Amos Gitaï was born in Haifa in Israel, in 1950. Following in the footsteps of his father, he studied architecture, until the Yom Kippur War brought his studies to a halt. Over his helicopter missions, he began to use a small Super-8 camera. In the late 1970s and early 1980s, he produced several documentaries, including ‘House’ and ‘Field Diary’. It’s also during the same period that he sought exile in France and began to produce fiction films such as ‘Esther’ and ‘Berlin-Jerusalem’. Back in Israel in the early 1990s, he produced several fiction films and documentaries that marked his return to his homeland, ‘Devarim’, ‘Kippur’, ‘Alila’, et Today, he lives both in Haifa and in Paris, but he works the world over. In around forty films, Amos Gitaï has produced an extraordinarily varied repertoire in which he explores the history of the Middle East and his own biography, via the recurrent themes of exile and utopia.
The 1986 Eurythmics tour of Japan. It is the end of the world tour during which Annie Lennox (vocals) and Dave Stewart (guitar) promote their latest album _Revenge_. It is also, between concerts, the shock of discovery: a world of sounds as cultivated by the Japanese, both brutally technological and highly refined traditional expressions.
House is the story of a house in West-Jerusalem: abandoned during the 1948 war by its owner, a Palestinian doctor; requisitioned by the Israeli government as "vacant"; rented to Jewish Algerian immigrants in 1956; purchased by a university professor who undertakes its transformation into a patrician villa... The building site is like a theatre in which the former inhabitants, the neig...
The 1986 Eurythmics tour of Japan. It is the end of the world tour during which Annie Lennox (vocals) and Dave Stewart (guitar) promote their latest album _Revenge_. It is also, between concerts, the shock of discovery: a world of sounds as cultivated by the Japanese, both brutally technological and highly refined traditional expressions.
House is the story of a house in West-Jerusalem: abandoned during the 1948 war by its owner, a Palestinian doctor; requisitioned by the Israeli government as "vacant"; rented to Jewish Algerian immigrants in 1956; purchased by a university professor who undertakes its transformation into a patrician villa... The building site is like a theatre in which the former inhabitants, the neig...