Southern Bypass is a road in the south of Nairobi, Kenya, leading into the heart of the city. This single-take shot was filmed from 5:49 am to 6:00 am, heading in the direction of the sunrise. The motorbike rider is a boda boda, a motorcycle taxi service. Where they came from and where they are going is incidental to their state of being; they are still, and the world around them moves.
What value, whether radiant or destructive, does love hold in women's lives? Does marriage enable them to realize their full potential? Can motherhood be separated from a relationship with a man, or is it a choice to be refused? To shed light on these questions and many others, four women in search of their liberation, belonging to the generation of 28-30-year-olds in the early 1970s, express t...
The story of two characters we hear but never see. Like an old manuscript tucked away at the back of a drawer, the film begins as a young student films the markets of London in 1969. Twenty-five years later, she invites a man to watch the film that captures her youth. The couple engages in a dialogue about the images of that era, and a budding love emerges as the film comes to an end. Much like...
Madeleine Dansereau was the first female jeweler in Quebec. She began her career at the age of 47, just as doctors diagnosed her with breast cancer. Her daughter, filmmaker Mireille Dansereau, reflects on their relationship over the last twenty years while maintaining her film career as a backdrop.
A 15-year-old girl evokes the boredom of her bourgeois environment and brings charges against her father and mother. A walk with her dog serves as a pretext to see life through the eyes of this teenager who feels alienated from the world around her.
Southern Bypass is a road in the south of Nairobi, Kenya, leading into the heart of the city. This single-take shot was filmed from 5:49 am to 6:00 am, heading in the direction of the sunrise. The motorbike rider is a boda boda, a motorcycle taxi service. Where they came from and where they are going is incidental to their state of being; they are still, and the world around them moves.
What value, whether radiant or destructive, does love hold in women's lives? Does marriage enable them to realize their full potential? Can motherhood be separated from a relationship with a man, or is it a choice to be refused? To shed light on these questions and many others, four women in search of their liberation, belonging to the generation of 28-30-year-olds in the early 1970s, express t...
The story of two characters we hear but never see. Like an old manuscript tucked away at the back of a drawer, the film begins as a young student films the markets of London in 1969. Twenty-five years later, she invites a man to watch the film that captures her youth. The couple engages in a dialogue about the images of that era, and a budding love emerges as the film comes to an end. Much like...
Madeleine Dansereau was the first female jeweler in Quebec. She began her career at the age of 47, just as doctors diagnosed her with breast cancer. Her daughter, filmmaker Mireille Dansereau, reflects on their relationship over the last twenty years while maintaining her film career as a backdrop.
A 15-year-old girl evokes the boredom of her bourgeois environment and brings charges against her father and mother. A walk with her dog serves as a pretext to see life through the eyes of this teenager who feels alienated from the world around her.