Martín Baus, born in Chile in 1992, is a multimedia artist, filmmaker, musician, sound artist, researcher, educator, and curator. He is a member of CEIS8, a collective based in Santiago de Chile that experiments with film formats and photochemical processes. He also co-directs the independent record label Radio Fome, which releases music and sound works based on improvisation. Baus is interested in aurality as both a tool for a potential radical pedagogy from Latin America and a methodology for practice-based artistic research. He approaches sonic phenomena through socio-political perspectives as well as non-audible dimensions. His work includes poetry books exploring the relationship between listening and language, text installations addressing opaque translation processes, publications investigating the connections between salsa rhythms, migration, and working-class struggles, and fiction writing that speculates on the future of sound archives and digital archaeology.
A film collage that attempts to delineate a concrete, imagined and desired territory that is situated “below and to the left” of the hegemonic world mapping. Photographs taken in Cerro Blanco, an Ecuadorian territory whose protection and destruction are both administered by the Swiss building materials company HOLCIM, meet the voices of rebel radios from Latin America and the Caribbean clamorin...
A film collage that attempts to delineate a concrete, imagined and desired territory that is situated “below and to the left” of the hegemonic world mapping. Photographs taken in Cerro Blanco, an Ecuadorian territory whose protection and destruction are both administered by the Swiss building materials company HOLCIM, meet the voices of rebel radios from Latin America and the Caribbean clamorin...