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_Somber Tides_ is a cry from the species, startled into survival against the elements; one last breath before being trampled by the Earth or maybe conversely a battle to wage against winds and tides clutching on before extinction.
Auto Portrait / Self Portrait Post Partum
New product!_Auto Portrait / Self Portrait Post Partum_ is a first person autobiographical experimental film exploring the ramifications of the devastating breakup of a romantic relationship. A triptych of self-portraits — entire camera rolls, each subjected to different methods of intervention with the celluloid itself — are intercut with short excerpts of altered footage from a B movie trailer and punctu...
L'éclat du mal / The Bleeding Heart of It
New product!The house that bursts; the scene of the crime; the nucleus. A universe collapses on itself: all hell breaks loose.
_Jours en fleurs_ is a reclamation of flower-power that celebrates both the fertile and the fierce forces of nature, reinventing their relationship to the feminine. Images of flowering trees soaked in menstrual blood for several months undergo a gestation of decay, whose visceral ravages give rise to a beauty that is at once dark and luminous, endowing them with the Baudelairean “formless and m...
An enclosed space, a struggle against the constraints of personal isolation explored through a fractured narrative. A man living in a broken-down rented room in a Tourist Inn travels through his drunkenness, his memories and his fantasies, transcending the limits of time and space which suddenly intertwine. A film about loss and absence.
A poetic reflection on the fluid nature of identity, _My Two Voices_ focuses on Ana, Claudia, and Marinela, three Latin American women who share their intimate experiences of immigrating to Canada while reflecting on themes of violence, belonging, motherhood, and reconciliation.
After a Dantean journey, women from Nigeria arrive alone and ever younger in Italy, looking for a better life. Such horrors as human trafficking and sexual slavery are waiting for them, as we discover in this ensemble film, featuring harrowing stories told in a sensible way that spares us from the unbearable. These tales provoke a broader reflection on migration and otherness.
Renowned Inuit lawyer Aaju Peter has led a lifelong fight for the rights of her people. A member of a historically marginalized and oppressed community, Aaju’s heritage puts her in the unique position of someone who has been “twice colonized” – first by European settlers who arrived in the Arctic, and then by modern-day Canadian policies and institutions. But while launching an effort to establ...
_Dog Stories_ reveals as much about the people telling the stories as the dogs they are describing. The dog owners are more honest about their feelings about a dog than almost any other aspect of their lives, and in the process they reveal a lot about themselves.
Robert Frank revolutionised photography and independent film. He documented the Beats, Welsh coal miners, Peruvian Indians, The Stones, London bankers, and the Americans. This is the bumpy ride, revealed with unblinking honesty by the reclusive artist himself.
A frenetic gaze sweeps over a convulsed Mexico City, a colossal metropolis sustained by the myth of multiracialism and other colonial forms of violence. Past and present intertwine in a flurry of images—fragmented memories of this land. Ancient deities are incarnated, while dreams overlap with intimacy, complicity, and tumult. This is an erratic film that invites us to reimagine our complex rel...
_The Woodland Threshold_ takes us on an introspective journey into the heart of the Laotian forest. The film follows Dao's journey, letting her thoughts wander to the rhythm of her footsteps, venturing into the depths of her memory. Between the parks of Rennes, where she lives, and the jungles of northern Laos, we wander with her on an inner journey, where the boundary between past and present ...
_Atalaya_ means "watchtower" in Spanish. It’s also the name of the Chilean islands where, in 1998, debris was found from the boat belonging to the filmmaker’s seafaring father, Gerry Roufs, lost at sea. It’s also a key word of the book _Une Atalaya pour Gerry Roufs_ written by her mother, Michèle Cartier, which recounts the search she undertook to find him in 1997-1998. _Atalaya_ is the filmmak...
With this film, Émilie attempts to understand the mystery of her universe: her mother Meaud. Magical grandmother, broken child, punk mother, spontaneous feminist, she fascinates as much as she disrupts. The film invites the audience to dive into an intimate odyssey, an intergalactic journey through the psyche.
A child raised in the mountains yearns to grasp reality. The inner and outer world get blurred in his mind as he evokes his obsessions and captures his surroundings with a camera.
What does it mean to represent the visual traces of environmental destruction? How to communicate the temporality of global heating in a time-based medium? These are the questions tackled by this experimental documentary exploring permafrost thaw and its effects on diverse ecosystems.
Ninan Auassat: We, the Children
Duration: 3h02Filmed over more than six years, this feature-length documentary follows the journeys of three groups of children from different Indigenous nations (Atikamekw, Eeyou Cree, and Innu). In following these young people through the crucial milestones of childhood, right to the threshold of adulthood, we witness their daily lives and aspirations, along with the challenges they face. Filmed from “a ch...
An indeterminate location, in summer. The inhabitants of a shared apartment ask themselves where they might live. They imagine countries, communities and places. Time passes and nothing can change that, neither human action nor objects and their condition. At some point, they all drift into a deep sleep.
