Hubert Sabino-Brunette a complété son doctorat à l’Université de Montréal, où il a également enseigné le cinéma québécois. Fasciné par les écrits sur le cinéma et les films, sa thèse porte sur la critique cinématographique dans les quotidiens montréalais des années 1920 et son mémoire sur la réception critique du cinéma québécois, dans les revues québécoises de cinéma des années 1960-70. Passionné de cinéma, il a développé une dépendance au documentaire qu’il tente de soigner en s’impliquant dans les comités de programmation des RIDM, du Cinéma sous les étoiles et de Tënk, notamment. Il enseigne également l'histoire du documentaire, depuis 2018, à l’École des métiers du cinéma et de la vidéo (EMCV) du Cégep de Rivière-du-Loup. Il affectionne particulièrement les oeuvres cinématographiques qui explorent les possibles du cinéma, tout en appréciant les documentaires plus chargés socialement et politiquement. Coups de coeur : Dida (Nikola Ilic et Corina Schwingraber Ilic) Ne croyez surtout pas que je hurle (Frank Beauvais) Leviathan (Lucien Castaing-Taylor et Verana Paravel) Les printemps incertains (Sylvain L'Espérance) Sans frapper (Alexe Poukine) No Crying at the Dinner Table (Carol Nguyen) Yours in Sisterhood (Irene Lusztig) Primas (Laura Bari) Hale County This Morning, This Evening (RaMell Ross)
Hatidze is one of the last people to harvest honey in the traditional way, in the desert mountains of North Macedonia. Without any protection and with passion, she connects with the bees. She only takes the honey she needs to make a modest living, always ensuring to leave half for the bees to maintain the delicate balance between humans and nature. But this equilibrium is soon disrupted by a no...
Five years ago, Kenyan farmer Kisilu Musya began filming his family, his village, floods, droughts and storms, documenting the impacts of climate change. When his home is destroyed by a storm, the self-taught filmmaker decides to take action by launching a farmers' solidarity movement. Kisilu's struggle will take him to Paris for COP21, where he will be confronted with the inertia, bureaucracy ...
The Waddenzee, the Wetland Sea, is a unique natural region, a coastal area of the Netherlands, Germany and Denmark which, depending on the tides, is sometimes sea, sometimes land. Johan van der Keuken films this "flat jungle", its fauna, flora and inhabitants whose lives have been disrupted by the economic, technical and industrial developments of the region.
All over France, Agnès Varda has met gleaners, reclaimers, collectors and finders. By necessity, chance or choice, they are in contact with the remains of others. Their universe is surprising. Potatoes, apples and other discarded foods, objects without masters and clocks without hands, this is the gleaning of our time. But Varda is also the gleaner of the title and her documentary is subjective...
Clay quarries deserted due to unpaid property loans, Spanish bricks embody the economic triumph and failure of a country. Factories that are shut half the year, a ghost city curiously inhabited, a working-class war against the expropriations orchestrated by banks: following the path of merchandise – bricks – gives a face to the crisis and outlines the individual and collective strategies that e...
In Beirut, Syrian construction workers are building a skyscraper while at the same time their own houses at home are being shelled. The Lebanese war is over but the Syrian one still rages on. The workers are locked in the building site. They are not allowed to leave it after 7p.m. The Lebanese government has imposed night-time curfews on the refugees. The only contact with the outside world for...
Last refuge for the forgotten of the American dream, the motel in the USA is home to a whole population of left behind, drifting humans who, from crisis to crisis - economic and personal - have been dispossessed of all. There are those who have lost everything. There are those who have left everything. Those who have forgotten everything. Those who still dream. Drawn in by daily survival, th...
_Fennario - The Good Fight_ is David Fennario’s story, a journey into the life of one of Canada’s great playwrights and into the soul of a man who has never stopped fighting for the causes he believes in. Fennario hails from Verdun, Québec and his plays are all intimately connected to his hometown. At age 65, Fennario lives in a wheelchair, a victim of an unknown paralyzing syndrome that was fi...
The arrival of the mining company Osisko creates a lot of agitation in Malartic, a small community of 3600 in Quebec, Canada. Many families and seniors need to write off certain elements of their heritage and way of life. Others see their lifestyle threatened to disappear in order to make room for the previously unthinkable: the largest open-pit gold mine in Canada. The project is endorsed by t...
