The Mechanics of Fluids


Poster image The Mechanics of Fluids

In 2018, an incel called Anathematic Anarchist posted a suicide note on Reddit entitled "America is responsible for my death." This film is an attempt to find answers to his words. A virtual drift through the internet in search of his digital tracks that eventually turns into an inner journey between our connected solitudes.



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Director

Gala Hernández López

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"Why are these rivers / Suddenly flowing down our cheeks / In the anthill / It's the ultra-modern solitude." These song lyrics come to mind here. The anthill is the internet and its infinite possibilities of connections and exposure. The ultra-modern solitude is the solitude we sometimes feel in front of this endless serendipity. It's also the solitude of incels, those creatures of the networks who express their pain and hatred of women through digital channels. Gala Hernández López delivers an investigation composed of images recorded online, like an ultra-connected found-footage with strong sociological value. She unveils, with a form of melancholy, the very complex relationship to the world of incels, which she does not judge, as the fictional bias is that of a "crush" that binds her to one of them. The artist-researcher synthesizes her work on 2.0 masculinities through an investigation. What dominates here is the plastic dimension of hatred. This is also what establishes the visual and narrative power of this film dedicated to bell hooks, who also closely studied men and love.

 

Benoît Hické
Programmer and professor

 


  • Français

    Français

    39 mn

    Language: Français
    Subtitles: Français
  • English

    English

    39 mn

    Language: English
    Subtitles: English
  • Année 2022
  • Pays France
  • Durée 39
  • Producteur Heure d'été
  • Langue English, French
  • Sous-titres English, French
  • Résumé court A digital investigation into the violence and ultra-modern solitude of the incel community, those self-proclaimed "involuntary celibate".
  • Mention festival César for Best Documentary Short Film in 2024

"Why are these rivers / Suddenly flowing down our cheeks / In the anthill / It's the ultra-modern solitude." These song lyrics come to mind here. The anthill is the internet and its infinite possibilities of connections and exposure. The ultra-modern solitude is the solitude we sometimes feel in front of this endless serendipity. It's also the solitude of incels, those creatures of the networks who express their pain and hatred of women through digital channels. Gala Hernández López delivers an investigation composed of images recorded online, like an ultra-connected found-footage with strong sociological value. She unveils, with a form of melancholy, the very complex relationship to the world of incels, which she does not judge, as the fictional bias is that of a "crush" that binds her to one of them. The artist-researcher synthesizes her work on 2.0 masculinities through an investigation. What dominates here is the plastic dimension of hatred. This is also what establishes the visual and narrative power of this film dedicated to bell hooks, who also closely studied men and love.

 

Benoît Hické
Programmer and professor

 


  • Français

    Français


    Duration: 39 minutes
    Language: Français
    Subtitles: Français
    39 mn
  • English

    English


    Duration: 39 minutes
    Language: English
    Subtitles: English
    39 mn
  • Année 2022
  • Pays France
  • Durée 39
  • Producteur Heure d'été
  • Langue English, French
  • Sous-titres English, French
  • Résumé court A digital investigation into the violence and ultra-modern solitude of the incel community, those self-proclaimed "involuntary celibate".
  • Mention festival César for Best Documentary Short Film in 2024

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