Anne Gabrielle Lebrun Harpin holds a Bachelor’s degree in cinema and a Master’s degree in research-creation in experimental media from UQAM. She works as an editor mainly in documentary film and has notably edited the films Manicouagan by Nadine Beaudet and A Losing Game by Jenny Cartwright and the web series Matrimoine by Ariel St-Louis Lamoureux. Member of Le labdoc (the research laboratory on documentary audiovisual practices) since 2016, she is also involved in the organization of the festival Les monteurs à l’affiche since 2019 and is on a filmmaking residency at Les Films de l’Autre since 2020 to produce her next documentary essay.
Marketing pitches between 1940 and 1970 lead to believe that new technologies facilitating household chores were responsible for women's emancipation in the 20th century. By reusing commercials and television archives, this retro futurist feminist essay questions this capitalist discourse in order to examine the relationship between women and technology.
Marketing pitches between 1940 and 1970 lead to believe that new technologies facilitating household chores were responsible for women's emancipation in the 20th century. By reusing commercials and television archives, this retro futurist feminist essay questions this capitalist discourse in order to examine the relationship between women and technology.