Here is our new products list.
Whose Language You Don’t Understand
New product!_Whose Language You Don’t Understand_, named after a novel by the late Austrian writer Marianne Fritz (1948-2007) is a video cycle exploring the limits of language. Fritz spent most of her life, over 30 years, working on a cycle of dense and complex novels she called _The Fortress_, consisting of over 10,000 pages and still unfinished at the time of her death. Her project is an unusual and asto...
An immigrant movie projectionist drifts into an oneiric and fantastical spiral after falling in love with a dancer who appears on his screen. With this singular film, Raoul Ruiz crafts a highly free and hybrid adaptation of two major literary works: _The Blind Owl_ by Sadegh Hedayat and _Damned by Despair_ by Tirso de Molina.
A portrait of the great poet Alfred DesRochers, who was also a journalist for _La Tribune_ in Sherbrooke and enjoyed his moment of fame before the Second World War. Here, he shares his reflections on the difficult conditions of literary life in French Canada.
Inspired by a letter by Friedrich Engels and a 1974 account of two militant Marxist writers who had been imprisoned by the Nasser regime, Straub-Huillet filmed this film in France and Egypt during 1980. They reflect on Egypt’s history of peasant struggle and liberation from Western colonization, and link it to class tensions in France shortly before the Revolution of 1789, quoting texts by Enge...
April 6, 1994. A day like any other has turned into an apocalypse for the Rwandan people. In Kigali, Valentine and Jean-Claude, a new couple of young parents, face the threat of a mass hecatomb over their entire country. With the help of several people, they will multiply their attempts to escape from their region with their baby. _Ibuka, Justice_ is an animated, poetic rendering of the crucial...
On a windswept hill, in a place still young and devoid of all life, an ancestral house builds itself. The house comes to life and unveils its long life of one hundred and fifty years. Over the years, it leads us to feel the passage of time, the transformations of its surroundings, and its vulnerability in the face of the unstoppable frenzy of our urban growth. The house evolves quietly in the h...
When filmmaker Megan Wennberg's period went nuts, she thought her Uterus was out for revenge because she was almost 40 and hadn't given it a baby. But it turned out she had fibroids. _Bloody Mess_ is a short, personal, animated documentary following Megan and her Uterus (voiced by actor Susan Kent) on their harrowing but darkly funny journey through the medical system to try and stop the bleeding.
A spectacular film shot during the first sculpture symposium held in North America, in Montreal in the summer of 1964, _The Shape of Things_ follows eleven sculptors from nine countries as they hammer, carve, and shape stone.
Thomas Heise worked on this film, in which he recalls his family history through the upheavals of 20th century Germany, for a long time. The film travels across the German landscape in order to capture its most intimate essence. In the context of a country that was once divided and then reunited, the narration of the filmmaker's family history is also a search for geographical and topographical...
97-year-old antifascist fighter Sonja was one of the first female Yugoslav Partisans and a member of the resistance in Auschwitz. By listening to Sonja’s stories, we travel through the landscapes of her revolutionary past, as her memories start to intertwine with the filmmakers’ own confrontation with the rising fascism in Europe today.
Yugoslavia: How Ideology Moved Our Collective Body
New product!The film deals with the question of how ideology performs itself in public space through mass performances. The author collected and analyzed film and video footage from the period of Yugoslavia (1945 – 2000), focusing on state performances (youth work actions, May Day parades, celebrations of the Youth Day, etc.) as well as counter-demonstrations (’68, student and civic demonstrations in the ‘90...
In _Slet 1988_, dancer Sonja Vukićević, aged 74, moves through socialist-modernist spaces; her body is an archive of the last mass performance in Yugoslavia. Her gestures echo past rhythms and present realities, intertwining with a 1988 teenage girl’s diary to reveal the shift from socialist collectivism to rising individualism, while a new national collective body is creeping in and will soon ...
Whose Language You Don’t Understand
New product!_Whose Language You Don’t Understand_, named after a novel by the late Austrian writer Marianne Fritz (1948-2007) is a video cycle exploring the limits of language. Fritz spent most of her life, over 30 years, working on a cycle of dense and complex novels she called _The Fortress_, consisting of over 10,000 pages and still unfinished at the time of her death. Her project is an unusual and asto...
An immigrant movie projectionist drifts into an oneiric and fantastical spiral after falling in love with a dancer who appears on his screen. With this singular film, Raoul Ruiz crafts a highly free and hybrid adaptation of two major literary works: _The Blind Owl_ by Sadegh Hedayat and _Damned by Despair_ by Tirso de Molina.
A portrait of the great poet Alfred DesRochers, who was also a journalist for _La Tribune_ in Sherbrooke and enjoyed his moment of fame before the Second World War. Here, he shares his reflections on the difficult conditions of literary life in French Canada.
Inspired by a letter by Friedrich Engels and a 1974 account of two militant Marxist writers who had been imprisoned by the Nasser regime, Straub-Huillet filmed this film in France and Egypt during 1980. They reflect on Egypt’s history of peasant struggle and liberation from Western colonization, and link it to class tensions in France shortly before the Revolution of 1789, quoting texts by Enge...
April 6, 1994. A day like any other has turned into an apocalypse for the Rwandan people. In Kigali, Valentine and Jean-Claude, a new couple of young parents, face the threat of a mass hecatomb over their entire country. With the help of several people, they will multiply their attempts to escape from their region with their baby. _Ibuka, Justice_ is an animated, poetic rendering of the crucial...
On a windswept hill, in a place still young and devoid of all life, an ancestral house builds itself. The house comes to life and unveils its long life of one hundred and fifty years. Over the years, it leads us to feel the passage of time, the transformations of its surroundings, and its vulnerability in the face of the unstoppable frenzy of our urban growth. The house evolves quietly in the h...
When filmmaker Megan Wennberg's period went nuts, she thought her Uterus was out for revenge because she was almost 40 and hadn't given it a baby. But it turned out she had fibroids. _Bloody Mess_ is a short, personal, animated documentary following Megan and her Uterus (voiced by actor Susan Kent) on their harrowing but darkly funny journey through the medical system to try and stop the bleeding.
A spectacular film shot during the first sculpture symposium held in North America, in Montreal in the summer of 1964, _The Shape of Things_ follows eleven sculptors from nine countries as they hammer, carve, and shape stone.
Thomas Heise worked on this film, in which he recalls his family history through the upheavals of 20th century Germany, for a long time. The film travels across the German landscape in order to capture its most intimate essence. In the context of a country that was once divided and then reunited, the narration of the filmmaker's family history is also a search for geographical and topographical...
97-year-old antifascist fighter Sonja was one of the first female Yugoslav Partisans and a member of the resistance in Auschwitz. By listening to Sonja’s stories, we travel through the landscapes of her revolutionary past, as her memories start to intertwine with the filmmakers’ own confrontation with the rising fascism in Europe today.
Yugoslavia: How Ideology Moved Our Collective Body
New product!The film deals with the question of how ideology performs itself in public space through mass performances. The author collected and analyzed film and video footage from the period of Yugoslavia (1945 – 2000), focusing on state performances (youth work actions, May Day parades, celebrations of the Youth Day, etc.) as well as counter-demonstrations (’68, student and civic demonstrations in the ‘90...
In _Slet 1988_, dancer Sonja Vukićević, aged 74, moves through socialist-modernist spaces; her body is an archive of the last mass performance in Yugoslavia. Her gestures echo past rhythms and present realities, intertwining with a 1988 teenage girl’s diary to reveal the shift from socialist collectivism to rising individualism, while a new national collective body is creeping in and will soon ...