While preparing a major exhibition, painter Francine Simonin agrees to let the camera film her at work with her models. She talks about the themes that preoccupy her: the Woman and women, origin, fertility, beauty, transgression... A portrait of a woman who has made the female body her fundamental source of inspiration.
Directors | Monique Crouillère, Monique Crouillère |
Actors | L'équipe de Tënk, L'équipe de Tënk |
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D’un coup de pinceau is an immersion into the very act of creation—an intimate encounter with painter Francine Simonin and her raw, almost violent relationship with the canvas. This film doesn’t just follow an artist at work; it reveals a woman who elevates and transcends her art. In this confined studio space, we are drawn into a charged atmosphere—the sound of brushes scraping against the surface, Simonin’s confident gestures, her sharp words, and the way she engages with her models. She paints the female form not to freeze it in an idealized beauty but to capture its energy and movement in a nearly visceral way. Her approach to the feminine challenges conventions and pushes boundaries. As a filmmaker, Monique Crouillère adopts the role of a keen observer. Her camera doesn’t merely watch—it moves, follows, and mirrors the artist’s gestures. This is a film that sparks the urge to create, to let art emerge in its most immediate and visceral form.
Julia Minne
PhD student and programmer
D’un coup de pinceau is an immersion into the very act of creation—an intimate encounter with painter Francine Simonin and her raw, almost violent relationship with the canvas. This film doesn’t just follow an artist at work; it reveals a woman who elevates and transcends her art. In this confined studio space, we are drawn into a charged atmosphere—the sound of brushes scraping against the surface, Simonin’s confident gestures, her sharp words, and the way she engages with her models. She paints the female form not to freeze it in an idealized beauty but to capture its energy and movement in a nearly visceral way. Her approach to the feminine challenges conventions and pushes boundaries. As a filmmaker, Monique Crouillère adopts the role of a keen observer. Her camera doesn’t merely watch—it moves, follows, and mirrors the artist’s gestures. This is a film that sparks the urge to create, to let art emerge in its most immediate and visceral form.
Julia Minne
PhD student and programmer
Français