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Ninan Auassat: We, the Children

Filmed over more than six years, this feature-length documentary follows the journeys of three groups of children from different Indigenous nations (Atikamekw, Eeyou Cree, and Innu). In following these young people through the crucial milestones of childhood, right to the threshold of adulthood, we witness their daily lives and aspirations, along with the challenges they face. Filmed from “a ch...

American Journal

Remember America. Remember the cities, the houses, all the people, the arrivals, the departures, the children coming, the children leaving, death, life, movement, speech. Remember the deep inner sigh of everything that lives in America. Bend down. Pick up what others have lost from life. And do something with it...

A Film for Max

In this film, filmmaker Derek May turns his camera on his own domestic life, attempting to show it "as it is," without the conventional structure imposed by filmmaking. He seeks to reflect the essential aloneness of human existence—a life suspended, a being unmotivated. Adult life is depicted in black and white, while the life of his infant son, Max, is shown in color. This contrast evokes the ...

Dry Ground Burning

Just released from prison, Léa (Léa Alves Silva) returns home to the Brasilia favela of Sol Nascente and joins up with her half-sister Chitara (Joana Darc Furtado), the fearless leader of an all-female gang that steals and refines oil from underground pipes and sells gasoline to a clandestine network of motorcyclists. Living in constant opposition to Jair Bolsonaro’s fiercely authoritarian and ...

Guián

Born into the Chinese community of Costa Rica, Nicole Chi Amén was never able to communicate with her grandmother Guián, who did not speak Spanish. After her grandmother’s death, the filmmaker embarked on a journey to China to reconnect with her roots and to reinvent, through cinema, the dialogue she never had the chance to share.

Ada Kaleh

An indeterminate location, in summer. The inhabitants of a shared apartment ask themselves where they might live. They imagine countries, communities and places. Time passes and nothing can change that, neither human action nor objects and their condition. At some point, they all drift into a deep sleep.

7 paysages

The seven same sceneries recorded over a period of two years have become a single scenery freed from the sentimental, symbolic or political references often suggested by painting or photography; a scenery closer to the experience being immersed in a natural environment where contemplation gets slowly invaded by intrigues or even threats.

Château rouge

Goutte d'Or district, Paris, Château Rouge metro station, Georges Clemenceau secondary school. Teenagers, burdened with their carelessness and their wounds, have to grow up. They are shaping their personalities, losing their way, searching for themselves. Adults try to guide them despite the violence of the system.