_Somber Tides_ is a cry from the species, startled into survival against the elements; one last breath before being trampled by the Earth or maybe conversely a battle to wage against winds and tides clutching on before extinction.
Auto Portrait / Self Portrait Post Partum
New product!_Auto Portrait / Self Portrait Post Partum_ is a first person autobiographical experimental film exploring the ramifications of the devastating breakup of a romantic relationship. A triptych of self-portraits — entire camera rolls, each subjected to different methods of intervention with the celluloid itself — are intercut with short excerpts of altered footage from a B movie trailer and punctu...
L'éclat du mal / The Bleeding Heart of It
New product!The house that bursts; the scene of the crime; the nucleus. A universe collapses on itself: all hell breaks loose.
_Jours en fleurs_ is a reclamation of flower-power that celebrates both the fertile and the fierce forces of nature, reinventing their relationship to the feminine. Images of flowering trees soaked in menstrual blood for several months undergo a gestation of decay, whose visceral ravages give rise to a beauty that is at once dark and luminous, endowing them with the Baudelairean “formless and m...
An enclosed space, a struggle against the constraints of personal isolation explored through a fractured narrative. A man living in a broken-down rented room in a Tourist Inn travels through his drunkenness, his memories and his fantasies, transcending the limits of time and space which suddenly intertwine. A film about loss and absence.
A poetic reflection on the fluid nature of identity, _My Two Voices_ focuses on Ana, Claudia, and Marinela, three Latin American women who share their intimate experiences of immigrating to Canada while reflecting on themes of violence, belonging, motherhood, and reconciliation.
After a Dantean journey, women from Nigeria arrive alone and ever younger in Italy, looking for a better life. Such horrors as human trafficking and sexual slavery are waiting for them, as we discover in this ensemble film, featuring harrowing stories told in a sensible way that spares us from the unbearable. These tales provoke a broader reflection on migration and otherness.
Renowned Inuit lawyer Aaju Peter has led a lifelong fight for the rights of her people. A member of a historically marginalized and oppressed community, Aaju’s heritage puts her in the unique position of someone who has been “twice colonized” – first by European settlers who arrived in the Arctic, and then by modern-day Canadian policies and institutions. But while launching an effort to establ...
_Dog Stories_ reveals as much about the people telling the stories as the dogs they are describing. The dog owners are more honest about their feelings about a dog than almost any other aspect of their lives, and in the process they reveal a lot about themselves.
Robert Frank revolutionised photography and independent film. He documented the Beats, Welsh coal miners, Peruvian Indians, The Stones, London bankers, and the Americans. This is the bumpy ride, revealed with unblinking honesty by the reclusive artist himself.
A frenetic gaze sweeps over a convulsed Mexico City, a colossal metropolis sustained by the myth of multiracialism and other colonial forms of violence. Past and present intertwine in a flurry of images—fragmented memories of this land. Ancient deities are incarnated, while dreams overlap with intimacy, complicity, and tumult. This is an erratic film that invites us to reimagine our complex rel...
_The Woodland Threshold_ takes us on an introspective journey into the heart of the Laotian forest. The film follows Dao's journey, letting her thoughts wander to the rhythm of her footsteps, venturing into the depths of her memory. Between the parks of Rennes, where she lives, and the jungles of northern Laos, we wander with her on an inner journey, where the boundary between past and present ...
_Atalaya_ means "watchtower" in Spanish. It’s also the name of the Chilean islands where, in 1998, debris was found from the boat belonging to the filmmaker’s seafaring father, Gerry Roufs, lost at sea. It’s also a key word of the book _Une Atalaya pour Gerry Roufs_ written by her mother, Michèle Cartier, which recounts the search she undertook to find him in 1997-1998. _Atalaya_ is the filmmak...
With this film, Émilie attempts to understand the mystery of her universe: her mother Meaud. Magical grandmother, broken child, punk mother, spontaneous feminist, she fascinates as much as she disrupts. The film invites the audience to dive into an intimate odyssey, an intergalactic journey through the psyche.
A child raised in the mountains yearns to grasp reality. The inner and outer world get blurred in his mind as he evokes his obsessions and captures his surroundings with a camera.
What does it mean to represent the visual traces of environmental destruction? How to communicate the temporality of global heating in a time-based medium? These are the questions tackled by this experimental documentary exploring permafrost thaw and its effects on diverse ecosystems.
Ninan Auassat: We, the Children
Duration: 3h02Filmed over more than six years, this feature-length documentary follows the journeys of three groups of children from different Indigenous nations (Atikamekw, Eeyou Cree, and Innu). In following these young people through the crucial milestones of childhood, right to the threshold of adulthood, we witness their daily lives and aspirations, along with the challenges they face. Filmed from “a ch...
An indeterminate location, in summer. The inhabitants of a shared apartment ask themselves where they might live. They imagine countries, communities and places. Time passes and nothing can change that, neither human action nor objects and their condition. At some point, they all drift into a deep sleep.