No God No Father


Poster image No God No Father

_No God No Father_ is a documentary/fiction that explores the intimate relationship a young man has with the Internet. In the absence of a father figure, he turns to Google as an unexpected mentor. From learning everyday tasks like shaving, to discovering deeper knowledge, the algorithm becomes much more than a simple search engine, blurring the boundaries between real and virtual.



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Director

Paul Kermarec

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The filmmaker belongs to Generation Z, that liminal generation, witness to the democratization of computers, the rise of the Internet, and more recently, artificial intelligences. I, too, grew up during the boom of web culture and social media—those virtual, compensatory spaces that emerged in the early 2000s and have since become deeply embedded in our lives.

In this digital chamber, filmmaker Paul Kermarec scrolls through web applications, moving from Google searches to an intimate conversation with ChatGPT. Artificial intelligences are created and recreated from replicas of replicas, revealing less a true autonomy than a disquieting mirror of our gaps and inheritances. On the other hand, forums and web cultures lay the foundations for new forms of knowledge, where individual stories gradually merge into a collective memory: that of the “children of the Internet,” to which the director explicitly refers. The film interrogates the anthropomorphization of AI, which simulates human language to reproduce a normality shaped by texts on the web, reflecting the complex relationships we maintain with technological innovations and the illusory comfort we seek in them.

 

Morgane Ferrero
Programmer of REGARD


  • Français

    Français

    11 mn

    Language: Français
  • English

    English

    11 mn

    Language: English
    Subtitles: English
  • Année 2025
  • Pays France
  • Durée 11
  • Producteur Yukunkun Productions
  • Langue French
  • Sous-titres English
  • Résumé court An exploration of the intimate relationship a young man develops with the Internet after the absence of a father figure leads him to seek answers online.
  • Ordre 3
  • TLF_Applismb_CA 1
  • Date édito CA 2026-03-13

The filmmaker belongs to Generation Z, that liminal generation, witness to the democratization of computers, the rise of the Internet, and more recently, artificial intelligences. I, too, grew up during the boom of web culture and social media—those virtual, compensatory spaces that emerged in the early 2000s and have since become deeply embedded in our lives.

In this digital chamber, filmmaker Paul Kermarec scrolls through web applications, moving from Google searches to an intimate conversation with ChatGPT. Artificial intelligences are created and recreated from replicas of replicas, revealing less a true autonomy than a disquieting mirror of our gaps and inheritances. On the other hand, forums and web cultures lay the foundations for new forms of knowledge, where individual stories gradually merge into a collective memory: that of the “children of the Internet,” to which the director explicitly refers. The film interrogates the anthropomorphization of AI, which simulates human language to reproduce a normality shaped by texts on the web, reflecting the complex relationships we maintain with technological innovations and the illusory comfort we seek in them.

 

Morgane Ferrero
Programmer of REGARD


  • Français

    Français


    Duration: 11 minutes
    Language: Français
    11 mn
  • English

    English


    Duration: 11 minutes
    Language: English
    Subtitles: English
    11 mn
  • Année 2025
  • Pays France
  • Durée 11
  • Producteur Yukunkun Productions
  • Langue French
  • Sous-titres English
  • Résumé court An exploration of the intimate relationship a young man develops with the Internet after the absence of a father figure leads him to seek answers online.
  • Ordre 3
  • TLF_Applismb_CA 1
  • Date édito CA 2026-03-13

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