• Arts
  • John Cassavetes

John Cassavetes


Poster image John Cassavetes

For a long time, John Cassavetes was known as an actor, but it's as a filmmaker that he appears in this portrait. When André S. Labarthe and Hubert Knapp met him, he was already the author of three films: _Shadows_, an independent film made in New York in 1959, then _Too Late Blues_ (1961) and _A Child is Waiting_ (1963), two Hollywood productions he considered disastrous. This documentary chronicles the emergence of an independent filmmaker who tells the story of America, the making of his first films, and his fervent quest for expressive freedom.



Multi-devices

Product unavailable

John Cassavetes' spirit and cinematic approach stand the test of time. I would say it is as important today as it was then, if not more so. I remember watching his films during film school. Shadows, Faces, A Woman Under the Influence were the titles that captured the essence of filmmaking as I saw it back then. Watching this documentary almost thirty years later, immersed me in the same spirit. So many years later as I am already in the middle of my own career, Cassavetes is Cassavetes—his words, his spirit, and his approach to filmmaking are as alive today as they were in the late sixties. The message of freedom of thought, freedom to create for the purpose of creating and not recognition is a reminder of the importance filmmaking has had into the search of understanding the human spirit. How can one find the curiosity to explore and the curiosity to ask questions when the mechanisms of financing cinema determine ahead of time the outcome. Cassavetes' own sense of liberation is a wake up call for all truly independent filmmakers who today have the chance to make films without the extreme financing required back then when syncing and processing film required a filmmaker to mortgage their house. We must ask ourselves today when the process of filmmaking has become accessible to all, what are the mechanisms that are causing self censorship? It is somewhat interesting to think about the iPhone replacing the 16 mm camera, what has changed? Are we freer to express or are we bound by other processes of oppression both as viewers as well as makers? Filmmaking as a way of life is Cassavetes – a struggle to be free from the authorities that stop us from expressing ourselves. This documentary is a French production directed by Hubert Knapp and André S. Labarthe, who are both in awe of the inspiring young American filmmaker as they are about the culture that produced him. The tension occurred due to this meeting of two cultures – French and American – is endearing, and produces a frank and inspiring portrait of a man whose entire career was devoted to capturing the feeling of being human.

 

 

Danae Elon
Filmmaker

 

 


  • Français

    Français

    48 mn

    Language: Français
  • English

    English

    48 mn

    Language: English
  • Année 1969
  • Pays France
  • Durée 48
  • Producteur AMIP - Audiovisuel Multimedia International Production, INA
  • Langue English
  • Sous-titres French
  • Résumé court Portrait of American filmmaker John Cassavetes and his relentless pursuit of expressive freedom as an independent filmmaker in the late 60s.

John Cassavetes' spirit and cinematic approach stand the test of time. I would say it is as important today as it was then, if not more so. I remember watching his films during film school. Shadows, Faces, A Woman Under the Influence were the titles that captured the essence of filmmaking as I saw it back then. Watching this documentary almost thirty years later, immersed me in the same spirit. So many years later as I am already in the middle of my own career, Cassavetes is Cassavetes—his words, his spirit, and his approach to filmmaking are as alive today as they were in the late sixties. The message of freedom of thought, freedom to create for the purpose of creating and not recognition is a reminder of the importance filmmaking has had into the search of understanding the human spirit. How can one find the curiosity to explore and the curiosity to ask questions when the mechanisms of financing cinema determine ahead of time the outcome. Cassavetes' own sense of liberation is a wake up call for all truly independent filmmakers who today have the chance to make films without the extreme financing required back then when syncing and processing film required a filmmaker to mortgage their house. We must ask ourselves today when the process of filmmaking has become accessible to all, what are the mechanisms that are causing self censorship? It is somewhat interesting to think about the iPhone replacing the 16 mm camera, what has changed? Are we freer to express or are we bound by other processes of oppression both as viewers as well as makers? Filmmaking as a way of life is Cassavetes – a struggle to be free from the authorities that stop us from expressing ourselves. This documentary is a French production directed by Hubert Knapp and André S. Labarthe, who are both in awe of the inspiring young American filmmaker as they are about the culture that produced him. The tension occurred due to this meeting of two cultures – French and American – is endearing, and produces a frank and inspiring portrait of a man whose entire career was devoted to capturing the feeling of being human.

 

 

Danae Elon
Filmmaker

 

 


  • Français

    Français


    Duration: 48 minutes
    Language: Français
    48 mn
  • English

    English


    Duration: 48 minutes
    Language: English
    48 mn
  • Année 1969
  • Pays France
  • Durée 48
  • Producteur AMIP - Audiovisuel Multimedia International Production, INA
  • Langue English
  • Sous-titres French
  • Résumé court Portrait of American filmmaker John Cassavetes and his relentless pursuit of expressive freedom as an independent filmmaker in the late 60s.

Product added to cart

Mode:

Expires:

loader waiting image
loader waiting image