Émilie Beaulieu-Guérette
A nomadic filmmaker, Émilie Beaulieu-Guérette has her roots in Montreal and her heart in Rio de Janeiro. She travels the world with her camera to make films about social justice, human rights, and migration. Her multidisciplinary background in anthropology, political science, poetry, and music is reflected in her committed, sensitive, and sensory approach, which takes the side of the marginalized. For her, documentary filmmaking is an art of encounter that aims to build bridges between human beings.
Related to this realisator
The Other Rio
The Maracanã Stadium is aglow with lights. It is 2016, and all cameras are focused on the opening ceremony of the Olympic Games in Rio de Janeiro. A few blocks away, it is a completely different world. Sitting on a rooftop, children watch the fireworks from afar. We are in a dilapidated federal building, under the thumb of drug traffickers. Around a hundred destitute families live here, hidden ...
The Other Rio
The Maracanã Stadium is aglow with lights. It is 2016, and all cameras are focused on the opening ceremony of the Olympic Games in Rio de Janeiro. A few blocks away, it is a completely different world. Sitting on a rooftop, children watch the fireworks from afar. We are in a dilapidated federal building, under the thumb of drug traffickers. Around a hundred destitute families live here, hidden ...
The Other Rio
The Maracanã Stadium is aglow with lights. It is 2016, and all cameras are focused on the opening ceremony of the Olympic Games in Rio de Janeiro. A few blocks away, it is a completely different world. Sitting on a rooftop, children watch the fireworks from afar. We are in a dilapidated federal building, under the thumb of drug traffickers. Around a hundred destitute families live here, hidden ...
The Other Rio
The Maracanã Stadium is aglow with lights. It is 2016, and all cameras are focused on the opening ceremony of the Olympic Games in Rio de Janeiro. A few blocks away, it is a completely different world. Sitting on a rooftop, children watch the fireworks from afar. We are in a dilapidated federal building, under the thumb of drug traffickers. Around a hundred destitute families live here, hidden ...
