Andrea Bussmann was born in Toronto. She holds a Master’s degree in Social Anthropology and a Master’s in Film Production. She directed He Whose Face Gives No Light, which premiered at FIDMarseille in 2011. She produced and edited the short film Three Walls and the feature Harvest Moon. In 2016, she co-directed Tales of Two Who Dreamt, which premiered at the Berlinale Forum and went on to screen at numerous international festivals. The film won the Best Documentary award at the Créteil International Women’s Film Festival in 2017. Her feature Fausto premiered in 2018 at the Locarno International Film Festival, where it received a Special Mention, and had its North American premiere at TIFF. Her work explores the blurred boundaries between fiction and non-fiction, drawing on literature, myth, and experimental forms to examine systems of power, migration, and the enduring legacies of colonialism. Through sensory and hybrid approaches, she is interested in liminal states, layered temporalities, and shared habitats between human and non-human life. Her films challenge cinematic conventions and invite alternative ways of perceiving, composing, and inhabiting the world.
On the Oaxacan coast of Mexico, rumblings of previous times are never far from the surface. Tales of shapeshifting, telepathy and dealings with the Devil are embedded in the colonization and enslavement of the Americas. Characters from the Faust legend mingle with the inhabitants, while attempting to colonize and control nature through a seemingly never-ending building project. Through literatu...
Photographed in austere black and white, this film spins mythic tales around an actual Roma family living inside a Toronto housing block for asylum seekers. As the family awaits their day in court, the kids try to stave off boredom by goofing around while the adults repeat and refine stories about their past, some real and some fictional. Observational but never cold, this hybrid work offers a ...
On the Oaxacan coast of Mexico, rumblings of previous times are never far from the surface. Tales of shapeshifting, telepathy and dealings with the Devil are embedded in the colonization and enslavement of the Americas. Characters from the Faust legend mingle with the inhabitants, while attempting to colonize and control nature through a seemingly never-ending building project. Through literatu...
Photographed in austere black and white, this film spins mythic tales around an actual Roma family living inside a Toronto housing block for asylum seekers. As the family awaits their day in court, the kids try to stave off boredom by goofing around while the adults repeat and refine stories about their past, some real and some fictional. Observational but never cold, this hybrid work offers a ...