Chantal Akerman was a Belgian director who was born in Brussels in 1950 and died in Paris in 2015. As the 1970s dawned, her portrayal of women’s worlds and characters offered a new cinematic perspective on women. Considered one of the most prominent figures of modern cinema, she imposed her own personal signature (sequence shots, filming in real time), setting a precedent and influencing an entire generation of filmmakers. Akerman was a very eclectic author, making dramas, installations and a musical as well as devoting some of her work to documentaries including the films *Sud*, *De L'autre côté* and *No Home Movie*.
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« Parce que ce film est avant tout un film sur ma mère, ma mère qui n'est plus. Sur cette femme arrivée en Belgique en 1938 fuyant la Pologne, les pogroms et les exactions. Cette femme qu'on ne voit que dans son appartement. Un appartement à Bruxelles. Un film sur le monde qui bouge et que ma mère ne voit pas. »
In the United States, poor people are, for the most part, Mexican. For years, they crossed through San Diego, but the US Immigration Services has managed to stop the flood of illegal immigrants in this part of California and divert it to the deserts and mountains of Arizona where they thought the difficulties, dangers, cold and heat would stop them. But you can’t stop someone who’s hungry. And...
Based on the lynching of a black man by three white men, Sud depicts a Texas nostalgic for the slavery of its past. Alternating still frames and long tracking shots, Akerman reconstitutes the terrible event that took place in Jasper in June 1998. A black man was chained behind a truck and dragged for miles down a road by three young white men. The victim was a musician. The criminals belonged t...
« Parce que ce film est avant tout un film sur ma mère, ma mère qui n'est plus. Sur cette femme arrivée en Belgique en 1938 fuyant la Pologne, les pogroms et les exactions. Cette femme qu'on ne voit que dans son appartement. Un appartement à Bruxelles. Un film sur le monde qui bouge et que ma mère ne voit pas. »
In the United States, poor people are, for the most part, Mexican. For years, they crossed through San Diego, but the US Immigration Services has managed to stop the flood of illegal immigrants in this part of California and divert it to the deserts and mountains of Arizona where they thought the difficulties, dangers, cold and heat would stop them. But you can’t stop someone who’s hungry. And...
Based on the lynching of a black man by three white men, Sud depicts a Texas nostalgic for the slavery of its past. Alternating still frames and long tracking shots, Akerman reconstitutes the terrible event that took place in Jasper in June 1998. A black man was chained behind a truck and dragged for miles down a road by three young white men. The victim was a musician. The criminals belonged t...