Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
New product!The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...
In 1982, Jocelyne Saab's 150-year-old family home burns down. In tandem with the Lebanese playwright Roger Assaf, she decided to travel through her city, which was under siege by the Israelis, and to report on the situation in Beirut, the departure of the Palestinians and the incomprehension of the civilians who were suffering from the war.
Portrait of Raymond Eddé, a candidate in the Lebanese presidential elections and a staunch opponent of the sectarian war. During the 1975–1976 conflicts, he and his team actively searched for those who had gone missing in the war, whether Christian, Druze, or Muslim.
Filmmaker Jocelyne Saab gives a voice to Palestinian women, often overlooked victims of the Israeli-Palestinian conflict.
Nous sortirons de nos cuisines - Épisode 2 - Môman travaille pas, a trop d’ouvrage! (1974-75)
Duration: 1h01The UN declared 1975 the “International Women's Year,” ironically using the singular form in French (Année internationale de la femme). It was a pivotal time: more and more women were divorcing or entering the workforce. Yet a pregnancy was enough to justify dismissal, and maternity leave would not exist until 1979. The members of Théâtre des Cuisines returned to the stage with their second pla...
Nous sortirons de nos cuisines - Épisode 1 - Nous aurons les enfants que nous voulons (1968-74)
Duration: 1h02Montreal, 1973. Canadian law now permits abortion. But the criteria are very restrictive, and women depend on the goodwill—more often the ill will—of the men sitting on the committees that approve or deny them. Quebec is the province where it is most difficult to terminate an unwanted pregnancy, and clandestine abortions are common: they are the leading cause of hospitalization among women. Yet...
Can a woman fully realize herself while embracing the demands of motherhood? Filmed during an actual pregnancy and based on the journal director Anne Claire Poirier kept during one of her own, this documentary captures the pregnant female body, revealing the emotions and anxieties that accompany this transformative experience.
Spring has arrived in the streets of Montreal. Little girls bring out their bolos, skipping ropes, elastics, and balls, playing joyfully to the rhythm of delightful rhymes. Freshness, spontaneity, innocence, joy and sorrow—it’s all there, in these little songs. A world that adults will be delighted to return to.
Their names are Anne-Charlotte, Joohee, Céline, Niyongira and Mathieu. They are 25- to 52-year-old, hailing from Brazil, Sri Lanka, Rwanda, South Korea, or Australia. These five individuals have something in common: they are adopted. Separated from their family and country from childhood, they grew up in French families. Their life stories and home movies tell an intimate, political story about...
In 1967, Alain Resnais, William Klein, Joris Ivens, Agnès Varda, Claude Lelouch, Jean-Luc Godard, and Chris Marker co-directed this film to express their solidarity with the struggle of the Vietnamese people. Each offers a distinct and personal perspective on this conflict, set against a backdrop of international public anger and mobilization.
_The War at Home_ examines the anti-war movement in Madison, Wisconsin, during the Vietnam War era. It focuses on the escalation of protests, especially at the University of Wisconsin, and the intense clashes between students and authorities. The film combines interviews with activists, veterans, and community leaders with archival footage to portray a decade of resistance and the war’s impact ...
In 1969, black female hospital workers in Charleston, South Carolina, went on strike for union recognition and a wage increase, only to find themselves in a confrontation with the state government and the National Guard.
Victor-Lévy Beaulieu : Du bord des bêtes
Duration: 49 minutesVictor-Lévy Beaulieu is one of the most prolific Quebec writers of the past 50 years. In both his personal life and his work, he is a man of words who boldly and unapologetically voices his convictions. Enriched with excerpts from his writings that deepen his reflections, this documentary reveals both the light and shadow within the man and his work. It also captures the whispers of his house —...
“A few cabins built along a hillside, on the margins of society and without men. A refuge, a space for collective and feminist transformation. From this edge of the world, alongside those who build it, I question my place in nature and in society, in my relationship, the freedom of my body, and the choice to have a child.” (Éva Tourrent)
French documentary filmmaker Claire Simon observes the everyday operations of the gynecological ward in a public hospital in Paris. In the process, she questions what it means to live in a woman’s body, filming the diversity, singularity and beauty of patients in all stages of life. Through these many encounters, the specific fears, desires and struggles of these individuals become the health c...
Part scripted film, part reportage, part sociological investigation, this feature film is above all a collective adventure. Made in collaboration with a group of citizens from Gloucester County, New Brunswick, the film is aimed not only at the population concerned, but also at anyone willing to recognize the ever-growing importance of social facts.
Rosalie is striving to build a more positive relationship with her body. In her thirties and living with a disability caused by muscular dystrophy, she now aims to see her body in a healthier and more compassionate light. To this end, she decided to take part in a photo session with Teri Hofford, a Winnipeg-based photographer specializing in empowerment and boudoir photography. Together, Rosali...
The Last of the Franco-Ontarians
Duration: 1h56The testamentary cry of a minority culture in the face of the hegemonic steamroller, or, doubt is a benevolent devil. In his hometown of Fauquier, Northern Ontario, poet Pierre Albert organizes a grand celebration to mark the foretold demise of the last Franco-Ontarian. A hybrid and eclectic project reflecting its subject, this imaginary documentary is a passionate tribute to a people and their...
Samuel LeBlanc, a young transgender musician, undertakes in an artistic process the search for a rural queer community in his native Acadie. During his wanderings, he will find, behind heteronormative rural landscapes, people determined to live their differences without having to leave their hometown or deny their cultural identity to get there. Samuel will leave with the conviction that the ...
Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
New product!The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...
In 1982, Jocelyne Saab's 150-year-old family home burns down. In tandem with the Lebanese playwright Roger Assaf, she decided to travel through her city, which was under siege by the Israelis, and to report on the situation in Beirut, the departure of the Palestinians and the incomprehension of the civilians who were suffering from the war.
Portrait of Raymond Eddé, a candidate in the Lebanese presidential elections and a staunch opponent of the sectarian war. During the 1975–1976 conflicts, he and his team actively searched for those who had gone missing in the war, whether Christian, Druze, or Muslim.
Filmmaker Jocelyne Saab gives a voice to Palestinian women, often overlooked victims of the Israeli-Palestinian conflict.
Nous sortirons de nos cuisines - Épisode 2 - Môman travaille pas, a trop d’ouvrage! (1974-75)
Duration: 1h01The UN declared 1975 the “International Women's Year,” ironically using the singular form in French (Année internationale de la femme). It was a pivotal time: more and more women were divorcing or entering the workforce. Yet a pregnancy was enough to justify dismissal, and maternity leave would not exist until 1979. The members of Théâtre des Cuisines returned to the stage with their second pla...
Nous sortirons de nos cuisines - Épisode 1 - Nous aurons les enfants que nous voulons (1968-74)
Duration: 1h02Montreal, 1973. Canadian law now permits abortion. But the criteria are very restrictive, and women depend on the goodwill—more often the ill will—of the men sitting on the committees that approve or deny them. Quebec is the province where it is most difficult to terminate an unwanted pregnancy, and clandestine abortions are common: they are the leading cause of hospitalization among women. Yet...
Can a woman fully realize herself while embracing the demands of motherhood? Filmed during an actual pregnancy and based on the journal director Anne Claire Poirier kept during one of her own, this documentary captures the pregnant female body, revealing the emotions and anxieties that accompany this transformative experience.
Spring has arrived in the streets of Montreal. Little girls bring out their bolos, skipping ropes, elastics, and balls, playing joyfully to the rhythm of delightful rhymes. Freshness, spontaneity, innocence, joy and sorrow—it’s all there, in these little songs. A world that adults will be delighted to return to.
Their names are Anne-Charlotte, Joohee, Céline, Niyongira and Mathieu. They are 25- to 52-year-old, hailing from Brazil, Sri Lanka, Rwanda, South Korea, or Australia. These five individuals have something in common: they are adopted. Separated from their family and country from childhood, they grew up in French families. Their life stories and home movies tell an intimate, political story about...
In 1967, Alain Resnais, William Klein, Joris Ivens, Agnès Varda, Claude Lelouch, Jean-Luc Godard, and Chris Marker co-directed this film to express their solidarity with the struggle of the Vietnamese people. Each offers a distinct and personal perspective on this conflict, set against a backdrop of international public anger and mobilization.
_The War at Home_ examines the anti-war movement in Madison, Wisconsin, during the Vietnam War era. It focuses on the escalation of protests, especially at the University of Wisconsin, and the intense clashes between students and authorities. The film combines interviews with activists, veterans, and community leaders with archival footage to portray a decade of resistance and the war’s impact ...
In 1969, black female hospital workers in Charleston, South Carolina, went on strike for union recognition and a wage increase, only to find themselves in a confrontation with the state government and the National Guard.
Victor-Lévy Beaulieu : Du bord des bêtes
Duration: 49 minutesVictor-Lévy Beaulieu is one of the most prolific Quebec writers of the past 50 years. In both his personal life and his work, he is a man of words who boldly and unapologetically voices his convictions. Enriched with excerpts from his writings that deepen his reflections, this documentary reveals both the light and shadow within the man and his work. It also captures the whispers of his house —...
“A few cabins built along a hillside, on the margins of society and without men. A refuge, a space for collective and feminist transformation. From this edge of the world, alongside those who build it, I question my place in nature and in society, in my relationship, the freedom of my body, and the choice to have a child.” (Éva Tourrent)
French documentary filmmaker Claire Simon observes the everyday operations of the gynecological ward in a public hospital in Paris. In the process, she questions what it means to live in a woman’s body, filming the diversity, singularity and beauty of patients in all stages of life. Through these many encounters, the specific fears, desires and struggles of these individuals become the health c...
Part scripted film, part reportage, part sociological investigation, this feature film is above all a collective adventure. Made in collaboration with a group of citizens from Gloucester County, New Brunswick, the film is aimed not only at the population concerned, but also at anyone willing to recognize the ever-growing importance of social facts.
Rosalie is striving to build a more positive relationship with her body. In her thirties and living with a disability caused by muscular dystrophy, she now aims to see her body in a healthier and more compassionate light. To this end, she decided to take part in a photo session with Teri Hofford, a Winnipeg-based photographer specializing in empowerment and boudoir photography. Together, Rosali...
The Last of the Franco-Ontarians
Duration: 1h56The testamentary cry of a minority culture in the face of the hegemonic steamroller, or, doubt is a benevolent devil. In his hometown of Fauquier, Northern Ontario, poet Pierre Albert organizes a grand celebration to mark the foretold demise of the last Franco-Ontarian. A hybrid and eclectic project reflecting its subject, this imaginary documentary is a passionate tribute to a people and their...
Samuel LeBlanc, a young transgender musician, undertakes in an artistic process the search for a rural queer community in his native Acadie. During his wanderings, he will find, behind heteronormative rural landscapes, people determined to live their differences without having to leave their hometown or deny their cultural identity to get there. Samuel will leave with the conviction that the ...