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"This is a story about a love story. We often believe that love stories are lived in a horizontal position, very, very horizontal. However, love is experienced standing up. So I tell this story with both feet in the snow. I work with and within the limits of the screen to show how much love tends towards freedom, even when it's a story confined by its own history and form, in this case, video."...
The Tool Is Not Always a Hammer
New product!"I wanted to share the instrument of my happiness. It’s easy, it’s clear and it’s well crafted. I hope that you’ll enjoy it. And remember : everyone has their own star." – Sylvie Laliberté
Sylvie Laliberté’s work centers on self-representation and narrative, and is often delivered in a humorously faux-naïve and playful aesthetic. In her first video, _Bonbons bijoux_, the artist speaks directly to the camera about simple, trivial things, delivered in a whimsical and spirited manner. In a succession of brief vignettes, the artist, like a candid half-woman, half-child, tells stories...
Il n’est pas innocent que le bonheur soit heureux
New product!Happiness is a tautological state. Why is one happy? Because he or she is happy. It’s very simple. And it smells good. Still happy than one can be happy. This video was produced for Manif d’art 2003 in Québec focussing on happiness and its representation.
In this cinematic essay, the filmmaker intertwines imagery from her own daily life with the memories of Lisa (Yelyzaveta), an 18-year-old Ukrainian who lived in Montreal for a few months. Two strangers, so far yet so close.
Audrey, a woman in her mid-fifties, has never been able to make peace with her tumultuous family history. She now decides to confront her demons. Supported by her son, the director of the documentary, she revisits a striking scene from her past: the moment when she told her parents that her grandfather had sexually assaulted her. Together, through a year-long production process, they transform ...
Every third woman in the world will have an abortion. That’s a fact. But in Poland, abortion is almost completely banned, as the government treats the life of a fetus as more important than the life of a woman. Luckily, there is the Abortion Dream Team — a group of four women who run a hotline to support women in need.
In a taboo-breaking personal journey, Inna Shevchenko, a prominent FEMEN activist, meets extraordinary and inspiring women: some fight against religion, others defend it, and many, surprisingly, are fighting to reform it. They are all united by one belief: women are magnificent. No god — neither in heaven nor on earth — may deprive them of their rights or subordinate them to men.
Deep in Ecuador’s Mullumica Valley, figures are busy extracting obsidian, an opaque volcanic rock. The rock then begins its metamorphosis, transported from the quarry to the pristine confines of a laboratory where it takes on its ultimate role – as a replacement for the director’s artificial eye. A mineral chronicle charting the course of healing.
Rose G. Lévesque, an almost nonagenarian painter and poet, painted the story of her life on her house's walls to transform it into a museum.
"Through conversations regarding my mother’s gardening practice, we explore subjects of loss, growth, and care. Filming her as she weeds, the process of clearing out overgrowth and invasive plants, I follow her around the garden she has upkept these last twenty-five years. Slowly, I begin to realize, what grounds me here isn’t the rosebush I’ve known since infancy, but the person who planted it...
"This is a story about a love story. We often believe that love stories are lived in a horizontal position, very, very horizontal. However, love is experienced standing up. So I tell this story with both feet in the snow. I work with and within the limits of the screen to show how much love tends towards freedom, even when it's a story confined by its own history and form, in this case, video."...
The Tool Is Not Always a Hammer
New product!"I wanted to share the instrument of my happiness. It’s easy, it’s clear and it’s well crafted. I hope that you’ll enjoy it. And remember : everyone has their own star." – Sylvie Laliberté
Sylvie Laliberté’s work centers on self-representation and narrative, and is often delivered in a humorously faux-naïve and playful aesthetic. In her first video, _Bonbons bijoux_, the artist speaks directly to the camera about simple, trivial things, delivered in a whimsical and spirited manner. In a succession of brief vignettes, the artist, like a candid half-woman, half-child, tells stories...
Il n’est pas innocent que le bonheur soit heureux
New product!Happiness is a tautological state. Why is one happy? Because he or she is happy. It’s very simple. And it smells good. Still happy than one can be happy. This video was produced for Manif d’art 2003 in Québec focussing on happiness and its representation.
In this cinematic essay, the filmmaker intertwines imagery from her own daily life with the memories of Lisa (Yelyzaveta), an 18-year-old Ukrainian who lived in Montreal for a few months. Two strangers, so far yet so close.
Audrey, a woman in her mid-fifties, has never been able to make peace with her tumultuous family history. She now decides to confront her demons. Supported by her son, the director of the documentary, she revisits a striking scene from her past: the moment when she told her parents that her grandfather had sexually assaulted her. Together, through a year-long production process, they transform ...
Every third woman in the world will have an abortion. That’s a fact. But in Poland, abortion is almost completely banned, as the government treats the life of a fetus as more important than the life of a woman. Luckily, there is the Abortion Dream Team — a group of four women who run a hotline to support women in need.
In a taboo-breaking personal journey, Inna Shevchenko, a prominent FEMEN activist, meets extraordinary and inspiring women: some fight against religion, others defend it, and many, surprisingly, are fighting to reform it. They are all united by one belief: women are magnificent. No god — neither in heaven nor on earth — may deprive them of their rights or subordinate them to men.
Deep in Ecuador’s Mullumica Valley, figures are busy extracting obsidian, an opaque volcanic rock. The rock then begins its metamorphosis, transported from the quarry to the pristine confines of a laboratory where it takes on its ultimate role – as a replacement for the director’s artificial eye. A mineral chronicle charting the course of healing.
Rose G. Lévesque, an almost nonagenarian painter and poet, painted the story of her life on her house's walls to transform it into a museum.
"Through conversations regarding my mother’s gardening practice, we explore subjects of loss, growth, and care. Filming her as she weeds, the process of clearing out overgrowth and invasive plants, I follow her around the garden she has upkept these last twenty-five years. Slowly, I begin to realize, what grounds me here isn’t the rosebush I’ve known since infancy, but the person who planted it...