The Sparkle


Poster image The Sparkle

Kim and Billy work at carnivals. This summer, Kim procrastinates. He plans to leave this family of colleagues to devote himself to his passion, the search for precious stones. The layoff of Billy, his best friend, accelerates his disenchantment. We always dream of elsewhere.



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Between bars and trailers, the friendship of Kim and Billy, both fairground workers, takes shape within a rough and joyful masculinity, filled with laughter, complicity, and excess. A world of men where arm-wrestling matches coexist with discreet moments of confidences. That summer, something shifts, and Kim begins to dream of elsewhere.

The Sparkle unfolds in a direct cinema approach. Shot in two phases, the project had to reinvent itself during the second shoot. The dismissal of Billy — a close friend and supporting character — disrupted the film’s original balance. A new narrative thread naturally emerged, guided by life itself. The camera, quietly observant, follows Kim in his daily routines: playing, joking, doubting, gently stitching up a stuffed toy, tending to the fairground machines and his customers, and above all, nurturing a secret, unexpected world.

Kim collects rocks. Like a child marveling at his treasures, he assigns them an intimate value. "It’s the value you give it that matters" he says. The editing mirrors this inner tension — between strength and tenderness, between festivity and withdrawal — to reveal a nuanced portrait of a man who continually surprises the audience.

Knowing how to let go is a demanding gesture. Editing is also the art of choosing what to leave behind. The filmmaker and her editor Anouk Deschênes made the decision to cut certain explanatory scenes, including a dark, rather spectacular childhood memory that offered a key to Kim’s personality but disrupted the film’s emotional coherence. It’s also this choice that allows us to remain so close to Kim — to be with him, without the need for explanation.

In one of the film’s most beautiful scenes, on a beach at dusk, bathed in bluish light, Kim, flashlight in hand, searches for his precious stones like an adventurer. For a fleeting moment, he becomes the quiet hero of his own world — a world apart, made of details, silence, and poetry.
 

 

Emma Bertin
Film editor

 

 

Presented in collaboration with


  • Français

    Français

    17 mn

    Language: Français
  • English

    English

    17 mn

    Language: English
  • Année 2023
  • Pays Quebec
  • Durée 17
  • Producteur Club Vidéo
  • Langue French
  • Sous-titres English
  • Résumé court This summer, Kim is considering leaving the world of funfairs to pursue his true passion: searching for precious stones.
  • Mention festival Meilleur court métrage documentaire · Festival Émergence 2024
  • Ordre 1
  • Capsule film <p><iframe frameborder="0" height="480" scrolling="no" src="https://player.vimeo.com/video/1095050505?badge=0&amp;amp;autopause=0&amp;amp;player_id=0&amp;amp;app_id=58479" width="854"></iframe></p>

Between bars and trailers, the friendship of Kim and Billy, both fairground workers, takes shape within a rough and joyful masculinity, filled with laughter, complicity, and excess. A world of men where arm-wrestling matches coexist with discreet moments of confidences. That summer, something shifts, and Kim begins to dream of elsewhere.

The Sparkle unfolds in a direct cinema approach. Shot in two phases, the project had to reinvent itself during the second shoot. The dismissal of Billy — a close friend and supporting character — disrupted the film’s original balance. A new narrative thread naturally emerged, guided by life itself. The camera, quietly observant, follows Kim in his daily routines: playing, joking, doubting, gently stitching up a stuffed toy, tending to the fairground machines and his customers, and above all, nurturing a secret, unexpected world.

Kim collects rocks. Like a child marveling at his treasures, he assigns them an intimate value. "It’s the value you give it that matters" he says. The editing mirrors this inner tension — between strength and tenderness, between festivity and withdrawal — to reveal a nuanced portrait of a man who continually surprises the audience.

Knowing how to let go is a demanding gesture. Editing is also the art of choosing what to leave behind. The filmmaker and her editor Anouk Deschênes made the decision to cut certain explanatory scenes, including a dark, rather spectacular childhood memory that offered a key to Kim’s personality but disrupted the film’s emotional coherence. It’s also this choice that allows us to remain so close to Kim — to be with him, without the need for explanation.

In one of the film’s most beautiful scenes, on a beach at dusk, bathed in bluish light, Kim, flashlight in hand, searches for his precious stones like an adventurer. For a fleeting moment, he becomes the quiet hero of his own world — a world apart, made of details, silence, and poetry.
 

 

Emma Bertin
Film editor

 

 

Presented in collaboration with


  • Français

    Français


    Duration: 17 minutes
    Language: Français
    17 mn
  • English

    English


    Duration: 17 minutes
    Language: English
    17 mn
  • Année 2023
  • Pays Quebec
  • Durée 17
  • Producteur Club Vidéo
  • Langue French
  • Sous-titres English
  • Résumé court This summer, Kim is considering leaving the world of funfairs to pursue his true passion: searching for precious stones.
  • Mention festival Meilleur court métrage documentaire · Festival Émergence 2024
  • Ordre 1
  • Capsule film <p><iframe frameborder="0" height="480" scrolling="no" src="https://player.vimeo.com/video/1095050505?badge=0&amp;amp;autopause=0&amp;amp;player_id=0&amp;amp;app_id=58479" width="854"></iframe></p>

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