176 products
Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
New product!The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...
Nous sortirons de nos cuisines - Épisode 2 - Môman travaille pas, a trop d’ouvrage! (1974-75)
Duration: 1h01The UN declared 1975 the “International Women's Year,” ironically using the singular form in French (Année internationale de la femme). It was a pivotal time: more and more women were divorcing or entering the workforce. Yet a pregnancy was enough to justify dismissal, and maternity leave would not exist until 1979. The members of Théâtre des Cuisines returned to the stage with their second pla...
Nous sortirons de nos cuisines - Épisode 1 - Nous aurons les enfants que nous voulons (1968-74)
Duration: 1h02Montreal, 1973. Canadian law now permits abortion. But the criteria are very restrictive, and women depend on the goodwill—more often the ill will—of the men sitting on the committees that approve or deny them. Quebec is the province where it is most difficult to terminate an unwanted pregnancy, and clandestine abortions are common: they are the leading cause of hospitalization among women. Yet...
During the colonial era, Gaspar Yanga was kidnapped from the African coast, brought to Mexico, and enslaved. Though forced to work on the master's plantation, he never stopped dreaming of freedom. Based on historical facts and using shadow theatre with hand-drawn animation, _Nyanga_ pays tribute to the resistance against the chains of colonialism.
In 1967, Alain Resnais, William Klein, Joris Ivens, Agnès Varda, Claude Lelouch, Jean-Luc Godard, and Chris Marker co-directed this film to express their solidarity with the struggle of the Vietnamese people. Each offers a distinct and personal perspective on this conflict, set against a backdrop of international public anger and mobilization.
_The War at Home_ examines the anti-war movement in Madison, Wisconsin, during the Vietnam War era. It focuses on the escalation of protests, especially at the University of Wisconsin, and the intense clashes between students and authorities. The film combines interviews with activists, veterans, and community leaders with archival footage to portray a decade of resistance and the war’s impact ...
In 1969, black female hospital workers in Charleston, South Carolina, went on strike for union recognition and a wage increase, only to find themselves in a confrontation with the state government and the National Guard.
Since 2010, Parthenais has held within its walls the life of a whole queer community. They are gay, lesbian, trans, and they live together in Centre-Sud in the heart of Montreal, in a triplex that is falling apart. Between the parties that sometimes welcome more than two hundred people until the wee hours of the morning, the collective dinners, the great joys and the small despairs, this old fl...
In 1973, the James Bay Festival took place over nine days in Montreal. This historic one-of-a-kind event was held in support of the James Bay Cree whose territory, resources and culture were threatened by the expansion of hydro-electric dams. First Nations, Métis and Inuit performers came from across North America to show their support in an act of Indigenous unity and solidarity few people in ...
As they learn about _Le balai Libéré_, a self-managed cleaning company from the 1970s, today’s cleaners on the same Belgian university campus question their working conditions and whether self-management is still possible today.
No Man Is Born to Be Stepped On
Duration: 1h12In the sertão, a desert region in northern Brazil, the vengeful spirit of a bandit of honor prowls. Lampião, who died in 1938, took justice into his own hands in a region exacerbated by agrarian conflict. Following in his footsteps, we meet the men and women who today claim to be his heirs, resisting the fascist demons of Jair Bolsonaro. Choral and poetic, bordering on the mystical, _No Man Is ...
Riace, Calabria. After 20 years of harmony, this village, which had made welcoming migrants its future, became the target of the populist wave consuming Italy. The venom has spread and Domenico Lucano, its mayor, is the object of a cabal and forced into exile. After months of painstaking destruction, Riace faces a dilemma: resist or disappear.
Filmmaker Arum Nam's parents are part of the proud 386 generation, which played a significant role in achieving democratization in South Korea. Eager to pass on a better world to Arum, her father became a public servant, and her mother, a feminist activist. But Arum’s perspective shifts at 18 with the Sewol ferry disaster. Also reflecting on events like #MeToo and impeachment, Arum ponders her ...
Kímmapiiyipitssini : The Meaning of Empathy
Duration: 4h10Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.
From 2018 to 2022, a group of citizens who support or carry out actions to welcome exiles crossing the French-Italian border, particularly in the Roya Valley, are initiating a “New Sponsors” commission. They invited the artist Marie Voignier to create a film based on a collective human experience, through the notions of welcome, hospitality and solidarity.
_Into the Light_ features the liberating life stories and powerful words of inspiring Quebec women of African origin who’ve regained control over their lives after suffering from domestic violence. The film transcends prejudice and breaks the silence, pulling back the curtain on a poorly understood, hidden world, while testifying to the tremendous power that comes from overcoming isolation and ...
A documentary demonstrating how the formation of a food-buying club by a group of Newark welfare mothers brought about a necessary change in the community.
In April 2019, a nonviolent youth-led movement in Sudan toppled the genocidal military regime that had been in power for three decades. After the fall, Sudanese from across the country made their way to Khartoum to demand a peaceful transition to civilian rule. There they formed a sit-in protest, where art became the means to conjure a new Sudan. Having known nothing other than state-sponsored ...
Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
New product!The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...
Nous sortirons de nos cuisines - Épisode 2 - Môman travaille pas, a trop d’ouvrage! (1974-75)
Duration: 1h01The UN declared 1975 the “International Women's Year,” ironically using the singular form in French (Année internationale de la femme). It was a pivotal time: more and more women were divorcing or entering the workforce. Yet a pregnancy was enough to justify dismissal, and maternity leave would not exist until 1979. The members of Théâtre des Cuisines returned to the stage with their second pla...
Nous sortirons de nos cuisines - Épisode 1 - Nous aurons les enfants que nous voulons (1968-74)
Duration: 1h02Montreal, 1973. Canadian law now permits abortion. But the criteria are very restrictive, and women depend on the goodwill—more often the ill will—of the men sitting on the committees that approve or deny them. Quebec is the province where it is most difficult to terminate an unwanted pregnancy, and clandestine abortions are common: they are the leading cause of hospitalization among women. Yet...
During the colonial era, Gaspar Yanga was kidnapped from the African coast, brought to Mexico, and enslaved. Though forced to work on the master's plantation, he never stopped dreaming of freedom. Based on historical facts and using shadow theatre with hand-drawn animation, _Nyanga_ pays tribute to the resistance against the chains of colonialism.
In 1967, Alain Resnais, William Klein, Joris Ivens, Agnès Varda, Claude Lelouch, Jean-Luc Godard, and Chris Marker co-directed this film to express their solidarity with the struggle of the Vietnamese people. Each offers a distinct and personal perspective on this conflict, set against a backdrop of international public anger and mobilization.
_The War at Home_ examines the anti-war movement in Madison, Wisconsin, during the Vietnam War era. It focuses on the escalation of protests, especially at the University of Wisconsin, and the intense clashes between students and authorities. The film combines interviews with activists, veterans, and community leaders with archival footage to portray a decade of resistance and the war’s impact ...
In 1969, black female hospital workers in Charleston, South Carolina, went on strike for union recognition and a wage increase, only to find themselves in a confrontation with the state government and the National Guard.
Since 2010, Parthenais has held within its walls the life of a whole queer community. They are gay, lesbian, trans, and they live together in Centre-Sud in the heart of Montreal, in a triplex that is falling apart. Between the parties that sometimes welcome more than two hundred people until the wee hours of the morning, the collective dinners, the great joys and the small despairs, this old fl...
In 1973, the James Bay Festival took place over nine days in Montreal. This historic one-of-a-kind event was held in support of the James Bay Cree whose territory, resources and culture were threatened by the expansion of hydro-electric dams. First Nations, Métis and Inuit performers came from across North America to show their support in an act of Indigenous unity and solidarity few people in ...
As they learn about _Le balai Libéré_, a self-managed cleaning company from the 1970s, today’s cleaners on the same Belgian university campus question their working conditions and whether self-management is still possible today.
No Man Is Born to Be Stepped On
Duration: 1h12In the sertão, a desert region in northern Brazil, the vengeful spirit of a bandit of honor prowls. Lampião, who died in 1938, took justice into his own hands in a region exacerbated by agrarian conflict. Following in his footsteps, we meet the men and women who today claim to be his heirs, resisting the fascist demons of Jair Bolsonaro. Choral and poetic, bordering on the mystical, _No Man Is ...
Riace, Calabria. After 20 years of harmony, this village, which had made welcoming migrants its future, became the target of the populist wave consuming Italy. The venom has spread and Domenico Lucano, its mayor, is the object of a cabal and forced into exile. After months of painstaking destruction, Riace faces a dilemma: resist or disappear.
Filmmaker Arum Nam's parents are part of the proud 386 generation, which played a significant role in achieving democratization in South Korea. Eager to pass on a better world to Arum, her father became a public servant, and her mother, a feminist activist. But Arum’s perspective shifts at 18 with the Sewol ferry disaster. Also reflecting on events like #MeToo and impeachment, Arum ponders her ...
Kímmapiiyipitssini : The Meaning of Empathy
Duration: 4h10Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.
From 2018 to 2022, a group of citizens who support or carry out actions to welcome exiles crossing the French-Italian border, particularly in the Roya Valley, are initiating a “New Sponsors” commission. They invited the artist Marie Voignier to create a film based on a collective human experience, through the notions of welcome, hospitality and solidarity.
_Into the Light_ features the liberating life stories and powerful words of inspiring Quebec women of African origin who’ve regained control over their lives after suffering from domestic violence. The film transcends prejudice and breaks the silence, pulling back the curtain on a poorly understood, hidden world, while testifying to the tremendous power that comes from overcoming isolation and ...
A documentary demonstrating how the formation of a food-buying club by a group of Newark welfare mothers brought about a necessary change in the community.
In April 2019, a nonviolent youth-led movement in Sudan toppled the genocidal military regime that had been in power for three decades. After the fall, Sudanese from across the country made their way to Khartoum to demand a peaceful transition to civilian rule. There they formed a sit-in protest, where art became the means to conjure a new Sudan. Having known nothing other than state-sponsored ...