Jessica Johnson is an award-winning experimental filmmaker based in Vancouver, B.C. She has made a number of short experimental films with a focus on narrative embedded within the landscape. These works often explore the representation of space and time in the natural landscape with an attempt to subvert audience expectations. Her work has been exhibited at the Polygon Gallery as well as festivals such as Vancouver International Film Festival, Festival du Nouveau Cinéma, Images Festival, Edinburgh International Film Festival and Cinéma du réel in Paris.
A former mining town in remote northwest British Columbia, Anyox is now home to mountainous slag piles accumulated as a byproduct of the early 20th-century copper smelting process. Anyox depicts the lives of the town’s two sole remaining residents while simultaneously unfolding a complex labour history and a story of immense environmental degradation.
The Okanagan Valley in the southern interior of British Columbia is marketed as a destination of leisure, recreation, retirement and wealth. Behind this facade is a largely invisible agricultural labour force, comprised of temporary migrant workers from the Global South.
A former mining town in remote northwest British Columbia, Anyox is now home to mountainous slag piles accumulated as a byproduct of the early 20th-century copper smelting process. Anyox depicts the lives of the town’s two sole remaining residents while simultaneously unfolding a complex labour history and a story of immense environmental degradation.
The Okanagan Valley in the southern interior of British Columbia is marketed as a destination of leisure, recreation, retirement and wealth. Behind this facade is a largely invisible agricultural labour force, comprised of temporary migrant workers from the Global South.