit through which they forged a connection, weaved a tapestry and created Correspondence-dance. With each shipment by mail of both camera and 8mm film, they infuse the work with their individual perspectives and practices allowing them to transcend geographical boundaries and language...
An indeterminate location, in summer. The inhabitants of a shared apartment ask themselves where they might live. They imagine countries, communities and places. Time passes and nothing can change that, neither human action nor objects and their condition. At some point, they all drift into a deep sleep.
Women meet for the summer in a Provençal house. In a rather idyllic nature, they get active, paint, do gymnastics, rest, sometimes dressed, sometimes not. They can also be seen inside the house, busy preparing meals and always in the company of animals; cats or chickens. In spite of the fast pace of the images and the wild soundtrack, the atmosphere is serene until the separation, when the holi...
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back th...
A director is hired to make a film about the 50th anniversary of the State of Israel. During the shooting, he realizes that two other anniversaries are taking place at the same time: his own and the Nakba, the "catastrophe" for the Palestinians. At the same time, he recounts the problems caused by a piece of land he bought several years ago. The director is Avi Mograbi himself and it is not alw...
Atoms in search of immateriality
Subscription access"There is only one moral worth in this story, one essential fact: we are nothing but ridiculous sparks in the light of the universe. May we have the wisdom not to forget it." Hubert Reeves
Ron récite un poème de Baudelaire tiré d’un recueil trouvé dans la rue. Ti-Red, sortant de prison, sillonne le quartier à la recherche de sa copine autochtone. Marco et Rob, bien allumés avec du crack, doivent trouver une manière rapide de gagner de l’argent. Daguy, un artiste sans-abri qui campe à Occupons Montréal, cherche un endroit où dormir au chaud. Pendant ce temps, une manifestation spo...
In the summer of 1982, the Israeli army invaded Beirut. During this time it raided the Palestinian Research Center and looted its entire archive. The archive contained historical documents of Palestine, including a collection of still and moving images. Taking this as a premise, _A Fidai Film_ explores the visual memory of this looting and appropriates images now in the hands of Israeli archives.
Lobsters don't see themselves as red, we're the ones boiling them alive.
_Paradiso, XXXI, 108_ ironically questions our view of war and occupation through archival footage from the Israeli army in the 1960s and 1970s. Palestinian filmmaker Kamal Aljafari creates a montage revealing scenes where acts of war appear simultaneously comic, mundane, and surreal, inviting a deep reflection on the representation of violence and power.
Evolution and extinction from the point of view of rocks and various future others. The geo-biosphere is introduced as a place of evolutionary possibility, where humans disappear but life endures.
A secluded beach location, the perfect partner, the most exclusive hotel : it is the life of your dreams. Join an eerie trip to a luxurious place of unfulfilled desire, nostalgia and endless longing. Catch a unique glimpse through the polished facades of a world shaped by abundance and the reality distorting imagery of social media. Caught up in their own fantasies, the main characters wander t...
Evolution and extinction from the point of view of rocks and various future others. The geo-biosphere is introduced as a place of evolutionary possibility, where humans disappear but life endures.
_Délire atta_ takes found footage and sound from six archival films and transforms them through a process of abstraction and recontextualization. Image and sound engage in a dialogue of texture and transformation, revealing unexpected resonances within the archive and generating new possibilities from what might otherwise be seen as fixed or obsolete.
The Dissolution of the Landscape
Duration: 24 minutesThrough visual metaphors, the film offers an incursion into an inner landscape, a dive into subconscious, a mix of childhood memories and recurrent dreams, between surrealism and automatism.
_Drexciya_ portrays an abandoned swimming pool on Riviera Beach in Accra, Ghana. During the postcolonial era, at the beginning of Kwame Nkrumah's reign, the Riviera Beach Club was a luxurious hotel that thrived until the mid-1970s. The once-Olympic pool, now in a state of advanced disrepair, is now used for other purposes by the local community.
In search of a 15-day lock-in, a filmmaker finds himself trapped on a trawler in the open sea, where his distress becomes entwined with the fate of what he films. A sensory experience oscillating between anticipation and panic, this first short film has become an act of atonement for a traumatized filmmaker.
The postal system serves as more than just a means of transportation; for these two filmmakers it becomes a conduit through which they forged a connection, weaved a tapestry and created Correspondence-dance. With each shipment by mail of both camera and 8mm film, they infuse the work with their individual perspectives and practices allowing them to transcend geographical boundaries and language...