190 products
Legends, The Living Art of Risqué
Subscription accessA tribute to the North American pioneers of striptease and the golden age of burlesque coupled with a reflection on sex and gender. Today's elderly women from modest families pose for photographer Marie Baronnet in their work clothes. They evoke their life on the roads, the stage, the struggle for their rights, the transformation of their bodies. These archival images give an idea of their liv...
La Conférence des Femmes. Nairobi 85
Subscription accessAfter Mexico City 1975 and Copenhagen 1980, the United Nations chose Kenya for the 3rd World Conference on Women. Parallel to the official Conference of States is held in July 1985 the Forum of Non-Governmental Organizations (NGO), in which 12,000 women participate. For ten days, on the University campus, they meet to discuss general and feminist political issues: peace, development, apartheid,...
Lydie Jean-Dit-Pannel, haunted by a stay in the Fukushima region, produces an engaged video poetry dealing with the risks and disasters of civil and military nuclear power. She uses the character she has created for herself, the "lady butterfly", as a vector and makes it coincide with an iconic character, Psyche, who serves as her guide, in a poetic and ironic way. A testimony and a solitary, a...
The feminist video collective Les Insoumuses dissects and responds point by point in a humorous way to Bernard Pivot's special program with Françoise Giroud, Secretary of State for the Status of Women. "On December 30th 1975, after watching Bernard Pivot's programme on Antenne 2 entitled \*One more day and the year of the woman, phew! It'll be over\*, we felt the immense need to express our po...
Patients arrive in the consultation room every day, broken, sick and scarred by life. In front of them sits a committed person who tries, without false hope, to repair bodies and psyches. At night, when the clinic doors are closed, the street outreach workers take to the streets to extend their support to all those unfortunate women who have chosen the streets as their home.
zo reken ("shark bone") is the nickname given in Haiti to the Toyota Land Cruiser, a powerful all-terrain vehicle, very popular with international humanitarian organizations that have been present in the country since the 2010 earthquake. Ten years later, a \*zo reken\* is diverted from its usual use to become a mobile space for meetings and discussions between Haitians. No more foreign humanit...
I'll Come To You With Deaf Eyes
Subscription accessThis film is a letter to my friend Vincent who died ten years ago. Vincent was Deaf. He introduced me to his language, his culture, his world. Through Vincent's life, the film examines the roots of the distress that plagues the Deaf, and also explore a rich and fascinating world, a people that struggles to preserve its language and culture.
A documentary about the vast political mobilization that took place in Quebec during the spring of 2012. Initially propelled by the student strike for accessible education, the scope of the movement soon broadened to take on the government, the impunity and violence of the Montreal police force, the exploitation of untapped natural resources, and the current economic system.
In 1971, the Front homosexuel d'action révolutionnaire (FHAR) participated in the May Day parade and denounced sexual discrimination. The images recorded during the demonstration punctuate excerpts from a public meeting where the issues raised by the movement are discussed. Normative heterosexuality being the reflection of bourgeois society, conscious homosexuality represents a revolutionary fo...
In the Roya valley located between France and Italy, thousands of migrants try to cross the border each month in search for a better life. Cédric Herrou, a local farmer, has been welcoming migrants at his home since the beginning of the crisis, turning his backyard into a much-needed shelter. With the help of friends and volunteers, he challenges French immigration policies which make impossibl...
Léa Roback, sa vie, son action, son engagement. À travers les « lumières » d’une militante québécoise juive, Léa Roback, féministe, syndicaliste, pacifiste et communiste, \_Des lumières dans la grande noirceur\_ propose une vision moderniste de l’histoire du Québec, du début du XXe siècle jusqu’aux années duplessistes de la Grande Noirceur.
Around 1970, between Kashima and Tokyo, the Narita Airport was under construction. Local farmers refused to sell their land and confronted the riot police sent to evict them. Through these symbolic sites of Japan’s modernization, _Kashima Paradise_ offers a sociological portrait of a nation and reveals how ancestral traditions were exploited by capitalism to accelerate social and political chan...