Hale County This Morning, This Evening
Composed of intimate and unencumbered moments of people in a community in Alabama’s Black Belt, Hale County This Morning, This Evening offers an emotive impression of the Historic South. Daniel Collins attends college in search of opportunity while Quincy Bryant becomes a father to an energetic son. Creating a poetic form that privileges the patiently observed interstices of their lives, RaMell...
*Les tortues ne meurent pas de vieillesse* nous fait partager la vie de trois vieux hommes du nord du Maroc. À quatre-vingts ans ou presque, Chehma, un ancien maître pêcheur, Erradi, un aubergiste solitaire et Abdesslam, un musicien ambulant, travaillent toujours pour gagner leur vie. Ce long métrage nous plonge dans les univers riches et colorés de ces vieux, à la fois tristes et heureux. Les ...
Primas is an evocative portrait of two cousins, Rocío and Aldana, Argentinian teenagers who, in the wake of heinous acts of violence that interrupted their childhoods, will free themselves from the shadows of their past. Travelling in Argentina and Montréal, the girls come of age having revelatory experiences in their everyday lives; learning dance, mime, theatre, circus and visual arts. They...
This visual love letter crafted by filmmaker Luc Bourdon uses clips from 120 NFB films to pay tribute to the city of Montreal in the '50s and '60s, with hat tips to its famous figures, places and residents.
Border mechanisms that act on migrants are many. Moving from shelter to shelter and hopping on trains, migrants head up north across Mexico to reach the United States and Canada. During the U.S election, migrants are more than aware that it could be their last chance to cross the border. Following their trajectory, Destierros draws a path of reclusion. A path where time remains the longest road...
Rabot tells the story of a social housing block on the brink of demolition. Those seeking a way out of their misery jump from the roof, those unable to find a home elsewhere, land one here. In this small, high-rise community, where indifference reigns supreme. Both building and residents must go, marking the end of a turbulent era. We follow several of the occupants during their final months i...
Long ago, men, women and children of all ages, clans, allegiances and nations united to the sound of the vibrations of the teweikan. In the hands of singer-songwriters Pakesso Mukash (Cri / Abénaki), Shauit (Innu) and Moe Clark (Métis), it remains a powerful tool of communion. Now, with a folk, electro or reggae sound, the teweikan - which means traditional drum - still strives today to create ...
A conversation between a mother and her daughter; memories of passing from the hut to the house.
When elders leave us, a link to the past vanishes along with them. Innu writer Joséphine Bacon exemplifies a generation that is bearing witness to a time that will soon have passed away. With charm and diplomacy, she leads a charge against the loss of a language, a culture, and its traditions. On the trail of Papakassik, the master of the caribou, Call Me Human proposes a foray into a people's ...
Hatidze is one of the last people to harvest honey in the traditional way, in the desert mountains of North Macedonia. Without any protection and with passion, she connects with the bees. She only takes the honey she needs to make a modest living, always ensuring to leave half for the bees to maintain the delicate balance between humans and nature. But this equilibrium is soon disrupted by a no...
Five years ago, Kenyan farmer Kisilu Musya began filming his family, his village, floods, droughts and storms, documenting the impacts of climate change. When his home is destroyed by a storm, the self-taught filmmaker decides to take action by launching a farmers' solidarity movement. Kisilu's struggle will take him to Paris for COP21, where he will be confronted with the inertia, bureaucracy ...
The Waddenzee, the Wetland Sea, is a unique natural region, a coastal area of the Netherlands, Germany and Denmark which, depending on the tides, is sometimes sea, sometimes land. Johan van der Keuken films this "flat jungle", its fauna, flora and inhabitants whose lives have been disrupted by the economic, technical and industrial developments of the region.
All over France, Agnès Varda has met gleaners, reclaimers, collectors and finders. By necessity, chance or choice, they are in contact with the remains of others. Their universe is surprising. Potatoes, apples and other discarded foods, objects without masters and clocks without hands, this is the gleaning of our time. But Varda is also the gleaner of the title and her documentary is subjective...
