Chanelle Lajoie is a Queer Métis multi-disciplinary artist from Treaty 1 Territory, and a current guest studying at McGill Law on Tiohti:áke Territory. With their degree, they aim to protect the intellectual property of Indigi-queer creators. With their medium, they seek to honor and engage within the communities to which they belong through storytelling in the form of moving-image. Their ties to community are best witnessed in recent projects Métis Femme Bodies (2019) and Lavender Menace (2020) which explore Indigi-queer identity. Chanelle has participated in MAWA’s Foundation Mentorship Program (2020-21) which prepared them for moving- image projects: Grand Mother Tongue, with Toronto Queer Film Festival’s DIY Lab Mentorship Program (2020-21) and Bison Hunt, with ImagineNATIVE’s Doc Salon Fellowship as part of the European Film Market (2021). They recently attended Harbour Collective’s Meech Lake Residency (2021), completing moving-image project Land (Ab)Use.
_Métis Femme Bodies_ is an exploration into the experiences of what has become a repressed identity in both Indigenous and femme forms. _Métis Femme Bodies_ aims to offer visibility and voice to those who have been denied such luxury in order to accurately represent themselves and correct misleading narratives imposed by greater power structures.
_Métis Femme Bodies_ is an exploration into the experiences of what has become a repressed identity in both Indigenous and femme forms. _Métis Femme Bodies_ aims to offer visibility and voice to those who have been denied such luxury in order to accurately represent themselves and correct misleading narratives imposed by greater power structures.