Sarah Vanagt was born in 1976, in Belgium. She studied History at the universities of Antwerp, Sussex and Groningen, and attended the National Film and Television School in Beaconsfield, UK. Her short film The Wave (2012), directed together with Katrien Vermeire, received an honourable mention at IBAFF International Film Festival. With her niece Katrien Vanagt, she directed In Waking Hours (2015), which won the Audience Award at IndieLisboa. Every Tear (2018) premiered at Visions du Réel, and Divinations (2019) premiered at DOClisboa. The way children deal with history and war plays an important role in her documentaries, photography and installations. She always tries to approach history with poetry and imagination, and tackles questions such as how we deal with traces of the past, how we put it into images and how we manage our collective memory.
Young people from Brussels consult a list of nearly 8,000 objects collected during an expedition to the Congo between 1911 and 1913. These witnesses to colonial history open a dialogue on realities once told, now shown and interpreted. A journey back in time.
Young people from Brussels consult a list of nearly 8,000 objects collected during an expedition to the Congo between 1911 and 1913. These witnesses to colonial history open a dialogue on realities once told, now shown and interpreted. A journey back in time.