Nada El-Omari is a filmmaker and writer of Palestinian and Egyptian origin based in Montréal, Québec. She has centred her practice and research interests on the intergenerational transmissions of memories, displacement and the stories of belonging and identity through a poetic, hybrid lens. Focusing on process and fragments in text, sound and image, Nada explores different ways to self-narrate new ways to speak hybridity and self.
Shaping a memoir of my personal return, _in the jasmine vines_ is an assertion that the amalgam that makes my complex identity belongs, gifted by my grandfather and his story and honoured by the generations following his. Forming an imagery of complex memory, archive, story and imagination, this film is a learnt way to place my existence within a narrative. And so, I look for the scents they ca...
In this poetic and experimental documentary, a young woman questions Stella, a mother and cancer survivor, and watches Sonya, her daughter, to understand and communicate with Eva, the mother she lost as a child. In their time together, and in their common stories, maybe grief can ease.
Shaping a memoir of my personal return, _in the jasmine vines_ is an assertion that the amalgam that makes my complex identity belongs, gifted by my grandfather and his story and honoured by the generations following his. Forming an imagery of complex memory, archive, story and imagination, this film is a learnt way to place my existence within a narrative. And so, I look for the scents they ca...
In this poetic and experimental documentary, a young woman questions Stella, a mother and cancer survivor, and watches Sonya, her daughter, to understand and communicate with Eva, the mother she lost as a child. In their time together, and in their common stories, maybe grief can ease.