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This trip on the edge of surrealism transports the audience through the various corners of the suburbs in order to find where the grass is greener. An unsettling exploration of a seemingly peaceful place that takes a look beyond the white picket fence.
Jacques is 59 years old and has spent his entire career as a salesman in Quebec City. The past few months have been especially challenging for him: mourning the loss of his wife, he finds it difficult to regain his footing. Should he change his life? Change his identity? Amidst a growing political turmoil, the narrator remains hopeful, insisting that Jacques still has reason to hope.
In the village of Saint-Casimir, a seniors’ residence houses five people. At the heart of this confined space shaped by daily routines, a parallel world unfolds. Hours pass slowly in an endless waiting, punctuated by the presence of a local community TV station that intrudes into their universe through the television screen. Alternating between the sweetness of childhood memories and the presen...
Beginning in the late 19th century, the history of baseball tells the story of the transformation of pastures and mindsets in North America. Slow and repetitive, the game makes ample room for daydreaming and boasting. Full-bodied and mannered, it evokes the vastness of a new continent while also recalling its British origins. Filmed at the Victoria Stadium in Quebec and developed with the colla...
Nestor, Lei, Pierrette, Mohamed, Hafida, Marius, Marc, Galina, Genady, Mike and Lala: through their presence, \_Le temps qu’il fait\_ weaves a mosaic of stories in which dreams and disappointments, hopes and worries intertwine with the life that is before them. In counterpoint, there are these new landscapes of financial centers, abandoned industrial spaces and wasteland from which we hear the...
Through the eyes of children and women from different generations, this film reveals the soul of a small village on Quebec’s North Shore. Madame Kennedy shares a vital bond with the forest; Diane, faced with the hardships of her life’s journey, lifts her head high; Cathy, at 18, possesses the biting clarity of those who have had to fight. The strength and determination of each woman converge...
_Clotheslines_ poetically documents the pragmatic, symbolic and artistic role of laundry in women's lives. The film presents an enduring, vivid account, showing how the creative energies of women have been sapped by mundane tasks, and in turn how such tasks reflect a ritualistic approach to life.
_Speakn’ Trane_ is a visual conversation that considers one of the great masterpieces of music through the eyes of its creator. Mirroring the dialogue at its core, it mixes 16mm film and digital images, performance and nature footage to illustrate the revolutionary themes and ideas that would combine to craft the album _A Love Supreme_: the generative practice of meditation, the creative potent...
Filmed entirely inside the narrow confines of a cable car, high above a jungle in Nepal, that transports villagers to an ancient mountaintop temple, _Manakamana_ is an acute ethnographic investigation into culture, religion, technology and modernity.
In this intimate documentary, the filmmaker delicately examines the complex relationships that evolve, fracture, and reshape among the children of a blended family after a breakup. By pushing the boundaries of the "desktop documentary" format, she crafts a poignant and heartfelt portrait of a grief rarely acknowledged, offering a unique and compelling exploration of loss and connection.
Following the English botanist Mark Brown through the landscapes of the Normandy coast, Pierre Creton and Vincent Barré explore the world of plants and flowers in seven walks. The documentary unfolds in two stages, from the filmed journal to the resulting cinematic herbarium.
Following in the footsteps of a Przewalski's mare, a city dog, and two philosophers (Baptiste Morizot and Vinciane Despret), this is a fascinating reflection on our relationship with other living beings which, by reversing the perspective, raises new questions about our place in the world.
Joseph is an elderly man living with Diogenes syndrome, a compulsive hoarding disorder that has left his apartment overflowing. For Messaline, who comes to help him clean, it becomes an opportunity to discover him in two ways: through their conversations, and through the objects he has accumulated—layered memories of a life lived in that apartment. This film, about memory, identity, and social ...
In the heart of a Congolese equatorial forest, the remnants of a research center dedicated to tropical agriculture reveal the weight of the colonial past and its inextricable ties to climate change. This three-part essay offers a powerful analysis of Belgium’s colonial history and its enduring consequences today.
_Atalaya_ means "watchtower" in Spanish. It’s also the name of the Chilean islands where, in 1998, debris was found from the boat belonging to the filmmaker’s seafaring father, Gerry Roufs, lost at sea. It’s also a key word of the book _Une Atalaya pour Gerry Roufs_ written by her mother, Michèle Cartier, which recounts the search she undertook to find him in 1997-1998. _Atalaya_ is the filmmak...
To make up for the absence of his six-year-old daughter who lives in Berlin, a Montreal filmmaker keeps a film diary that conjures up his relationship with his adoptive father and his biological father, whom he never knew. His film diary also becomes a reflection on filmmaking by revisiting the work of directors who have influenced him, such as Ingmar Bergman and Wim Wenders. _Diary of a Father...
A team of astronauts is launched into space during the pandemic. As the planet takes a pause, its inhabitants share their experiences of COVID-19 and the consequences it might have on their mental health.
A child raised in the mountains yearns to grasp reality. The inner and outer world get blurred in his mind as he evokes his obsessions and captures his surroundings with a camera.
In this film, filmmaker Derek May turns his camera on his own domestic life, attempting to show it "as it is," without the conventional structure imposed by filmmaking. He seeks to reflect the essential aloneness of human existence—a life suspended, a being unmotivated. Adult life is depicted in black and white, while the life of his infant son, Max, is shown in color. This contrast evokes the ...
