Films de la semaine
4 products
Slet 1988
Duration: 44 minutes
Subscription access
In _Slet 1988_, dancer Sonja Vukićević, aged 74, moves through socialist-modernist spaces; her body is an archive of the last mass performance in Yugoslavia. Her gestures echo past rhythms and present realities, intertwining with a 1988 teenage girl’s diary to reveal the shift from socialist collectivism to rising individualism, while a new national collective body is creeping in and will soon ...
Yugoslavia: How Ideology Moved Our Collective Body
Yugoslavia: How Ideology Moved Our Collective Body
New product!Duration: 2h04
Subscription access
The film deals with the question of how ideology performs itself in public space through mass performances. The author collected and analyzed film and video footage from the period of Yugoslavia (1945 – 2000), focusing on state performances (youth work actions, May Day parades, celebrations of the Youth Day, etc.) as well as counter-demonstrations (’68, student and civic demonstrations in the ‘90...
Landscapes of Resistance
Duration: 3h10
Subscription access
97-year-old antifascist fighter Sonja was one of the first female Yugoslav Partisans and a member of the resistance in Auschwitz. By listening to Sonja’s stories, we travel through the landscapes of her revolutionary past, as her memories start to intertwine with the filmmakers’ own confrontation with the rising fascism in Europe today.
Heimat as a Space in Time
Duration: 3h39
Subscription access
Thomas Heise worked on this film, in which he recalls his family history through the upheavals of 20th century Germany, for a long time. The film travels across the German landscape in order to capture its most intimate essence. In the context of a country that was once divided and then reunited, the narration of the filmmaker's family history is also a search for geographical and topographical...
Slet 1988
Duration: 44 minutes
Subscription access
In _Slet 1988_, dancer Sonja Vukićević, aged 74, moves through socialist-modernist spaces; her body is an archive of the last mass performance in Yugoslavia. Her gestures echo past rhythms and present realities, intertwining with a 1988 teenage girl’s diary to reveal the shift from socialist collectivism to rising individualism, while a new national collective body is creeping in and will soon ...
Yugoslavia: How Ideology Moved Our Collective Body
Yugoslavia: How Ideology Moved Our Collective Body
New product!Duration: 2h04
Subscription access
The film deals with the question of how ideology performs itself in public space through mass performances. The author collected and analyzed film and video footage from the period of Yugoslavia (1945 – 2000), focusing on state performances (youth work actions, May Day parades, celebrations of the Youth Day, etc.) as well as counter-demonstrations (’68, student and civic demonstrations in the ‘90...
Landscapes of Resistance
Duration: 3h10
Subscription access
97-year-old antifascist fighter Sonja was one of the first female Yugoslav Partisans and a member of the resistance in Auschwitz. By listening to Sonja’s stories, we travel through the landscapes of her revolutionary past, as her memories start to intertwine with the filmmakers’ own confrontation with the rising fascism in Europe today.
Heimat as a Space in Time
Duration: 3h39
Subscription access
Thomas Heise worked on this film, in which he recalls his family history through the upheavals of 20th century Germany, for a long time. The film travels across the German landscape in order to capture its most intimate essence. In the context of a country that was once divided and then reunited, the narration of the filmmaker's family history is also a search for geographical and topographical...