La république des Beaux-Arts - La malédiction de la momie
Duration: 2h30This film traces the history of the École des beaux-arts de Montréal, from its founding in 1923 to its dissolution in 1969, when it was integrated into the Université du Québec à Montréal. At that time, tensions were rising within the education system: CEGEPs and universities were being occupied by students. In this climate of protest, the students of the École des beaux-arts seized control of ...
With the help of a sketch, a little girl illustrates how space and games are divided up during recess at school, especially between boys and girls, and explains how this is a daily problem for her. Despite her various attempts to change things, she cannot find a solution—especially since the issue remains invisible to others, children and adults alike, who don’t seem to be concerned. What emerg...
Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
Duration: 1h00The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...
Nous sortirons de nos cuisines - Épisode 2 - Môman travaille pas, a trop d’ouvrage! (1974-75)
Duration: 1h01The UN declared 1975 the “International Women's Year,” ironically using the singular form in French (Année internationale de la femme). It was a pivotal time: more and more women were divorcing or entering the workforce. Yet a pregnancy was enough to justify dismissal, and maternity leave would not exist until 1979. The members of Théâtre des Cuisines returned to the stage with their second pla...
Nous sortirons de nos cuisines - Épisode 1 - Nous aurons les enfants que nous voulons (1968-74)
Duration: 1h02Montreal, 1973. Canadian law now permits abortion. But the criteria are very restrictive, and women depend on the goodwill—more often the ill will—of the men sitting on the committees that approve or deny them. Quebec is the province where it is most difficult to terminate an unwanted pregnancy, and clandestine abortions are common: they are the leading cause of hospitalization among women. Yet...
During the colonial era, Gaspar Yanga was kidnapped from the African coast, brought to Mexico, and enslaved. Though forced to work on the master's plantation, he never stopped dreaming of freedom. Based on historical facts and using shadow theatre with hand-drawn animation, _Nyanga_ pays tribute to the resistance against the chains of colonialism.
Legends, The Living Art of Risqué
Subscription accessA tribute to the North American pioneers of striptease and the golden age of burlesque coupled with a reflection on sex and gender. Today's elderly women from modest families pose for photographer Marie Baronnet in their work clothes. They evoke their life on the roads, the stage, the struggle for their rights, the transformation of their bodies. These archival images give an idea of their liv...
La Conférence des Femmes. Nairobi 85
Subscription accessAfter Mexico City 1975 and Copenhagen 1980, the United Nations chose Kenya for the 3rd World Conference on Women. Parallel to the official Conference of States is held in July 1985 the Forum of Non-Governmental Organizations (NGO), in which 12,000 women participate. For ten days, on the University campus, they meet to discuss general and feminist political issues: peace, development, apartheid,...
Lydie Jean-Dit-Pannel, haunted by a stay in the Fukushima region, produces an engaged video poetry dealing with the risks and disasters of civil and military nuclear power. She uses the character she has created for herself, the "lady butterfly", as a vector and makes it coincide with an iconic character, Psyche, who serves as her guide, in a poetic and ironic way. A testimony and a solitary, a...
The feminist video collective Les Insoumuses dissects and responds point by point in a humorous way to Bernard Pivot's special program with Françoise Giroud, Secretary of State for the Status of Women. "On December 30th 1975, after watching Bernard Pivot's programme on Antenne 2 entitled \*One more day and the year of the woman, phew! It'll be over\*, we felt the immense need to express our po...
Patients arrive in the consultation room every day, broken, sick and scarred by life. In front of them sits a committed person who tries, without false hope, to repair bodies and psyches. At night, when the clinic doors are closed, the street outreach workers take to the streets to extend their support to all those unfortunate women who have chosen the streets as their home.
zo reken ("shark bone") is the nickname given in Haiti to the Toyota Land Cruiser, a powerful all-terrain vehicle, very popular with international humanitarian organizations that have been present in the country since the 2010 earthquake. Ten years later, a \*zo reken\* is diverted from its usual use to become a mobile space for meetings and discussions between Haitians. No more foreign humanit...
