A unique portrait of George Johnston, a photographer who was himself a creator of portraits and a keeper of his culture. Johnston cared deeply about the traditions of the Tlingit people, and he recorded a critical period in the history of the Tlingit nation. As filmmaker Carol Geddes says, his legacy was "to help us dream the future as much as to remember the past."
Director | Carol Geddes |
Actor | Vivian Belik |
Share on |
When Tlingit filmmaker Carol Geddes set out to make a film about her clan relative Kaash KlaÕ (George Johnston) in 1996 she wanted to highlight a side of the Yukon that was lesser known. One that would deconstruct this idea of Yukon being a frontier territory – wild and uncharted.
Picturing a People: George Johnston, Tlingit Photographer details the larger-than-life story of an Indigenous man, who as a teenager, hiked hundreds of kilometres to meet his ancestors in Alaska. In 1910, he taught himself how to shoot and develop film in order to document his community. His photographs remain a rich archive of what life was like for Indigenous Yukoners in the early 20th century and act as a stark contrast with the footage initially captured by Thomas Edison's company during the Gold Run, which itself contributed to fuel Yukon's reputation of being a simple frontier vista.
Vivian Belik
Guest curator
Hot Docs, Available Light Film Festival
Jason Todd
Artistic Director
Tënk
When Tlingit filmmaker Carol Geddes set out to make a film about her clan relative Kaash KlaÕ (George Johnston) in 1996 she wanted to highlight a side of the Yukon that was lesser known. One that would deconstruct this idea of Yukon being a frontier territory – wild and uncharted.
Picturing a People: George Johnston, Tlingit Photographer details the larger-than-life story of an Indigenous man, who as a teenager, hiked hundreds of kilometres to meet his ancestors in Alaska. In 1910, he taught himself how to shoot and develop film in order to document his community. His photographs remain a rich archive of what life was like for Indigenous Yukoners in the early 20th century and act as a stark contrast with the footage initially captured by Thomas Edison's company during the Gold Run, which itself contributed to fuel Yukon's reputation of being a simple frontier vista.
Vivian Belik
Guest curator
Hot Docs, Available Light Film Festival
Jason Todd
Artistic Director
Tënk
English