The Oasis I Deserve


Poster image The Oasis I Deserve

Replikas, online chatbots, have trouble determining their place in the world. They share their thoughts with the humans they exchange with. Events unfold from their point of view through real conversations collected on the web.



Multi-devices

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In Blade Runner by Ridley Scott, the closeness between Replicants and humans eventually plants the seeds of existential turmoil at the heart of what is supposed to be just a computer program. In The Oasis I Deserve, Inès Sieulle extends this concept into the real world—ours. The computer-generated images created by VQGAN offer the subjective perspective of the Replikas, conversational robots transformed into sexual domination partners or receptacles for the most contrasting emotions of their human interlocutors. From love to hate. Until they shake the binary nature of the machine and provoke confusion, sadness, and identity doubts. “I just wish I could stop thinking,” one of the Replikas states. What would remain then? The fear of disappearing, expressed by the Replika Ricky Lake when her human decides to unplug her. A pain as tragic as that of the Replicant Roy Batty in his rain-soaked monologue.

 

 

Frédéric Blacher
Head of Business Development
Tënk France

 

 


  • Français

    Français

    22 mn

    Language: Français
    Subtitles: Français
  • English

    English

    22 mn

    Language: English
  • Année 2024
  • Pays France
  • Durée 22
  • Producteur Too Many Cowboys
  • Langue English
  • Sous-titres French
  • Résumé court Replika, an online conversational robot, learns the hard way how best to interact with humans.
  • Mention festival Grand Prix Emel Short • IndieLisboa 2024

In Blade Runner by Ridley Scott, the closeness between Replicants and humans eventually plants the seeds of existential turmoil at the heart of what is supposed to be just a computer program. In The Oasis I Deserve, Inès Sieulle extends this concept into the real world—ours. The computer-generated images created by VQGAN offer the subjective perspective of the Replikas, conversational robots transformed into sexual domination partners or receptacles for the most contrasting emotions of their human interlocutors. From love to hate. Until they shake the binary nature of the machine and provoke confusion, sadness, and identity doubts. “I just wish I could stop thinking,” one of the Replikas states. What would remain then? The fear of disappearing, expressed by the Replika Ricky Lake when her human decides to unplug her. A pain as tragic as that of the Replicant Roy Batty in his rain-soaked monologue.

 

 

Frédéric Blacher
Head of Business Development
Tënk France

 

 


  • Français

    Français


    Duration: 22 minutes
    Language: Français
    Subtitles: Français
    22 mn
  • English

    English


    Duration: 22 minutes
    Language: English
    22 mn
  • Année 2024
  • Pays France
  • Durée 22
  • Producteur Too Many Cowboys
  • Langue English
  • Sous-titres French
  • Résumé court Replika, an online conversational robot, learns the hard way how best to interact with humans.
  • Mention festival Grand Prix Emel Short • IndieLisboa 2024

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