I'll Come To You With Deaf Eyes
Subscription accessThis film is a letter to my friend Vincent who died ten years ago. Vincent was Deaf. He introduced me to his language, his culture, his world. Through Vincent's life, the film examines the roots of the distress that plagues the Deaf, and also explore a rich and fascinating world, a people that struggles to preserve its language and culture.
A documentary about the vast political mobilization that took place in Quebec during the spring of 2012. Initially propelled by the student strike for accessible education, the scope of the movement soon broadened to take on the government, the impunity and violence of the Montreal police force, the exploitation of untapped natural resources, and the current economic system.
In 1971, the Front homosexuel d'action révolutionnaire (FHAR) participated in the May Day parade and denounced sexual discrimination. The images recorded during the demonstration punctuate excerpts from a public meeting where the issues raised by the movement are discussed. Normative heterosexuality being the reflection of bourgeois society, conscious homosexuality represents a revolutionary fo...
In the Roya valley located between France and Italy, thousands of migrants try to cross the border each month in search for a better life. Cédric Herrou, a local farmer, has been welcoming migrants at his home since the beginning of the crisis, turning his backyard into a much-needed shelter. With the help of friends and volunteers, he challenges French immigration policies which make impossibl...
Léa Roback, sa vie, son action, son engagement. À travers les « lumières » d’une militante québécoise juive, Léa Roback, féministe, syndicaliste, pacifiste et communiste, \_Des lumières dans la grande noirceur\_ propose une vision moderniste de l’histoire du Québec, du début du XXe siècle jusqu’aux années duplessistes de la Grande Noirceur.
Around 1970, between Kashima and Tokyo, the Narita Airport was under construction. Local farmers refused to sell their land and confronted the riot police sent to evict them. Through these symbolic sites of Japan’s modernization, _Kashima Paradise_ offers a sociological portrait of a nation and reveals how ancestral traditions were exploited by capitalism to accelerate social and political chan...
La république des Beaux-Arts - La malédiction de la momie
Duration: 2h30This film traces the history of the École des beaux-arts de Montréal, from its founding in 1923 to its dissolution in 1969, when it was integrated into the Université du Québec à Montréal. At that time, tensions were rising within the education system: CEGEPs and universities were being occupied by students. In this climate of protest, the students of the École des beaux-arts seized control of ...
With the help of a sketch, a little girl illustrates how space and games are divided up during recess at school, especially between boys and girls, and explains how this is a daily problem for her. Despite her various attempts to change things, she cannot find a solution—especially since the issue remains invisible to others, children and adults alike, who don’t seem to be concerned. What emerg...
Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
Duration: 1h00The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...
Nous sortirons de nos cuisines - Épisode 2 - Môman travaille pas, a trop d’ouvrage! (1974-75)
Duration: 1h01The UN declared 1975 the “International Women's Year,” ironically using the singular form in French (Année internationale de la femme). It was a pivotal time: more and more women were divorcing or entering the workforce. Yet a pregnancy was enough to justify dismissal, and maternity leave would not exist until 1979. The members of Théâtre des Cuisines returned to the stage with their second pla...
Nous sortirons de nos cuisines - Épisode 1 - Nous aurons les enfants que nous voulons (1968-74)
Duration: 1h02Montreal, 1973. Canadian law now permits abortion. But the criteria are very restrictive, and women depend on the goodwill—more often the ill will—of the men sitting on the committees that approve or deny them. Quebec is the province where it is most difficult to terminate an unwanted pregnancy, and clandestine abortions are common: they are the leading cause of hospitalization among women. Yet...
During the colonial era, Gaspar Yanga was kidnapped from the African coast, brought to Mexico, and enslaved. Though forced to work on the master's plantation, he never stopped dreaming of freedom. Based on historical facts and using shadow theatre with hand-drawn animation, _Nyanga_ pays tribute to the resistance against the chains of colonialism.