Born in London in 1955, Claire Simon studied ethnology, and Arabic and Berber languages. She learned filmmaking through editing and simultaneously made independent short films. She discovered the practice of direct cinema at the Ateliers Varan and directed several documentary films such as Coûte que coûte (1995) and Récréations (1998), which were awarded at numerous festivals. She then wrote and directed three feature fiction films that were presented at the Directors' Fortnight in Cannes: Sinon oui (1997), Ça brûle (2006), and Les bureaux de Dieu (2008). Among her more recent films are Gare du Nord (2013), premiered at the Locarno International Film Festival; Le bois dont les rêves sont faits (2015); Le concours (2017), which premiered at the Venice Film Festival and won the Best Documentary award; and Premières solitudes (2018), presented at the Berlinale. In 2019, she chronicled the surprising adventure of Lussas, the "documentary village" that gave birth to Tënk, in a documentary series. She also released a feature film on the same subject, Le fils de l'épicière, le maire, le village et le monde (2020). In 2023, her film Notre corps, entirely shot at Tenon Hospital in Paris, was presented at the Berlinale. Claire Simon's cinema plays with the boundaries between documentary and fiction. She seeks the novelistic in real life and injects reality into her fiction.
There is a kind of country, tiny, so small that it ressembles a theatre set. It is inhabited two or three times per day by its people. The inhabitants are small as well. Even if they live under certain laws, they repeatedly put them into question, which leads them to fight violenty with each other. This country is called "The Playground" and its people "The Children". When "The Children" go int...
The Grocer's Son, the Mayor, the Village and the World
In Lussas, in the South of France, a small group of people has gathered in what used to be the village grocery store. Among the vineyards and orchards of cherry trees in blossom, a business is being set up that is quite unique in the rural world: an ultra-modern platform for broadcasting documentary films on the Internet.
Il s’agit d’un portrait d’un âge de la vie : 16/18 ans. À cet âge-là, si on a de la chance, on est au lycée. Ici, on est à Ivry et on discute entre les cours, même parfois pendant les cours. Assis dans le couloir, ou dehors sur un banc, ou sur le parapet avec vue sur la ville, les jeunes gens dialoguent à deux ou à trois. Ils découvrent leurs histoires respectives, celles dont ils héritent, rac...
There is a kind of country, tiny, so small that it ressembles a theatre set. It is inhabited two or three times per day by its people. The inhabitants are small as well. Even if they live under certain laws, they repeatedly put them into question, which leads them to fight violenty with each other. This country is called "The Playground" and its people "The Children". When "The Children" go int...
The Grocer's Son, the Mayor, the Village and the World
In Lussas, in the South of France, a small group of people has gathered in what used to be the village grocery store. Among the vineyards and orchards of cherry trees in blossom, a business is being set up that is quite unique in the rural world: an ultra-modern platform for broadcasting documentary films on the Internet.
Il s’agit d’un portrait d’un âge de la vie : 16/18 ans. À cet âge-là, si on a de la chance, on est au lycée. Ici, on est à Ivry et on discute entre les cours, même parfois pendant les cours. Assis dans le couloir, ou dehors sur un banc, ou sur le parapet avec vue sur la ville, les jeunes gens dialoguent à deux ou à trois. Ils découvrent leurs histoires respectives, celles dont ils héritent, rac...