Mario Côté
Mario Côté is a painter, filmmaker, and producer of art documentaries and experimental videos based in Montréal. He has initiated numerous multidisciplinary projects and written extensively on art. His work explores the intersections between artistic disciplines, and above all, the connections between the people who practice them. He has directed several documentaries on art, music, dance, and philosophy, including Claude Gosselin, témoignage à bâtons rompus (2023), John Heward, Words and Silence (2019), Brèves histoires de pierres muettes (in collaboration with choreographer Jeanne Renaud, in 2018), Écorces, récit-photo by Georges Didi-Huberman (2016), and Fernand Leduc: les mots de la peinture (2013). He also produced a series of film documents based on works by Eastern European composers, in collaboration with Nouvel Ensemble Moderne (NEM).
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Claude Gosselin, témoignage à bâtons rompus
Claude Gosselin, témoignage à bâtons rompus
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This documentary traces the history of _Les Cent jours d’art contemporain de Montréal_ (1985–1996) and _La_ _Biennale de Montréal_ (1998–2011), two landmark events in Quebec’s art scene. Their founder and executive director, Claude Gosselin, looks back on the origins of these initiatives, which stood out for their unconventional choice of venues. With an international scope, these events gave m...
Claude Gosselin, témoignage à bâtons rompus
Claude Gosselin, témoignage à bâtons rompus
New product!Subscription access
This documentary traces the history of _Les Cent jours d’art contemporain de Montréal_ (1985–1996) and _La_ _Biennale de Montréal_ (1998–2011), two landmark events in Quebec’s art scene. Their founder and executive director, Claude Gosselin, looks back on the origins of these initiatives, which stood out for their unconventional choice of venues. With an international scope, these events gave m...
