"Upon arriving in Paris, I began learning two languages: French and drawing. In an artist's studio, I met Linda Demorrir, a live model. Like me, she is transgender and an immigrant. As I sketched her outlines, I discovered that I was also learning to draw myself." - Tomas Cali
Director | Tomas Cali |
Actors | Plein(s) Écran(s), Plein(s) Écran(s) |
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The Sketch is a documentary animated short that skillfully blends multiple techniques to portray an unexpected encounter during a life-drawing session. Tomas Cali, an artist and filmmaker, meets Linda, who poses nude. The bilingual narration, delivered by both protagonists, reveals their shared experiences: both are transgender, of Brazilian origin, and immigrants to France. Despite its complexities, their exodus provides an opportunity to redefine themselves on their own terms.
Linda begins modeling a few times a month. Her bare body is revealed—like a canvas adorned with tattoos—with one word of slang inked on her neck that perfectly encapsulates her resilience. Linda is strong, fearless, and undeterred by transphobic actions and remarks. True to her name, Linda is a joy to behold.
Initially captivated, the filmmaker eventually dares to focus his gaze: he traces Linda’s outlines, her lines, and curves, gradually discovering a narrative arc. Through a sensitive and unflinching lens, Cali invites us to join the drawing session, examining Linda from all angles. His gaze is as compassionate as it is political, contributing to the visibility of trans bodies like Linda’s.
Ultimately, this encounter becomes a revelation for Cali. In learning to sketch Linda’s body, he finds the courage to embrace his own. What begins as a scribbled shadow transforms into a vibrant drawing, merging with his muse in a celebration of self-acceptance and transformation.
Anouk Vallières
Head of Educational Activities and
Programming Coordinator
Plein(s) Écran(s)
The Sketch is a documentary animated short that skillfully blends multiple techniques to portray an unexpected encounter during a life-drawing session. Tomas Cali, an artist and filmmaker, meets Linda, who poses nude. The bilingual narration, delivered by both protagonists, reveals their shared experiences: both are transgender, of Brazilian origin, and immigrants to France. Despite its complexities, their exodus provides an opportunity to redefine themselves on their own terms.
Linda begins modeling a few times a month. Her bare body is revealed—like a canvas adorned with tattoos—with one word of slang inked on her neck that perfectly encapsulates her resilience. Linda is strong, fearless, and undeterred by transphobic actions and remarks. True to her name, Linda is a joy to behold.
Initially captivated, the filmmaker eventually dares to focus his gaze: he traces Linda’s outlines, her lines, and curves, gradually discovering a narrative arc. Through a sensitive and unflinching lens, Cali invites us to join the drawing session, examining Linda from all angles. His gaze is as compassionate as it is political, contributing to the visibility of trans bodies like Linda’s.
Ultimately, this encounter becomes a revelation for Cali. In learning to sketch Linda’s body, he finds the courage to embrace his own. What begins as a scribbled shadow transforms into a vibrant drawing, merging with his muse in a celebration of self-acceptance and transformation.
Anouk Vallières
Head of Educational Activities and
Programming Coordinator
Plein(s) Écran(s)
Français
English