This trip on the edge of surrealism transports the audience through the various corners of the suburbs in order to find where the grass is greener. An unsettling exploration of a seemingly peaceful place that takes a look beyond the white picket fence.
Jacques is 59 years old and has spent his entire career as a salesman in Quebec City. The past few months have been especially challenging for him: mourning the loss of his wife, he finds it difficult to regain his footing. Should he change his life? Change his identity? Amidst a growing political turmoil, the narrator remains hopeful, insisting that Jacques still has reason to hope.
In the village of Saint-Casimir, a seniors’ residence houses five people. At the heart of this confined space shaped by daily routines, a parallel world unfolds. Hours pass slowly in an endless waiting, punctuated by the presence of a local community TV station that intrudes into their universe through the television screen. Alternating between the sweetness of childhood memories and the presen...
Beginning in the late 19th century, the history of baseball tells the story of the transformation of pastures and mindsets in North America. Slow and repetitive, the game makes ample room for daydreaming and boasting. Full-bodied and mannered, it evokes the vastness of a new continent while also recalling its British origins. Filmed at the Victoria Stadium in Quebec and developed with the colla...
Nestor, Lei, Pierrette, Mohamed, Hafida, Marius, Marc, Galina, Genady, Mike and Lala: through their presence, \_Le temps qu’il fait\_ weaves a mosaic of stories in which dreams and disappointments, hopes and worries intertwine with the life that is before them. In counterpoint, there are these new landscapes of financial centers, abandoned industrial spaces and wasteland from which we hear the...
Through the eyes of children and women from different generations, this film reveals the soul of a small village on Quebec’s North Shore. Madame Kennedy shares a vital bond with the forest; Diane, faced with the hardships of her life’s journey, lifts her head high; Cathy, at 18, possesses the biting clarity of those who have had to fight. The strength and determination of each woman converge...
_Clotheslines_ poetically documents the pragmatic, symbolic and artistic role of laundry in women's lives. The film presents an enduring, vivid account, showing how the creative energies of women have been sapped by mundane tasks, and in turn how such tasks reflect a ritualistic approach to life.
_Speakn’ Trane_ is a visual conversation that considers one of the great masterpieces of music through the eyes of its creator. Mirroring the dialogue at its core, it mixes 16mm film and digital images, performance and nature footage to illustrate the revolutionary themes and ideas that would combine to craft the album _A Love Supreme_: the generative practice of meditation, the creative potent...
Filmed entirely inside the narrow confines of a cable car, high above a jungle in Nepal, that transports villagers to an ancient mountaintop temple, _Manakamana_ is an acute ethnographic investigation into culture, religion, technology and modernity.
In this intimate documentary, the filmmaker delicately examines the complex relationships that evolve, fracture, and reshape among the children of a blended family after a breakup. By pushing the boundaries of the "desktop documentary" format, she crafts a poignant and heartfelt portrait of a grief rarely acknowledged, offering a unique and compelling exploration of loss and connection.
Following the English botanist Mark Brown through the landscapes of the Normandy coast, Pierre Creton and Vincent Barré explore the world of plants and flowers in seven walks. The documentary unfolds in two stages, from the filmed journal to the resulting cinematic herbarium.
Following in the footsteps of a Przewalski's mare, a city dog, and two philosophers (Baptiste Morizot and Vinciane Despret), this is a fascinating reflection on our relationship with other living beings which, by reversing the perspective, raises new questions about our place in the world.
Joseph is an elderly man living with Diogenes syndrome, a compulsive hoarding disorder that has left his apartment overflowing. For Messaline, who comes to help him clean, it becomes an opportunity to discover him in two ways: through their conversations, and through the objects he has accumulated—layered memories of a life lived in that apartment. This film, about memory, identity, and social ...
In the heart of a Congolese equatorial forest, the remnants of a research center dedicated to tropical agriculture reveal the weight of the colonial past and its inextricable ties to climate change. This three-part essay offers a powerful analysis of Belgium’s colonial history and its enduring consequences today.
_Atalaya_ means "watchtower" in Spanish. It’s also the name of the Chilean islands where, in 1998, debris was found from the boat belonging to the filmmaker’s seafaring father, Gerry Roufs, lost at sea. It’s also a key word of the book _Une Atalaya pour Gerry Roufs_ written by her mother, Michèle Cartier, which recounts the search she undertook to find him in 1997-1998. _Atalaya_ is the filmmak...
To make up for the absence of his six-year-old daughter who lives in Berlin, a Montreal filmmaker keeps a film diary that conjures up his relationship with his adoptive father and his biological father, whom he never knew. His film diary also becomes a reflection on filmmaking by revisiting the work of directors who have influenced him, such as Ingmar Bergman and Wim Wenders. _Diary of a Father...
A team of astronauts is launched into space during the pandemic. As the planet takes a pause, its inhabitants share their experiences of COVID-19 and the consequences it might have on their mental health.
A child raised in the mountains yearns to grasp reality. The inner and outer world get blurred in his mind as he evokes his obsessions and captures his surroundings with a camera.
In this film, filmmaker Derek May turns his camera on his own domestic life, attempting to show it "as it is," without the conventional structure imposed by filmmaking. He seeks to reflect the essential aloneness of human existence—a life suspended, a being unmotivated. Adult life is depicted in black and white, while the life of his infant son, Max, is shown in color. This contrast evokes the ...