94 products
Orlando, My Political Biography
Duration: 1h38Virginia Woolf wrote Orlando in 1928, the first novel in which the hero, who becomes a heroine, lives through five centuries (1588-1928) and changes gender in the middle of the story. A century later, researcher, curator, author, and transgender activist Paul B. Preciado decided to send a filmed letter to Virginia Woolf: his Orlando had stepped out of her fiction and was living a life she could...
Carole Roussopoulos, A Woman With Her Camera
Subscription accessLe parcours de vie de Carole de Kalbermatten, Valaisanne de bonne famille qui, à 21 ans, gagne Paris, où elle rencontre Paul Roussopoulos. Le film a pour centre son travail de pionnière de la vidéo et pour périphérie son couple, l'amour comme source d'énergie permanente, une incessante complicité créatrice, la politique, la découverte des premiers outils de la vidéo, Jean Genet, la Palestine...
Legends, The Living Art of Risqué
Subscription accessA tribute to the North American pioneers of striptease and the golden age of burlesque coupled with a reflection on sex and gender. Today's elderly women from modest families pose for photographer Marie Baronnet in their work clothes. They evoke their life on the roads, the stage, the struggle for their rights, the transformation of their bodies. These archival images give an idea of their l...
La Conférence des Femmes. Nairobi 85
Subscription accessAfter Mexico City 1975 and Copenhagen 1980, the United Nations chose Kenya for the 3rd World Conference on Women. Parallel to the official Conference of States is held in July 1985 the Forum of Non-Governmental Organizations (NGO), in which 12,000 women participate. For ten days, on the University campus, they meet to discuss general and feminist political issues: peace, development, apartheid,...
Lydie Jean-Dit-Pannel, haunted by a stay in the Fukushima region, produces an engaged video poetry dealing with the risks and disasters of civil and military nuclear power. She uses the character she has created for herself, the "lady butterfly", as a vector and makes it coincide with an iconic character, Psyche, who serves as her guide, in a poetic and ironic way. A testimony and a solitary,...
Women meet for the summer in a Provençal house. In a rather idyllic nature, they get active, paint, do gymnastics, rest, sometimes dressed, sometimes not. They can also be seen inside the house, busy preparing meals and always in the company of animals; cats or chickens. In spite of the fast pace of the images and the wild soundtrack, the atmosphere is serene until the separation, when the holi...
The feminist video collective Les Insoumuses dissects and responds point by point in a humorous way to Bernard Pivot's special program with Françoise Giroud, Secretary of State for the Status of Women. "On December 30th 1975, after watching Bernard Pivot's programme on Antenne 2 entitled \*One more day and the year of the woman, phew! It'll be over\*, we felt the immense need to express our p...
Tyr and Jasa grew up in an artistic household where art was a way of life. Quirky and insightful sisters, Tyr is a musician and singer while Jasa is an interdisciplinary artist. Inspired by their great-grandmother’s recordings of Icelandic folk songs, they have developed artistic practices that draw on their colourful imaginations and Icelandic roots. Their exploration leads them to journey to ...
In 1971, the Front homosexuel d'action révolutionnaire (FHAR) participated in the May Day parade and denounced sexual discrimination. The images recorded during the demonstration punctuate excerpts from a public meeting where the issues raised by the movement are discussed. Normative heterosexuality being the reflection of bourgeois society, conscious homosexuality represents a revolutionary fo...
Calamity Jane & Delphine Seyrig, A Story
Subscription accessThis film is a tribute to Delphine Seyrig and her fascination with the book _Calamity Jane's Letters to her Daughter_. These letters, which are letters from a mother to her absent daughter, became an emblem of feminism in the late 1970s. Seyrig had planned to make a film about Calamity Jane in order to reveal all of the sensitivity she expressed, as well as her view on life, shared in these let...
With the help of a sketch, a little girl illustrates how space and games are divided up during recess at school, especially between boys and girls, and explains how this is a daily problem for her. Despite her various attempts to change things, she cannot find a solution—especially since the issue remains invisible to others, children and adults alike, who don’t seem to be concerned. What emerg...
Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
Duration: 1h00The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...
Filmmaker Jocelyne Saab gives a voice to Palestinian women, often overlooked victims of the Israeli-Palestinian conflict.
Nous sortirons de nos cuisines - Épisode 2 - Môman travaille pas, a trop d’ouvrage! (1974-75)
Duration: 1h01The UN declared 1975 the “International Women's Year,” ironically using the singular form in French (Année internationale de la femme). It was a pivotal time: more and more women were divorcing or entering the workforce. Yet a pregnancy was enough to justify dismissal, and maternity leave would not exist until 1979. The members of Théâtre des Cuisines returned to the stage with their second pla...
Nous sortirons de nos cuisines - Épisode 1 - Nous aurons les enfants que nous voulons (1968-74)
Duration: 1h02Montreal, 1973. Canadian law now permits abortion. But the criteria are very restrictive, and women depend on the goodwill—more often the ill will—of the men sitting on the committees that approve or deny them. Quebec is the province where it is most difficult to terminate an unwanted pregnancy, and clandestine abortions are common: they are the leading cause of hospitalization among women. Yet...
Marketing pitches between 1940 and 1970 lead to believe that new technologies facilitating household chores were responsible for women's emancipation in the 20th century. By reusing commercials and television archives, this retro futurist feminist essay questions this capitalist discourse in order to examine the relationship between women and technology.
Can a woman fully realize herself while embracing the demands of motherhood? Filmed during an actual pregnancy and based on the journal director Anne Claire Poirier kept during one of her own, this documentary captures the pregnant female body, revealing the emotions and anxieties that accompany this transformative experience.
“A few cabins built along a hillside, on the margins of society and without men. A refuge, a space for collective and feminist transformation. From this edge of the world, alongside those who build it, I question my place in nature and in society, in my relationship, the freedom of my body, and the choice to have a child.” (Éva Tourrent)
Orlando, My Political Biography
Duration: 1h38Virginia Woolf wrote Orlando in 1928, the first novel in which the hero, who becomes a heroine, lives through five centuries (1588-1928) and changes gender in the middle of the story. A century later, researcher, curator, author, and transgender activist Paul B. Preciado decided to send a filmed letter to Virginia Woolf: his Orlando had stepped out of her fiction and was living a life she could...
Carole Roussopoulos, A Woman With Her Camera
Subscription accessLe parcours de vie de Carole de Kalbermatten, Valaisanne de bonne famille qui, à 21 ans, gagne Paris, où elle rencontre Paul Roussopoulos. Le film a pour centre son travail de pionnière de la vidéo et pour périphérie son couple, l'amour comme source d'énergie permanente, une incessante complicité créatrice, la politique, la découverte des premiers outils de la vidéo, Jean Genet, la Palestine...
Legends, The Living Art of Risqué
Subscription accessA tribute to the North American pioneers of striptease and the golden age of burlesque coupled with a reflection on sex and gender. Today's elderly women from modest families pose for photographer Marie Baronnet in their work clothes. They evoke their life on the roads, the stage, the struggle for their rights, the transformation of their bodies. These archival images give an idea of their l...
La Conférence des Femmes. Nairobi 85
Subscription accessAfter Mexico City 1975 and Copenhagen 1980, the United Nations chose Kenya for the 3rd World Conference on Women. Parallel to the official Conference of States is held in July 1985 the Forum of Non-Governmental Organizations (NGO), in which 12,000 women participate. For ten days, on the University campus, they meet to discuss general and feminist political issues: peace, development, apartheid,...
Lydie Jean-Dit-Pannel, haunted by a stay in the Fukushima region, produces an engaged video poetry dealing with the risks and disasters of civil and military nuclear power. She uses the character she has created for herself, the "lady butterfly", as a vector and makes it coincide with an iconic character, Psyche, who serves as her guide, in a poetic and ironic way. A testimony and a solitary,...