Clay quarries deserted due to unpaid property loans, Spanish bricks embody the economic triumph and failure of a country. Factories that are shut half the year, a ghost city curiously inhabited, a working-class war against the expropriations orchestrated by banks: following the path of merchandise – bricks – gives a face to the crisis and outlines the individual and collective strategies that e...
In Beirut, Syrian construction workers are building a skyscraper while at the same time their own houses at home are being shelled. The Lebanese war is over but the Syrian one still rages on. The workers are locked in the building site. They are not allowed to leave it after 7p.m. The Lebanese government has imposed night-time curfews on the refugees. The only contact with the outside world for...
Last refuge for the forgotten of the American dream, the motel in the USA is home to a whole population of left behind, drifting humans who, from crisis to crisis - economic and personal - have been dispossessed of all. There are those who have lost everything. There are those who have left everything. Those who have forgotten everything. Those who still dream. Drawn in by daily survival, th...
_Fennario - The Good Fight_ is David Fennario’s story, a journey into the life of one of Canada’s great playwrights and into the soul of a man who has never stopped fighting for the causes he believes in. Fennario hails from Verdun, Québec and his plays are all intimately connected to his hometown. At age 65, Fennario lives in a wheelchair, a victim of an unknown paralyzing syndrome that was fi...
The arrival of the mining company Osisko creates a lot of agitation in Malartic, a small community of 3600 in Quebec, Canada. Many families and seniors need to write off certain elements of their heritage and way of life. Others see their lifestyle threatened to disappear in order to make room for the previously unthinkable: the largest open-pit gold mine in Canada. The project is endorsed by t...
Hale County This Morning, This Evening
Composed of intimate and unencumbered moments of people in a community in Alabama’s Black Belt, Hale County This Morning, This Evening offers an emotive impression of the Historic South. Daniel Collins attends college in search of opportunity while Quincy Bryant becomes a father to an energetic son. Creating a poetic form that privileges the patiently observed interstices of their lives, RaMell...
*Les tortues ne meurent pas de vieillesse* nous fait partager la vie de trois vieux hommes du nord du Maroc. À quatre-vingts ans ou presque, Chehma, un ancien maître pêcheur, Erradi, un aubergiste solitaire et Abdesslam, un musicien ambulant, travaillent toujours pour gagner leur vie. Ce long métrage nous plonge dans les univers riches et colorés de ces vieux, à la fois tristes et heureux. Les ...
Primas is an evocative portrait of two cousins, Rocío and Aldana, Argentinian teenagers who, in the wake of heinous acts of violence that interrupted their childhoods, will free themselves from the shadows of their past. Travelling in Argentina and Montréal, the girls come of age having revelatory experiences in their everyday lives; learning dance, mime, theatre, circus and visual arts. They...
This visual love letter crafted by filmmaker Luc Bourdon uses clips from 120 NFB films to pay tribute to the city of Montreal in the '50s and '60s, with hat tips to its famous figures, places and residents.
Border mechanisms that act on migrants are many. Moving from shelter to shelter and hopping on trains, migrants head up north across Mexico to reach the United States and Canada. During the U.S election, migrants are more than aware that it could be their last chance to cross the border. Following their trajectory, Destierros draws a path of reclusion. A path where time remains the longest road...
Rabot tells the story of a social housing block on the brink of demolition. Those seeking a way out of their misery jump from the roof, those unable to find a home elsewhere, land one here. In this small, high-rise community, where indifference reigns supreme. Both building and residents must go, marking the end of a turbulent era. We follow several of the occupants during their final months i...
Long ago, men, women and children of all ages, clans, allegiances and nations united to the sound of the vibrations of the teweikan. In the hands of singer-songwriters Pakesso Mukash (Cri / Abénaki), Shauit (Innu) and Moe Clark (Métis), it remains a powerful tool of communion. Now, with a folk, electro or reggae sound, the teweikan - which means traditional drum - still strives today to create ...
A conversation between a mother and her daughter; memories of passing from the hut to the house.
When elders leave us, a link to the past vanishes along with them. Innu writer Joséphine Bacon exemplifies a generation that is bearing witness to a time that will soon have passed away. With charm and diplomacy, she leads a charge against the loss of a language, a culture, and its traditions. On the trail of Papakassik, the master of the caribou, Call Me Human proposes a foray into a people's ...