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Videoletters
Between February and June 1991, filmmakers Robert Kramer and Stephen Dwoskin exchanged several video letters (four by Kramer, three by Dwoskin) shot in Hi-8. These _Videoletters_ freed them from the formalities that burdened their work and reflections at the time. Through this exchange, they began to learn and observe anew.
Sisters: Dream & Variations
Tyr and Jasa grew up in an artistic household where art was a way of life. Quirky and insightful sisters, Tyr is a musician and singer while Jasa is an interdisciplinary artist. Inspired by their great-grandmother’s recordings of Icelandic folk songs, they have developed artistic practices that draw on their colourful imaginations and Icelandic roots. Their exploration leads them to journey to ...
Face Value
In \*Face Value\*, everything revolves around the face and sight: the desire to be seen, the fear of being seen, the inability to see oneself, the fear and the desire to see others.
Beppie
Beppie is ten years old. Coming from a working-class background, she is a real Amsterdam kid, funny and witty. Spontaneously, she recounts for several months her adventures to the filmmaker who follows her in her daily life. With complete freedom of approach, Johan van der Keuken simultaneously creates a portrait of the child... and of the city.
The Last Bolshevik
Based on the life and work of the Russian film director Alexander Medvedkin (1900-1989), \_The Last Bolshevik\_ is a tribute from one filmmaker to another. An archeological expedition into film history that reveals new cinematic treasures, the film prompts a reflection on the relation between art and politics in the former Soviet Union.
The Filmmaker's Holiday
A small village in the Aude region, its inhabitants, their joys, their sufferings and the camera of the filmmaker on vacation capturing these intermittent moments which, in the memory we keep, resemble happiness so strongly.
The Long Holiday
Octobre 1998, Johan van der Keuken apprend que son cancer de la prostate ne lui laisse que quelques années à vivre. Caméra à l’épaule, il part en compagnie de sa femme pour un dernier voyage, dont il fera son dernier film. De Noël 1998 à l’été 1999, il sillonne les pistes du Mali, les contreforts himalayens du Bhoutan, les aéroports américains... Partout, des êtres dans leur quotidien : le ritu...
Videoletters
Between February and June 1991, filmmakers Robert Kramer and Stephen Dwoskin exchanged several video letters (four by Kramer, three by Dwoskin) shot in Hi-8. These _Videoletters_ freed them from the formalities that burdened their work and reflections at the time. Through this exchange, they began to learn and observe anew.
Sisters: Dream & Variations
Tyr and Jasa grew up in an artistic household where art was a way of life. Quirky and insightful sisters, Tyr is a musician and singer while Jasa is an interdisciplinary artist. Inspired by their great-grandmother’s recordings of Icelandic folk songs, they have developed artistic practices that draw on their colourful imaginations and Icelandic roots. Their exploration leads them to journey to ...
Face Value
In \*Face Value\*, everything revolves around the face and sight: the desire to be seen, the fear of being seen, the inability to see oneself, the fear and the desire to see others.
Beppie
Beppie is ten years old. Coming from a working-class background, she is a real Amsterdam kid, funny and witty. Spontaneously, she recounts for several months her adventures to the filmmaker who follows her in her daily life. With complete freedom of approach, Johan van der Keuken simultaneously creates a portrait of the child... and of the city.
The Last Bolshevik
Based on the life and work of the Russian film director Alexander Medvedkin (1900-1989), \_The Last Bolshevik\_ is a tribute from one filmmaker to another. An archeological expedition into film history that reveals new cinematic treasures, the film prompts a reflection on the relation between art and politics in the former Soviet Union.
The Filmmaker's Holiday
A small village in the Aude region, its inhabitants, their joys, their sufferings and the camera of the filmmaker on vacation capturing these intermittent moments which, in the memory we keep, resemble happiness so strongly.
The Long Holiday
Octobre 1998, Johan van der Keuken apprend que son cancer de la prostate ne lui laisse que quelques années à vivre. Caméra à l’épaule, il part en compagnie de sa femme pour un dernier voyage, dont il fera son dernier film. De Noël 1998 à l’été 1999, il sillonne les pistes du Mali, les contreforts himalayens du Bhoutan, les aéroports américains... Partout, des êtres dans leur quotidien : le ritu...