Women meet for the summer in a Provençal house. In a rather idyllic nature, they get active, paint, do gymnastics, rest, sometimes dressed, sometimes not. They can also be seen inside the house, busy preparing meals and always in the company of animals; cats or chickens. In spite of the fast pace of the images and the wild soundtrack, the atmosphere is serene until the separation, when the holi...
The feminist video collective Les Insoumuses dissects and responds point by point in a humorous way to Bernard Pivot's special program with Françoise Giroud, Secretary of State for the Status of Women. "On December 30th 1975, after watching Bernard Pivot's programme on Antenne 2 entitled \*One more day and the year of the woman, phew! It'll be over\*, we felt the immense need to express our p...
Tyr and Jasa grew up in an artistic household where art was a way of life. Quirky and insightful sisters, Tyr is a musician and singer while Jasa is an interdisciplinary artist. Inspired by their great-grandmother’s recordings of Icelandic folk songs, they have developed artistic practices that draw on their colourful imaginations and Icelandic roots. Their exploration leads them to journey to ...
In 1971, the Front homosexuel d'action révolutionnaire (FHAR) participated in the May Day parade and denounced sexual discrimination. The images recorded during the demonstration punctuate excerpts from a public meeting where the issues raised by the movement are discussed. Normative heterosexuality being the reflection of bourgeois society, conscious homosexuality represents a revolutionary fo...
Calamity Jane & Delphine Seyrig, A Story
Subscription accessThis film is a tribute to Delphine Seyrig and her fascination with the book _Calamity Jane's Letters to her Daughter_. These letters, which are letters from a mother to her absent daughter, became an emblem of feminism in the late 1970s. Seyrig had planned to make a film about Calamity Jane in order to reveal all of the sensitivity she expressed, as well as her view on life, shared in these let...
With the help of a sketch, a little girl illustrates how space and games are divided up during recess at school, especially between boys and girls, and explains how this is a daily problem for her. Despite her various attempts to change things, she cannot find a solution—especially since the issue remains invisible to others, children and adults alike, who don’t seem to be concerned. What emerg...
Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
Duration: 1h00The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...
Filmmaker Jocelyne Saab gives a voice to Palestinian women, often overlooked victims of the Israeli-Palestinian conflict.
Nous sortirons de nos cuisines - Épisode 2 - Môman travaille pas, a trop d’ouvrage! (1974-75)
Duration: 1h01The UN declared 1975 the “International Women's Year,” ironically using the singular form in French (Année internationale de la femme). It was a pivotal time: more and more women were divorcing or entering the workforce. Yet a pregnancy was enough to justify dismissal, and maternity leave would not exist until 1979. The members of Théâtre des Cuisines returned to the stage with their second pla...
Nous sortirons de nos cuisines - Épisode 1 - Nous aurons les enfants que nous voulons (1968-74)
Duration: 1h02Montreal, 1973. Canadian law now permits abortion. But the criteria are very restrictive, and women depend on the goodwill—more often the ill will—of the men sitting on the committees that approve or deny them. Quebec is the province where it is most difficult to terminate an unwanted pregnancy, and clandestine abortions are common: they are the leading cause of hospitalization among women. Yet...
Marketing pitches between 1940 and 1970 lead to believe that new technologies facilitating household chores were responsible for women's emancipation in the 20th century. By reusing commercials and television archives, this retro futurist feminist essay questions this capitalist discourse in order to examine the relationship between women and technology.
Can a woman fully realize herself while embracing the demands of motherhood? Filmed during an actual pregnancy and based on the journal director Anne Claire Poirier kept during one of her own, this documentary captures the pregnant female body, revealing the emotions and anxieties that accompany this transformative experience.
“A few cabins built along a hillside, on the margins of society and without men. A refuge, a space for collective and feminist transformation. From this edge of the world, alongside those who build it, I question my place in nature and in society, in my relationship, the freedom of my body, and the choice to have a child.” (Éva Tourrent)