Documentary filmmaker and video artist, Emmanuel Vigier shot his first film, J'ai un frère, in 2007 between Bosnia and Marseille. A former reporter, he creates documentary objects that question margins, archives, borders, and memory. Creative documentaries, video installations, sonic documentaries, and web documentaries, his work is at the crossroads of theater, visual arts, sound, and cinema. He regularly collaborates with the street theater company Compagnie sous X and the filmmakers collective 360° et même plus, with whom he shares the same urgency to produce socially engaged art.
Emmanuel Vigier finds a diary in a street in Marseille. At first, he doesn't know the name of its owner. Then one day, he discovers it on the first page. He begins to investigate the life of a woman with the people who knew her closely. A story of music, injustice, and social decline is woven; a sonic portrait created in complicity with Gery Petit.
Emmanuel Vigier finds a diary in a street in Marseille. At first, he doesn't know the name of its owner. Then one day, he discovers it on the first page. He begins to investigate the life of a woman with the people who knew her closely. A story of music, injustice, and social decline is woven; a sonic portrait created in complicity with Gery Petit.