288 products
Vampires, It's Nothing to Laugh At
Duration: 1h14In the 1960s, an anthropologist thinks he has discovered the existence of a vampire woman in a Kashub community in Wilno, Ontario. Kinga Michalska returns to the village still recovering from the trauma of this coverage, using a skilful blend of archival footage and performance to question the relationship between lived reality and scientific "truth".
_Le récit d'A_ weaves multiple narratives within a single video, parallel worlds that echo one another without ever intersecting. Esther Valiquette incorporates autobiographical fragments, blending animation and medical imagery to reflect on a broader trace: that of a generation devastated by AIDS, and her own life, stripped of its youth. The video also explores the act of seeing, a shifting aw...
Part observation, part performance, and a collaboration between father and son, _Everything Lives_ looks at how Ken experiences time in the barns where he works; the time he spends playing, the time unique to painting or the time it takes to build a whole life. This short 16mm film is an intimate series of surfaces, sounds and events that together form their subject: the artist as father.
In 1980, American jazz pianist Kazzrie Jaxen watched Ingmar Bergman’s _From the Life of the Marionettes_. Afterwards, she wrote a sixteen-page letter to Bergman, explaining how the film had changed her life. _Dear Director_ is based on this real fan letter, which Swedish director Marcus Lindeen discovered while researching unfinished Bergman scripts for a play.
Set on Fogo Island off the coast of Newfoundland, _Dropstones_ is an intimate family portrait that follows matriarch Sonya shortly after she has returned to the home she once yearned to escape. As Sonya raises her two young sons, Luke and Sean, she finds herself drawing on her island’s traditions to meet the challenges of motherhood. Set against the changing seasons over the course of a year, t...
A musical film based on a song by _Les Folles Alliées_, illustrating the unacceptable insults directed at the female body and intellect: sexual harassment, sexist advertisements and music videos, pornography, domestic violence, and rape.
A short, deconstructed story about depression and the mental health of a woman who drinks.
In the midst of summer pleasures and her children's play, a young woman questions the meaning of her life as a wife and mother, and her chances of happiness. Filmed in the 1960s, this film starring Monique Mercure and Marc Favreau depicts the "female condition" from various perspectives.
Tout le temps, tout le temps, tout le temps... ?
Duration: 1h55A Quebec family scattered across the big city reunites in the countryside, in Sainte-Théodosie, and discusses the importance of love, life-which-is-worth-being-lived, the need for freedom and society-which-is-badly-made.
_Fragments of Resilience_ reveals the creation process and people’s stories behind _Every Minute Motherland_ — a dance performance made as a response to the war in Ukraine by a team of Polish and Ukrainian refugees.
NYC-based choreographer Hadar Ahuvia interrogates the roots of the Israeli folk dances she grew up dancing with her mother in the US. Facing romanticized stories about her grandparents, settlers in Palestine in the 1930s, she begins a personal endeavor to confront the founding mythologies and transgressions of Zionism. A web of artistic portraits emerges—Jewish, Israeli, and Palestinian dancers...
David was a ballet dancer, and for 45 years, almost nobody knew. In _Dad Can Dance_, his son discovers long-buried family secrets about their shared love for movement in this self-affirming story that explores the joy of being an artist.
Every Sunday, Hudson returns to Park Extension to see his father. Along the way, he runs into his childhood friend, Baki. Together, they wander their old stomping grounds, just like when they were kids. As they walk, Hudson reminisces about how the neighbourhood shaped who he has become.
In the intimacy of a Viennese studio, two young actors revive the literary scene and atmosphere of the post-war period through their reading of the correspondence between Romanian Jewish poet Paul Celan and Austrian poet Ingeborg Bachmann, daughter of a former National Socialist Party activist.
"My father was taken from me when I was a child, then my mother and my brother when I was barely a teenager. I left, to isolate myself, to escape, to flee. Can time erase the past? Upon my return from a long exile, I remember. Travelling back in time, inner movements, the future beckons. A tribute to my homeland." (Lysanne Thibodeau)
"My father immortalized the most beautiful moments of his life in family films, while my mother's difficulties hit the blind spot in his images. Today, I'm revisiting these films to tell another story: that of a woman who sees her role as a mother gradually taking away her freedom." (Faustine Cros)
Two filmmakers exchange their impressions of places and moments in time through cine-letters, against a soundtrack that oscillates between the real and the ethereal. The sounds play a narrative role and carry the moving images through this encounter made possible with alternating reels of 16mm film.
Between February and June 1991, filmmakers Robert Kramer and Stephen Dwoskin exchanged several video letters (four by Kramer, three by Dwoskin) shot in Hi-8. These _Videoletters_ freed them from the formalities that burdened their work and reflections at the time. Through this exchange, they began to learn and observe anew.
Lettre d'un cinéaste ou le retour d'un amateur de bibliothèques
Duration: 16 minutesFilmmaker Raúl Ruiz returned to his hometown in Chile and brought back this film shot in Super 8. In search of a mysterious pink-covered book, Ruiz takes a stroll through the city of Santiago and its suburbs, visiting his birthplace and the homes of old friends. In the background, the 1973 Chilean coup d'état and Augusto Pinochet's regime.
