The youngest of 17 children, the filmmaker presents us with an intimate family portrait in 17 rolls of Super 8. Through original films and carefully constructed archives, the members of one family recount the events surrounding the death of the oldest brother and share their beliefs on life after death, into which is woven a parallel experience just as haunting to the director.
Director | Claudie Lévesque |
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With three types of images, mostly family archives in Super 8, and through meticulous work on the sound, enriched by interviews with her numerous siblings, the director takes us to the heart of the drama.
He disappeared. Some voices recount his death. Like sketches of an existence, other voices evoke his life. The interplay of silences and voices outlines what he was. While some express a need for transcendence in the face of loss, through displays of hunting carcasses and agricultural machinery, one also feels insensitivity—brutalizing without awareness. A habit that nature might cruelly turn into custom. Violent, inevitable fate.
Then, on another level, she intervenes. She reveals her intimacy drop by drop, like a riddle. She seems to want to speak of another mystery, with a different nuance of gravity.
Two narratives. Two circles that intersect from time to time, between fusion and distance, on two planes of sorrow.
She now searches for him as much as she once wanted to flee him. Writing on the screen gradually unveils the unresolved, following the unseen, the unwanted, the implied.
Fabrice Montal
Exhausted critic and historian of the impossible
Presented in collaboration with
With three types of images, mostly family archives in Super 8, and through meticulous work on the sound, enriched by interviews with her numerous siblings, the director takes us to the heart of the drama.
He disappeared. Some voices recount his death. Like sketches of an existence, other voices evoke his life. The interplay of silences and voices outlines what he was. While some express a need for transcendence in the face of loss, through displays of hunting carcasses and agricultural machinery, one also feels insensitivity—brutalizing without awareness. A habit that nature might cruelly turn into custom. Violent, inevitable fate.
Then, on another level, she intervenes. She reveals her intimacy drop by drop, like a riddle. She seems to want to speak of another mystery, with a different nuance of gravity.
Two narratives. Two circles that intersect from time to time, between fusion and distance, on two planes of sorrow.
She now searches for him as much as she once wanted to flee him. Writing on the screen gradually unveils the unresolved, following the unseen, the unwanted, the implied.
Fabrice Montal
Exhausted critic and historian of the impossible
Presented in collaboration with
FR- Ma famille en 17 bobines
EN- Ma famille en 17 bobines