Marguerite Duras - Écrire
A long interview between Marguerite Duras and Benoît Jacquot on the subject of writing and solitude, in the country house in where Marguerite Duras lived alone for several years ; the years in which she wrote Le Vice-Consul and Le Ravissement de Lol V. Stein.
| Director | Benoît Jacquot |
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"What to do with the solitude I experienced in this house? That’s how it started, like a joke. Write, perhaps."
There are, as we know, "house-films", like some of the movies by Jean-Daniel Pollet and Jacques Doillon, or Manoel de Oliveira’s posthumous film. In its own way, Écrire is one of these films. In it, Benoît Jacquot asks Marguerite Duras about her relationship with the very place she writes, this house in Neauphle-le-Château so familiar to her readers, which Caroline Champetier films so gorgeously here. Intrinsically linked to the "essential solitude" in which and with which Duras wrote some of her books, and where she also shot perhaps her most beautiful films, this almost organic relationship to the house is particularly tangible in Nathalie Granger and The Lorry. Like the latter, "Écrire" also became a book, just as beautiful as the film.
Fabien David
Programmer at Cinéma Le Bourguet in Forcalquier
- Année 1993
- Pays France
- Durée 44
- Producteur INA
- Langue French
- Résumé court A long interview between Marguerite Duras and Benoît Jacquot on the subject of writing and solitude.
- Programmateur Fabien David|Programmateur du cinéma Le Bourguet de Forcalquier;
"What to do with the solitude I experienced in this house? That’s how it started, like a joke. Write, perhaps."
There are, as we know, "house-films", like some of the movies by Jean-Daniel Pollet and Jacques Doillon, or Manoel de Oliveira’s posthumous film. In its own way, Écrire is one of these films. In it, Benoît Jacquot asks Marguerite Duras about her relationship with the very place she writes, this house in Neauphle-le-Château so familiar to her readers, which Caroline Champetier films so gorgeously here. Intrinsically linked to the "essential solitude" in which and with which Duras wrote some of her books, and where she also shot perhaps her most beautiful films, this almost organic relationship to the house is particularly tangible in Nathalie Granger and The Lorry. Like the latter, "Écrire" also became a book, just as beautiful as the film.
Fabien David
Programmer at Cinéma Le Bourguet in Forcalquier
- Année 1993
- Pays France
- Durée 44
- Producteur INA
- Langue French
- Résumé court A long interview between Marguerite Duras and Benoît Jacquot on the subject of writing and solitude.
- Programmateur Fabien David|Programmateur du cinéma Le Bourguet de Forcalquier;
