_A Bear Named Wojtek_ brings to life the extraordinary true story of a brown bear adopted by Polish soldiers in the Levant during World War II. This animated short follows Wojtek’s journey from the Persian desert to the front lines at the Battle of Monte Cassino, where he becomes both a soldier and a powerful symbol of resilience. As the soldiers form an unbreakable bond with Wojtek, the film explores themes of friendship, identity, and the search for belonging amid the chaos of war.
Director | Iain Gardner |
Actor | Marco de Blois |
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During the Second World War, Polish soldiers serving in British-led operations in the Middle East came across a bear and adopted it. A few years later, in 1944, during the Battle of Monte Cassino in Italy, the animal proved to be a valuable help in transporting ammunition, earning the title of war hero. The bear was then relocated to the Edinburgh Zoo in Scotland, where it enjoyed a certain level of fame. After having lived through the upheavals of the 20th century, this bear, named Wojtek, passed away in 1963. Inspired by a true story, this film by Scottish director Iain Gardner resonates strongly with contemporary issues, as Wojtek can be seen as an allegory for the refugee experience. Gardner frames the narrative as a search for humanity and peace, skillfully and movingly recounting this wartime story. Thematically and aesthetically, he openly acknowledges the influence of Frédéric Back, paying documentary-like attention to traditions. For example, the céilí scene (a traditional Irish and Scottish dance gathering), with its painterly quality, clearly echoes the festive scene depicted in Crac! (1981), while celebrating harmony and the joy of life. To affirm this connection without ambiguity, Gardner invited Normand Roger, Frédéric Back’s longtime composer, to score A Bear Named Wojtek.
Marco de Blois
Artistic Director
Sommets du cinéma d’animation
During the Second World War, Polish soldiers serving in British-led operations in the Middle East came across a bear and adopted it. A few years later, in 1944, during the Battle of Monte Cassino in Italy, the animal proved to be a valuable help in transporting ammunition, earning the title of war hero. The bear was then relocated to the Edinburgh Zoo in Scotland, where it enjoyed a certain level of fame. After having lived through the upheavals of the 20th century, this bear, named Wojtek, passed away in 1963. Inspired by a true story, this film by Scottish director Iain Gardner resonates strongly with contemporary issues, as Wojtek can be seen as an allegory for the refugee experience. Gardner frames the narrative as a search for humanity and peace, skillfully and movingly recounting this wartime story. Thematically and aesthetically, he openly acknowledges the influence of Frédéric Back, paying documentary-like attention to traditions. For example, the céilí scene (a traditional Irish and Scottish dance gathering), with its painterly quality, clearly echoes the festive scene depicted in Crac! (1981), while celebrating harmony and the joy of life. To affirm this connection without ambiguity, Gardner invited Normand Roger, Frédéric Back’s longtime composer, to score A Bear Named Wojtek.
Marco de Blois
Artistic Director
Sommets du cinéma d’animation
Français
English