Born in 1985 in the Land of the Black Sun (Charleroi), Anne Lepère currently lives in Brussels. In 2013, she started to work in radio and made her first works by trying different styles of sound art: field recording, radio drama, spoken word, documentary poetry. She works most often with actual sounds that tend towards abstraction. Lepère collaborates in performance and live show projects while continuing in the field of radio production, notably with her first long format: Autopoiesis that won the Palma Ars Acustica (EBU Music) and the Art Sonore prize at the Phonurgia Nova Awards (Paris) in 2019. Lately, her research focuses on the relationship between sound work and the stage, questioning choreographic language and, in particular, the dissemination device (spacialisation in octophony and acousmatic proposals). This follows a training course she attended in 2016, Prototypes III at the Abbaye de Royaumont, for choreographer and composer. Lepère collaborates with several choreographers such as Marion Sage (Grand Tétras), Estelle Gautier (Rapid Eye Movement), Thibaud le Mague (En Lieu Sûr), and Danya Hammoud (Sérénités).
"How bad is your pain right now? On a scale of 1 to 10, how high is it?" Behind the white curtain of an operating room, an abstract decor is set up, that of a journey that would find its source in the heart of a wound. Thus, in a semi-conscious state, I receive the visit of the centaur Chiron. He shows me a passage, a tiny space, a synapse, from which comes a very strange song. Initia...
"How bad is your pain right now? On a scale of 1 to 10, how high is it?" Behind the white curtain of an operating room, an abstract decor is set up, that of a journey that would find its source in the heart of a wound. Thus, in a semi-conscious state, I receive the visit of the centaur Chiron. He shows me a passage, a tiny space, a synapse, from which comes a very strange song. Initia...