The Master and Divino


Poster image The Master and Divino

Two filmmakers portray life in the mission of Sangradouro : Aldabert Heide, an eccentric German missionary who began filming with his Super 8 camera in 1957, and Divino Tserewahu, a young Xavánte director. From complicity to competition, from irony to emotion, they bring their archives to life, revealing the underside of the catechization of indigenous peoples in Brazil.



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Director

Tiago Campos

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German missionary Adalberto Heide, known as "the master", has been with the Xavantes since 1957 and now has a colossal archive documenting the behind-the-scenes process of evangelization in this community. The work of Divino Tserewahú, a young Xavante filmmaker, focuses on the preservation of traditions and the daily life of his people. He was trained by the organization Vídeo nas Aldeias, a pioneering project in indigenous audiovisual production, of which director Tiago Campos is a collaborator. Working separately, Divino's gaze never crosses Adalberto's, and although the relationship between the two is marked by admiration and mutual respect, there is also masked discomfort from one and condescension from the other. In the exchanges between the two, the theory that the evangelization of the First Nations was peaceful emerges; a watered-down version told by the Church that still resonates in Brazilian society today. Rather than seeking to directly confront its characters, The Master and Divino delves into the intricacies of a complex relationship, revealing how behind this supposedly harmless cohabitation exists a tangible colonialism. 

 

RIDM Programming Collective

 

 

Presented in collaboration with
 

 

 


  • Français

    Français

    1h25

    Language: Français
  • English

    English

    1h25

    Language: English
  • Année 2013
  • Pays Brazil
  • Durée 85
  • Producteur Video nas Aldeias
  • Langue Portuguese
  • Sous-titres French, English
  • Résumé court Moving from complicity to competition, from irony to emotion, two filmmakers bring their archives to life by revealing the behind-the-scenes of the catechization of indigenous peoples in Brazil.
  • Mention festival Sélection - RIDM 2013
  • Programmateur Le collectif de programmation des RIDM|aucune;

German missionary Adalberto Heide, known as "the master", has been with the Xavantes since 1957 and now has a colossal archive documenting the behind-the-scenes process of evangelization in this community. The work of Divino Tserewahú, a young Xavante filmmaker, focuses on the preservation of traditions and the daily life of his people. He was trained by the organization Vídeo nas Aldeias, a pioneering project in indigenous audiovisual production, of which director Tiago Campos is a collaborator. Working separately, Divino's gaze never crosses Adalberto's, and although the relationship between the two is marked by admiration and mutual respect, there is also masked discomfort from one and condescension from the other. In the exchanges between the two, the theory that the evangelization of the First Nations was peaceful emerges; a watered-down version told by the Church that still resonates in Brazilian society today. Rather than seeking to directly confront its characters, The Master and Divino delves into the intricacies of a complex relationship, revealing how behind this supposedly harmless cohabitation exists a tangible colonialism. 

 

RIDM Programming Collective

 

 

Presented in collaboration with
 

 

 


  • Français

    Français


    Duration: 1h25
    Language: Français
    1h25
  • English

    English


    Duration: 1h25
    Language: English
    1h25
  • Année 2013
  • Pays Brazil
  • Durée 85
  • Producteur Video nas Aldeias
  • Langue Portuguese
  • Sous-titres French, English
  • Résumé court Moving from complicity to competition, from irony to emotion, two filmmakers bring their archives to life by revealing the behind-the-scenes of the catechization of indigenous peoples in Brazil.
  • Mention festival Sélection - RIDM 2013
  • Programmateur Le collectif de programmation des RIDM|aucune;

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