Along the countryside roads, little white cabins attract hungry people. Craving for their “poutine” and French fries, they keep coming back to their “cantine”, as snack bars are called in Quebec. Run by women working long hours every day, every summer, those places embody a strange summer ritual, a tradition standing against the fast food chains.
Director | Nicolas Paquet |
Actor | Naomie Décarie-Daigneault |
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Snack Bar Rhapsody takes a patient, unobtrusive look at the Snack Bar/Canteen as a Quebec cultural object. Nicolas Paquet's approach is based on the simplicity of day-to-day life, through the characters he clearly cares about and their daily practices. This documentary reflects the director's approach to filming in small, microcosm-like settings that allow us to cast our minds further ahead... a world away from the race for the best-fried potato! Starting with the imagery of the familiar - with two spaces known as canteens - the filmmaker skilfully and patiently provides access to two social contexts that are more different than one might think at first glance. In the first, set in a Kamouraska village far removed from stereotypical coastal landscapes, we find a counter with local regulars whom the owner, Micheline, knows and welcomes with warmth and friendliness. The second place, valiantly run by Nathalie, attracts the attention of the many tourists passing through, offering a canteen with the aesthetics of the pretty roadside shack near Tadoussac. As the story unfolds, we discover complex, nuanced, and even competing conjunctures, revealing the plurality of trajectories that make up the contemporary rural world.
Karina Soucy
Producer
In collaboration with
Snack Bar Rhapsody takes a patient, unobtrusive look at the Snack Bar/Canteen as a Quebec cultural object. Nicolas Paquet's approach is based on the simplicity of day-to-day life, through the characters he clearly cares about and their daily practices. This documentary reflects the director's approach to filming in small, microcosm-like settings that allow us to cast our minds further ahead... a world away from the race for the best-fried potato! Starting with the imagery of the familiar - with two spaces known as canteens - the filmmaker skilfully and patiently provides access to two social contexts that are more different than one might think at first glance. In the first, set in a Kamouraska village far removed from stereotypical coastal landscapes, we find a counter with local regulars whom the owner, Micheline, knows and welcomes with warmth and friendliness. The second place, valiantly run by Nathalie, attracts the attention of the many tourists passing through, offering a canteen with the aesthetics of the pretty roadside shack near Tadoussac. As the story unfolds, we discover complex, nuanced, and even competing conjunctures, revealing the plurality of trajectories that make up the contemporary rural world.
Karina Soucy
Producer
In collaboration with
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