Stéphanie Roland
Stéphanie Roland is a Belgian-Micronesian visual artist and filmmaker. Working between documentary and the imaginary, Roland makes films and installations exploring invisible structures, hyperobjects, and deep time; from the ecological and political to the geologic and cosmic. Her work is regularly shown on an international scale, and her projects have been included in exhibitions from major institutions including Louvre Museum, Benaki Museum, Botanique, and Kampala International Art Biennale. In 2017, she was selected for the group exhibition of the Antarctica Pavilion for the 57th Venice Biennale. Her films have been screened in international festivals and her second short film, Podesta Island, won the Alice Guy Prize, at FID Marseille.
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The Empty Sphere
This experimental documentary portrays a space object and its fall into the darkness of a space cemetery. A woman scientist reveals her attachment to this object and the absence of images documenting this mysterious place. As a reverse sci-fi journey, this essay mixes reality and fiction to guide us, like a stalker, to the outskirts of an invisible place.
The Empty Sphere
This experimental documentary portrays a space object and its fall into the darkness of a space cemetery. A woman scientist reveals her attachment to this object and the absence of images documenting this mysterious place. As a reverse sci-fi journey, this essay mixes reality and fiction to guide us, like a stalker, to the outskirts of an invisible place.
