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_Paradiso, XXXI, 108_ ironically questions our view of war and occupation through archival footage from the Israeli army in the 1960s and 1970s. Palestinian filmmaker Kamal Aljafari creates a montage revealing scenes where acts of war appear simultaneously comic, mundane, and surreal, inviting a deep reflection on the representation of violence and power.
Evolution and extinction from the point of view of rocks and various future others. The geo-biosphere is introduced as a place of evolutionary possibility, where humans disappear but life endures.
_Délire atta_ takes found footage and sound from six archival films and transforms them through a process of abstraction and recontextualization. Image and sound engage in a dialogue of texture and transformation, revealing unexpected resonances within the archive and generating new possibilities from what might otherwise be seen as fixed or obsolete.
A group of young filmmakers ask residents of Casablanca for their opinions on Moroccan cinema as part of a film project. During the shoot, a dispute breaks out between a dockworker and his superior, resulting in the accidental death of the latter. Having captured the incident on film, the crew begins to question the man’s motives and reflect on the role of cinema in society and the forms it can...
In the 70s, young people in Baie-Comeau - Hauterive were trying to find their place in an industrial society devoted to work and consumerism. Often left to their own devices as they waited to enter the job market, many of them sought their paths in artistic creation. The 1974 St. John's Day festival gave them a chance to shout out loud about their existence and shake up the existing order. We f...
Images of the World and the Inscription of War
Duration: 2h28_Images of the World and Inscription in War_ is an essay whose central motif is the aerial photograph of the camp at Auschwitz taken on April 4, 1944 by an American reconnaissance plane. On this photo, analysts identified the surrounding factories but not the concentration and extermination camp. Dialectic montage and a distanced commentary compose this film which analyses the conditions under ...
He works in the film industry, she's a teacher. They are bored to death. Soon, she gives up. They have been in a relationship for three years, they have a sex life, but one day, she wants out. Without him ever realizing, she has never experienced pleasure with him. He rebels and together they work on their technique.
_Paradiso, XXXI, 108_ ironically questions our view of war and occupation through archival footage from the Israeli army in the 1960s and 1970s. Palestinian filmmaker Kamal Aljafari creates a montage revealing scenes where acts of war appear simultaneously comic, mundane, and surreal, inviting a deep reflection on the representation of violence and power.
Evolution and extinction from the point of view of rocks and various future others. The geo-biosphere is introduced as a place of evolutionary possibility, where humans disappear but life endures.
_Délire atta_ takes found footage and sound from six archival films and transforms them through a process of abstraction and recontextualization. Image and sound engage in a dialogue of texture and transformation, revealing unexpected resonances within the archive and generating new possibilities from what might otherwise be seen as fixed or obsolete.
A group of young filmmakers ask residents of Casablanca for their opinions on Moroccan cinema as part of a film project. During the shoot, a dispute breaks out between a dockworker and his superior, resulting in the accidental death of the latter. Having captured the incident on film, the crew begins to question the man’s motives and reflect on the role of cinema in society and the forms it can...
In the 70s, young people in Baie-Comeau - Hauterive were trying to find their place in an industrial society devoted to work and consumerism. Often left to their own devices as they waited to enter the job market, many of them sought their paths in artistic creation. The 1974 St. John's Day festival gave them a chance to shout out loud about their existence and shake up the existing order. We f...
Images of the World and the Inscription of War
Duration: 2h28_Images of the World and Inscription in War_ is an essay whose central motif is the aerial photograph of the camp at Auschwitz taken on April 4, 1944 by an American reconnaissance plane. On this photo, analysts identified the surrounding factories but not the concentration and extermination camp. Dialectic montage and a distanced commentary compose this film which analyses the conditions under ...
He works in the film industry, she's a teacher. They are bored to death. Soon, she gives up. They have been in a relationship for three years, they have a sex life, but one day, she wants out. Without him ever realizing, she has never experienced pleasure with him. He rebels and together they work on their technique.