Giulia Grossmann is a French filmmaker and visual artist born in 1984. Her work brings together reality and fiction, science and cosmology, nature and technology, founding narratives and territorial practices. She explores the relationship between humans and their environments through films shot in singular landscapes, following an exploratory and sensorial approach — from the desert of Wirikuta in Mexico to the western fjords of Iceland, from the Basque mountains to the Brazilian mangroves, from the deep sea to the space that separates us from the planet Mars. Her projects are grounded in interdisciplinary collaborations with researchers, opening zones of friction between observation and speculation. She is currently developing Ocean Écran, a research-creation project supported by Villa Albertine 2025, at the crossroads of experimental cinema and oceanography, as well as The Memory of the Mangrove, filmed in northeastern Brazil, which extends her reflection on the resonances between cosmological narratives and ecological struggles, between memory and resistance.
_The Woodland Threshold_ takes us on an introspective journey into the heart of the Laotian forest. The film follows Dao's journey, letting her thoughts wander to the rhythm of her footsteps, venturing into the depths of her memory. Between the parks of Rennes, where she lives, and the jungles of northern Laos, we wander with her on an inner journey, where the boundary between past and present ...
_The Woodland Threshold_ takes us on an introspective journey into the heart of the Laotian forest. The film follows Dao's journey, letting her thoughts wander to the rhythm of her footsteps, venturing into the depths of her memory. Between the parks of Rennes, where she lives, and the jungles of northern Laos, we wander with her on an inner journey, where the boundary between past and present ...