Founded by the Montreal-based online magazine Panorama-cinéma, the 1st Montreal Critics’ Week – the first Critics’ Week event in Canada – inaugurates a yearly gathering meant to increase the space for discourse and discovery around cinema. This non-competitive festival will showcase new and distinct voices with an emphasis on the thematic, political, and formal ramifications of the chosen works – paired, juxtaposed, or contrasted in ways that encourage inquisitive and curious modes of spectatorship.
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Laced with black humor, _The Patron Saints_ is an unorthodox documentary about a home for the aged and disabled. By turns lyrical and unsettling, the directors eschew more traditional approaches to the subject, opting for a mesmerizing atmospheric treatment and turning narration over to the home's youngest patient and his candid confessions.
Shot in the immediate aftermath of Hurricane Katrina and bound by elements of fiction, this unexpected documentary short is a glimpse into faith-based sentiment and inexplicable loss. While a man searches for his kitchen appliances in the bushes, elsewhere a grinning preacher takes souvenir snapshots for his congregation, and a woman with a disability journeys to a quieter place.
Straddling the line between photography and cinema, _Interchange_ is a near-wordless observational depiction of life alongside a stark and imposing Montreal highway. _Interchange_ weaves portraits, landscapes, architecture and objects in its reflection on the city’s inhabitants, its traffic jams, the shipping of commercial goods and the nature of time itself.
67-year-old Lloyd gives filmmakers Brian M. Cassidy and Melanie Shatzky a glimpse into his life on the margins of society. Blurring the boundaries of non-fiction cinema, the film reveals his gentle spirit and soulful solitude shaped by his troubled past.
Laced with black humor, _The Patron Saints_ is an unorthodox documentary about a home for the aged and disabled. By turns lyrical and unsettling, the directors eschew more traditional approaches to the subject, opting for a mesmerizing atmospheric treatment and turning narration over to the home's youngest patient and his candid confessions.
Shot in the immediate aftermath of Hurricane Katrina and bound by elements of fiction, this unexpected documentary short is a glimpse into faith-based sentiment and inexplicable loss. While a man searches for his kitchen appliances in the bushes, elsewhere a grinning preacher takes souvenir snapshots for his congregation, and a woman with a disability journeys to a quieter place.
Straddling the line between photography and cinema, _Interchange_ is a near-wordless observational depiction of life alongside a stark and imposing Montreal highway. _Interchange_ weaves portraits, landscapes, architecture and objects in its reflection on the city’s inhabitants, its traffic jams, the shipping of commercial goods and the nature of time itself.
67-year-old Lloyd gives filmmakers Brian M. Cassidy and Melanie Shatzky a glimpse into his life on the margins of society. Blurring the boundaries of non-fiction cinema, the film reveals his gentle spirit and soulful solitude shaped by his troubled past.