Juli Sando is a Swiss-Japanese filmmaker and artist. She is active as much in filmmaking as in performance, multimedia installation and sound experimentation. Her work, which has been exhibited in several art spaces and festivals, mixes poetry and politics, questions language, identity and society. Her approach is characterized by an attention to moments of transition and disappearance, and seeks to outline the possibilities of resistance in the diversity of identities. Her latest film, Fuku Nashi (2022), takes an intimate look at the question of racial mixing, the weight of origins in relation to family and one's own identity. Alongside her personal practice, she is also a sound curator with the collective laptopradiø, a founding member of the art and film production association JoY, and of FAAB G (Feminist Antiracist Asian collective Based in Geneva). She worked as a teaching and production assistant at Geneva's Haute Ecole d'Art et de Design during two years, then joined the curatorial team of the Bureau Des Questions Importantes festival in 2023.
After several years of absence Yukie returns to Baba's house in search of her identity. In this house of a thousand corners, these two lonely souls meet, but a great chasm separates them. Little by little, between the murmur of the television and the abandoned garden, tongues are loosened and the distance decreases.
After several years of absence Yukie returns to Baba's house in search of her identity. In this house of a thousand corners, these two lonely souls meet, but a great chasm separates them. Little by little, between the murmur of the television and the abandoned garden, tongues are loosened and the distance decreases.