Vampires, It's Nothing to Laugh At
Duration: 1h14In the 1960s, an anthropologist thinks he has discovered the existence of a vampire woman in a Kashub community in Wilno, Ontario. Kinga Michalska returns to the village still recovering from the trauma of this coverage, using a skilful blend of archival footage and performance to question the relationship between lived reality and scientific "truth".
_Le récit d'A_ weaves multiple narratives within a single video, parallel worlds that echo one another without ever intersecting. Esther Valiquette incorporates autobiographical fragments, blending animation and medical imagery to reflect on a broader trace: that of a generation devastated by AIDS, and her own life, stripped of its youth. The video also explores the act of seeing, a shifting aw...
Part observation, part performance, and a collaboration between father and son, _Everything Lives_ looks at how Ken experiences time in the barns where he works; the time he spends playing, the time unique to painting or the time it takes to build a whole life. This short 16mm film is an intimate series of surfaces, sounds and events that together form their subject: the artist as father.
In 1980, American jazz pianist Kazzrie Jaxen watched Ingmar Bergman’s _From the Life of the Marionettes_. Afterwards, she wrote a sixteen-page letter to Bergman, explaining how the film had changed her life. _Dear Director_ is based on this real fan letter, which Swedish director Marcus Lindeen discovered while researching unfinished Bergman scripts for a play.
Set on Fogo Island off the coast of Newfoundland, _Dropstones_ is an intimate family portrait that follows matriarch Sonya shortly after she has returned to the home she once yearned to escape. As Sonya raises her two young sons, Luke and Sean, she finds herself drawing on her island’s traditions to meet the challenges of motherhood. Set against the changing seasons over the course of a year, t...
A musical film based on a song by _Les Folles Alliées_, illustrating the unacceptable insults directed at the female body and intellect: sexual harassment, sexist advertisements and music videos, pornography, domestic violence, and rape.
A short, deconstructed story about depression and the mental health of a woman who drinks.
In the midst of summer pleasures and her children's play, a young woman questions the meaning of her life as a wife and mother, and her chances of happiness. Filmed in the 1960s, this film starring Monique Mercure and Marc Favreau depicts the "female condition" from various perspectives.
Tout le temps, tout le temps, tout le temps... ?
Duration: 1h55A Quebec family scattered across the big city reunites in the countryside, in Sainte-Théodosie, and discusses the importance of love, life-which-is-worth-being-lived, the need for freedom and society-which-is-badly-made.
_Fragments of Resilience_ reveals the creation process and people’s stories behind _Every Minute Motherland_ — a dance performance made as a response to the war in Ukraine by a team of Polish and Ukrainian refugees.
NYC-based choreographer Hadar Ahuvia interrogates the roots of the Israeli folk dances she grew up dancing with her mother in the US. Facing romanticized stories about her grandparents, settlers in Palestine in the 1930s, she begins a personal endeavor to confront the founding mythologies and transgressions of Zionism. A web of artistic portraits emerges—Jewish, Israeli, and Palestinian dancers...
David was a ballet dancer, and for 45 years, almost nobody knew. In _Dad Can Dance_, his son discovers long-buried family secrets about their shared love for movement in this self-affirming story that explores the joy of being an artist.
Every Sunday, Hudson returns to Park Extension to see his father. Along the way, he runs into his childhood friend, Baki. Together, they wander their old stomping grounds, just like when they were kids. As they walk, Hudson reminisces about how the neighbourhood shaped who he has become.
In the intimacy of a Viennese studio, two young actors revive the literary scene and atmosphere of the post-war period through their reading of the correspondence between Romanian Jewish poet Paul Celan and Austrian poet Ingeborg Bachmann, daughter of a former National Socialist Party activist.
"My father was taken from me when I was a child, then my mother and my brother when I was barely a teenager. I left, to isolate myself, to escape, to flee. Can time erase the past? Upon my return from a long exile, I remember. Travelling back in time, inner movements, the future beckons. A tribute to my homeland." (Lysanne Thibodeau)
"My father immortalized the most beautiful moments of his life in family films, while my mother's difficulties hit the blind spot in his images. Today, I'm revisiting these films to tell another story: that of a woman who sees her role as a mother gradually taking away her freedom." (Faustine Cros)
Two filmmakers exchange their impressions of places and moments in time through cine-letters, against a soundtrack that oscillates between the real and the ethereal. The sounds play a narrative role and carry the moving images through this encounter made possible with alternating reels of 16mm film.
Between February and June 1991, filmmakers Robert Kramer and Stephen Dwoskin exchanged several video letters (four by Kramer, three by Dwoskin) shot in Hi-8. These _Videoletters_ freed them from the formalities that burdened their work and reflections at the time. Through this exchange, they began to learn and observe anew.
Lettre d'un cinéaste ou le retour d'un amateur de bibliothèques
Duration: 16 minutesFilmmaker Raúl Ruiz returned to his hometown in Chile and brought back this film shot in Super 8. In search of a mysterious pink-covered book, Ruiz takes a stroll through the city of Santiago and its suburbs, visiting his birthplace and the homes of old friends. In the background, the 1973 Chilean coup d'état and Augusto Pinochet's regime.