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  • At State's End!

At State's End!


Poster image At State's End!

On March 27, 2021, Godspeed You! Black Emperor invited fans to a virtual album event, officially presenting its concert film projections for the first time in the band’s 25-year history. GY!BE filmmakers/projectionists Karl Lemieux and Philippe Leonard set up their six 16 mm analog projectors in an empty Cinema Imperial, in Montréal, spooling dozens of film loops and short reels for a hallmark Godspeed concert experience, set to the band’s new recording.



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Directors

Karl LemieuxPhilippe Léonard

Actor

Jason Todd

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In At State’s End!, Philippe Leonard and Karl Lemieux illustrate the sometimes apocalyptic, sometimes exhilarating music of the post-rock band Godspeed You! Black Emperor through their live film manipulations. In an empty concert hall, the filmmakers recreate the projections that typically accompany the performances of the instrumental Montreal band.

 

Designed for the release of the album G_d's Pee at State's End! (2021) during the height of the pandemic, their work often leans towards abstraction, reflecting the more ambient side of the band’s music, where abrasive or soaring electric guitars coexist with string instruments. However, the film also includes more concrete images, such as those of the Van Horne Warehouse or the cross on Mount Royal, which are iconic visual landmarks of Montreal.

 

The intoxicating crescendo of the track Cliffs Gaze is accompanied by images of riots and protests, a reminder that Godspeed You! Black Emperor is, in its own way, a revolutionary band. As a finale, the filmmakers leave us with almost soothing images. Flowers and leaves swept by the wind, landscapes, and skies passing in time-lapse embrace the elegiac beauty of the string arrangement in the final piece of G_d's Pee. It’s a wide range of emotions that one experiences while listening to the album of the legendary band and watching At State’s End.

 

 

 

Jean-Philippe Desrochers
Critic

 

 


  •  At State's End!

    At State's End!

    53 mn

    Language: Multilang
  • Année 2021
  • Pays Quebec
  • Durée 53
  • Producteur Karl Lemieux, Philippe Léonard
  • Langue Without dialogue
  • Résumé court During the pandemic, filmmakers from post-rock band Godspeed You! Black Emperor project their images in an empty theatre in Montreal.
  • Ordre 5

In At State’s End!, Philippe Leonard and Karl Lemieux illustrate the sometimes apocalyptic, sometimes exhilarating music of the post-rock band Godspeed You! Black Emperor through their live film manipulations. In an empty concert hall, the filmmakers recreate the projections that typically accompany the performances of the instrumental Montreal band.

 

Designed for the release of the album G_d's Pee at State's End! (2021) during the height of the pandemic, their work often leans towards abstraction, reflecting the more ambient side of the band’s music, where abrasive or soaring electric guitars coexist with string instruments. However, the film also includes more concrete images, such as those of the Van Horne Warehouse or the cross on Mount Royal, which are iconic visual landmarks of Montreal.

 

The intoxicating crescendo of the track Cliffs Gaze is accompanied by images of riots and protests, a reminder that Godspeed You! Black Emperor is, in its own way, a revolutionary band. As a finale, the filmmakers leave us with almost soothing images. Flowers and leaves swept by the wind, landscapes, and skies passing in time-lapse embrace the elegiac beauty of the string arrangement in the final piece of G_d's Pee. It’s a wide range of emotions that one experiences while listening to the album of the legendary band and watching At State’s End.

 

 

 

Jean-Philippe Desrochers
Critic

 

 


  •  At State's End!

    At State's End!


    Duration: 53 minutes
    Language: Multilang
    53 mn
  • Année 2021
  • Pays Quebec
  • Durée 53
  • Producteur Karl Lemieux, Philippe Léonard
  • Langue Without dialogue
  • Résumé court During the pandemic, filmmakers from post-rock band Godspeed You! Black Emperor project their images in an empty theatre in Montreal.
  • Ordre 5

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