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For ten years, a filmmaker tries to make a film based on his grandfather's memories of the Algerian War. Both a denial of history and a family taboo, the questions raised by the subject remain unanswered, leaving personal and collective memory shrouded in silence. The narrative delves into unspoken shame and the search for a hidden past, ultimately resolved through the making of the film.
"Upon arriving in Paris, I began learning two languages: French and drawing. In an artist's studio, I met Linda Demorrir, a live model. Like me, she is transgender and an immigrant. As I sketched her outlines, I discovered that I was also learning to draw myself." - Tomas Cali
This film offers an insight into the experiences of deaf children in the colonized and confined coastal territory of Gaza, Palestine, particularly the violence to which they are subjected by Israeli military operations. Born and raised under the frequent onslaught of the occupying forces, children Amani, Musa, Israa and others recite vivid memories of their experiences of bombardment and the co...
"Yesterday, I found my abuser's address in my phone's memory. I don't have a name, I don't have a face, I only have his address." - Alexia Roc
After finding community on a rugby team in Munich, Jamaican-born Desmond tackles life by embracing his homosexual identity.
A film in two parts: a first act filmed as an observational documentary in the world's largest flower market, followed by a fictional second act about a man, afflicted by a terminal illness, encountering a stranger in a train station bar. A radical reflection about time running out and what remains to be done, adapted from a play by Pirandello.
And How Miserable Is the Home of Evil
New product!The website of Ali Khamenei, Iran’s supreme leader, is crammed with filmed sermons and speeches. Appropriating these official archives, Saleh Kashefi – exiled in Switzerland – has created a political fiction that is both hard-hitting and ambiguous.
1965: Dimitri and Christine travel across the Near and Middle East by car. They film their journey with an 8mm camera and record a travel journal on a tape recorder. _Journal afghan_ is built from these traces. By replaying them in the chaotic pattern of memory’s persistence, it offers a new experience of travel and an intimate exploration of the mechanisms of memory.
"Once a tributary of the Seine, now lying forgotten in the sewers of Paris, the ghost of the Bièvre fascinates me. I set off on foot to find its source and its meanders lead me to the people who live along its banks, themselves brought by a current of a different nature, with more distant origins." - Taryn Everdeen
In this masterpiece of Quebec cinéma vérité, the inhabitants of Île aux Coudres set out to revive an ancient beluga fishing tradition that had disappeared many years ago. Through the preparations and intergenerational exchanges, the film authentically captures the daily lives, language, beliefs, and stories of the islanders. More than just an ethnographic documentary, _For the Ones to Come_ exp...
Four years after filming _Pour la suite du monde_, Pierre Perrault invites Alexis Tremblay, the renowned storyteller, and his wife Marie, central figures in the first film, to embark on a pilgrimage to France tracing the path of their ancestors.
Pierre Perrault's third feature film on Île aux Coudres, Les Voitures d'eau tackles the problem of the builders and navigators of wooden schooners, in an age of iron ships, international competition and monopolies. Men of the sea, as skilful in deed as in word, the captains of the river's last schooners are experiencing the end of an artisanal era in which their sons can no longer find a place....
The inhabitants of a city awake one morning to find that never-before-seen trees, plants, and flowers suddenly erupted throughout the streets and in the squares. Strange and mysterious events start taking place as Camelia and Nahla investigate the origins of these new and peculiar creatures.
For ten years, a filmmaker tries to make a film based on his grandfather's memories of the Algerian War. Both a denial of history and a family taboo, the questions raised by the subject remain unanswered, leaving personal and collective memory shrouded in silence. The narrative delves into unspoken shame and the search for a hidden past, ultimately resolved through the making of the film.
"Upon arriving in Paris, I began learning two languages: French and drawing. In an artist's studio, I met Linda Demorrir, a live model. Like me, she is transgender and an immigrant. As I sketched her outlines, I discovered that I was also learning to draw myself." - Tomas Cali
This film offers an insight into the experiences of deaf children in the colonized and confined coastal territory of Gaza, Palestine, particularly the violence to which they are subjected by Israeli military operations. Born and raised under the frequent onslaught of the occupying forces, children Amani, Musa, Israa and others recite vivid memories of their experiences of bombardment and the co...
"Yesterday, I found my abuser's address in my phone's memory. I don't have a name, I don't have a face, I only have his address." - Alexia Roc
After finding community on a rugby team in Munich, Jamaican-born Desmond tackles life by embracing his homosexual identity.
A film in two parts: a first act filmed as an observational documentary in the world's largest flower market, followed by a fictional second act about a man, afflicted by a terminal illness, encountering a stranger in a train station bar. A radical reflection about time running out and what remains to be done, adapted from a play by Pirandello.
And How Miserable Is the Home of Evil
New product!The website of Ali Khamenei, Iran’s supreme leader, is crammed with filmed sermons and speeches. Appropriating these official archives, Saleh Kashefi – exiled in Switzerland – has created a political fiction that is both hard-hitting and ambiguous.
1965: Dimitri and Christine travel across the Near and Middle East by car. They film their journey with an 8mm camera and record a travel journal on a tape recorder. _Journal afghan_ is built from these traces. By replaying them in the chaotic pattern of memory’s persistence, it offers a new experience of travel and an intimate exploration of the mechanisms of memory.
"Once a tributary of the Seine, now lying forgotten in the sewers of Paris, the ghost of the Bièvre fascinates me. I set off on foot to find its source and its meanders lead me to the people who live along its banks, themselves brought by a current of a different nature, with more distant origins." - Taryn Everdeen
In this masterpiece of Quebec cinéma vérité, the inhabitants of Île aux Coudres set out to revive an ancient beluga fishing tradition that had disappeared many years ago. Through the preparations and intergenerational exchanges, the film authentically captures the daily lives, language, beliefs, and stories of the islanders. More than just an ethnographic documentary, _For the Ones to Come_ exp...
Four years after filming _Pour la suite du monde_, Pierre Perrault invites Alexis Tremblay, the renowned storyteller, and his wife Marie, central figures in the first film, to embark on a pilgrimage to France tracing the path of their ancestors.
Pierre Perrault's third feature film on Île aux Coudres, Les Voitures d'eau tackles the problem of the builders and navigators of wooden schooners, in an age of iron ships, international competition and monopolies. Men of the sea, as skilful in deed as in word, the captains of the river's last schooners are experiencing the end of an artisanal era in which their sons can no longer find a place....
The inhabitants of a city awake one morning to find that never-before-seen trees, plants, and flowers suddenly erupted throughout the streets and in the squares. Strange and mysterious events start taking place as Camelia and Nahla investigate the origins of these new and peculiar creatures.