Shaping a memoir of my personal return, _in the jasmine vines_ is an assertion that the amalgam that makes my complex identity belongs, gifted by my grandfather and his story and honoured by the generations following his. Forming an imagery of complex memory, archive, story and imagination, this film is a learnt way to place my existence within a narrative. And so, I look for the scents they ca...
Those That, at a Distance, Resemble Another
Duration: 2h14With an elephant's ivory tusk as the protagonist, this film meditates upon the endless tactility of museological and ecological conservation, inviting reflection upon forms of representation, replicas, and embodiments of various materials, disciplines, and institutions.
In Face Value, everything revolves around the face and sight: the desire to be seen, the fear of being seen, the inability to see oneself, the fear and the desire to see others.
Produced out of Harvard's Sensory Ethnography Lab, the film follows a group of matriarchal weavers in Mexico, whose backstrap loom – a pre-Hispanic technique preserved for centuries by Indigenous women in Mesoamerica – provides the formal structure for the film's exploration of handicrafts and their ties to freedom.
Based on his personal diary and filmed over the course of ten years, the filmmaker Alain Cavalier invites us into a meditation on old age, fragility, and death. Made up of moments of liveliness, fragments of images, this film composes a mosaic wherein the spectator is invited to find his own place on his own terms.
In 1952, Ousmane Sembène, a Senegalese dockworker and fifth-grade dropout, began dreaming an impossible dream: to become the storyteller of a new Africa. Sembène! tells the unbelievable true story of the self-taught “father of African cinema,” who fought enormous odds to return African stories to Africa. Sembène! uses rare archival footage and more than 100 hours of exclusive materials to craft...
Shaping a memoir of my personal return, _in the jasmine vines_ is an assertion that the amalgam that makes my complex identity belongs, gifted by my grandfather and his story and honoured by the generations following his. Forming an imagery of complex memory, archive, story and imagination, this film is a learnt way to place my existence within a narrative. And so, I look for the scents they ca...
Those That, at a Distance, Resemble Another
Duration: 2h14With an elephant's ivory tusk as the protagonist, this film meditates upon the endless tactility of museological and ecological conservation, inviting reflection upon forms of representation, replicas, and embodiments of various materials, disciplines, and institutions.
In Face Value, everything revolves around the face and sight: the desire to be seen, the fear of being seen, the inability to see oneself, the fear and the desire to see others.
Produced out of Harvard's Sensory Ethnography Lab, the film follows a group of matriarchal weavers in Mexico, whose backstrap loom – a pre-Hispanic technique preserved for centuries by Indigenous women in Mesoamerica – provides the formal structure for the film's exploration of handicrafts and their ties to freedom.
Based on his personal diary and filmed over the course of ten years, the filmmaker Alain Cavalier invites us into a meditation on old age, fragility, and death. Made up of moments of liveliness, fragments of images, this film composes a mosaic wherein the spectator is invited to find his own place on his own terms.
In 1952, Ousmane Sembène, a Senegalese dockworker and fifth-grade dropout, began dreaming an impossible dream: to become the storyteller of a new Africa. Sembène! tells the unbelievable true story of the self-taught “father of African cinema,” who fought enormous odds to return African stories to Africa. Sembène! uses rare archival footage and more than 100 hours of exclusive materials to craft...