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A political science fiction film shot as a documentary, _Born in Flames_ takes us to the near future of New York, ten years after the failure of a social revolution. At the call of the Women's Army, several groups of activists finally unite to form a shifting, non-hierarchical network that baffles the FBI. They fought in an explosive atmosphere against a society whose institutions were racist, ...
This documentary features Black women active in politics as well as in community, labour, and feminist organizing. They share their insights and personal testimonies on the dual legacy of racism and sexism, linking their lived experiences to the ongoing struggle to end systemic discrimination and violence against women and people of colour.
Ten years ago, lanaire aderemi’s grandmother told her about the Egba Women’s Revolt, a resistance movement against colonial taxation in the late 1940s in Abeokuta, Nigeria. Inspired by this story, lanaire explores archival documents, historical sites and oral testimonies to document the imaginative and revolutionary spirit of Abeokuta women in the 1940s.
_Clotheslines_ poetically documents the pragmatic, symbolic and artistic role of laundry in women's lives. The film presents an enduring, vivid account, showing how the creative energies of women have been sapped by mundane tasks, and in turn how such tasks reflect a ritualistic approach to life.
Filmed entirely inside the narrow confines of a cable car, high above a jungle in Nepal, that transports villagers to an ancient mountaintop temple, _Manakamana_ is an acute ethnographic investigation into culture, religion, technology and modernity.
In a Swiss mountain village, hikers head out, a fountain splashes reassuringly and a churchwarden prepares a mass. There’s something going on here, but what is it? Men with high-tech measuring instruments pepper the landscape, and local people study their surroundings intensely. An ecological dystopia about a community living under constant threat.
_Ghost Strata_ refers to the missing elements from within the rock strata that despite their absence offer hints of what was once there. The film is divided into the months of the year in which the footage was captured. Filmed in various places over the globe, charting various personal movements of the filmmaker, _Ghost Strata_ explores the differing scales of impact that humanity’s presence ha...
_Speakn’ Trane_ is a visual conversation that considers one of the great masterpieces of music through the eyes of its creator. Mirroring the dialogue at its core, it mixes 16mm film and digital images, performance and nature footage to illustrate the revolutionary themes and ideas that would combine to craft the album _A Love Supreme_: the generative practice of meditation, the creative potent...
Featuring indigenous women of various generations, _Pidikwe_ integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.
Gabriel Drolet-Maguire, a queer fashion designer living in Montréal, takes us into their artistic world to speak about their HIV diagnosis and the process of acceptance that led them to reach out to the HIV-positive community. _It Will Always End in the End_ is a timely and hopeful look at past and present day HIV activism in Quebec.
In this intimate documentary, the filmmaker delicately examines the complex relationships that evolve, fracture, and reshape among the children of a blended family after a breakup. By pushing the boundaries of the "desktop documentary" format, she crafts a poignant and heartfelt portrait of a grief rarely acknowledged, offering a unique and compelling exploration of loss and connection.
On a freezing winter night, in an small, isolated village, masked figures prowl. The monsters lurk by the houses, knock on doors. You let these strangers into your home. They remain silent. They observe you. _With Veiled Intent_, a documentary horror film, or maybe an experimental fable, brings to life an endangered tradition: Mi-Carême (Mid-Lent), as it is celebrated in Natashquan. Welcome to ...
October 2018. Mat and her friends organize a self-gynecology workshop in their squat in Nantes. It's an opportunity for filmmaker Pauline Pénichout to paint a portrait of this young woman.
A political science fiction film shot as a documentary, _Born in Flames_ takes us to the near future of New York, ten years after the failure of a social revolution. At the call of the Women's Army, several groups of activists finally unite to form a shifting, non-hierarchical network that baffles the FBI. They fought in an explosive atmosphere against a society whose institutions were racist, ...
This documentary features Black women active in politics as well as in community, labour, and feminist organizing. They share their insights and personal testimonies on the dual legacy of racism and sexism, linking their lived experiences to the ongoing struggle to end systemic discrimination and violence against women and people of colour.
Ten years ago, lanaire aderemi’s grandmother told her about the Egba Women’s Revolt, a resistance movement against colonial taxation in the late 1940s in Abeokuta, Nigeria. Inspired by this story, lanaire explores archival documents, historical sites and oral testimonies to document the imaginative and revolutionary spirit of Abeokuta women in the 1940s.
_Clotheslines_ poetically documents the pragmatic, symbolic and artistic role of laundry in women's lives. The film presents an enduring, vivid account, showing how the creative energies of women have been sapped by mundane tasks, and in turn how such tasks reflect a ritualistic approach to life.
Filmed entirely inside the narrow confines of a cable car, high above a jungle in Nepal, that transports villagers to an ancient mountaintop temple, _Manakamana_ is an acute ethnographic investigation into culture, religion, technology and modernity.
In a Swiss mountain village, hikers head out, a fountain splashes reassuringly and a churchwarden prepares a mass. There’s something going on here, but what is it? Men with high-tech measuring instruments pepper the landscape, and local people study their surroundings intensely. An ecological dystopia about a community living under constant threat.
_Ghost Strata_ refers to the missing elements from within the rock strata that despite their absence offer hints of what was once there. The film is divided into the months of the year in which the footage was captured. Filmed in various places over the globe, charting various personal movements of the filmmaker, _Ghost Strata_ explores the differing scales of impact that humanity’s presence ha...
_Speakn’ Trane_ is a visual conversation that considers one of the great masterpieces of music through the eyes of its creator. Mirroring the dialogue at its core, it mixes 16mm film and digital images, performance and nature footage to illustrate the revolutionary themes and ideas that would combine to craft the album _A Love Supreme_: the generative practice of meditation, the creative potent...
Featuring indigenous women of various generations, _Pidikwe_ integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.
Gabriel Drolet-Maguire, a queer fashion designer living in Montréal, takes us into their artistic world to speak about their HIV diagnosis and the process of acceptance that led them to reach out to the HIV-positive community. _It Will Always End in the End_ is a timely and hopeful look at past and present day HIV activism in Quebec.
In this intimate documentary, the filmmaker delicately examines the complex relationships that evolve, fracture, and reshape among the children of a blended family after a breakup. By pushing the boundaries of the "desktop documentary" format, she crafts a poignant and heartfelt portrait of a grief rarely acknowledged, offering a unique and compelling exploration of loss and connection.
On a freezing winter night, in an small, isolated village, masked figures prowl. The monsters lurk by the houses, knock on doors. You let these strangers into your home. They remain silent. They observe you. _With Veiled Intent_, a documentary horror film, or maybe an experimental fable, brings to life an endangered tradition: Mi-Carême (Mid-Lent), as it is celebrated in Natashquan. Welcome to ...
October 2018. Mat and her friends organize a self-gynecology workshop in their squat in Nantes. It's an opportunity for filmmaker Pauline Pénichout to paint a portrait of this young woman.