Ila Bêka & Louise Lemoine are artists filmmakers working at the crossroads of visual arts, non fiction cinema and architecture. For the past twenty years they have been experimenting with new narrative and cinematic forms to explore how people experience, perceive, and relate to space from an emotional, social, and cultural standpoint. Bêka & Lemoine have made over thirty films, among which Koolhaas Houselife (2008), Barbicania (2014), The Infinite Happiness (2015), Moriyama San (2017), Tokyo Ride (2020) and the "city-matographic" odyssey in 14 films Homo Urbanus (2017-ongoing). Their films are widely shown at renowned international film festivals and prominent art and architecture museums and events, such as the The Venice Biennale, the Barbican Art Gallery in London, Fondation Cartier pour l’art contemporaine in Paris, Bozar in Brussels, Fondazione Prada in Milan, among many others.
A sensitive and personal reflection that questions the way hospitals think spaces of care for the most vulnerable ones. Recounting her personal story as a young girl who spent her childhood in rehabilitation centres alongside her severely disabled father, the director confronts her traumatic memories with the exceptional experimentation developed at REHAB in Basel by the Swiss architects Herzog...
A sensitive and personal reflection that questions the way hospitals think spaces of care for the most vulnerable ones. Recounting her personal story as a young girl who spent her childhood in rehabilitation centres alongside her severely disabled father, the director confronts her traumatic memories with the exceptional experimentation developed at REHAB in Basel by the Swiss architects Herzog...