La république des Beaux-Arts - La malédiction de la momie
New product!This film traces the history of the École des beaux-arts de Montréal, from its founding in 1923 to its dissolution in 1969, when it was integrated into the Université du Québec à Montréal. At that time, tensions were rising within the education system: CEGEPs and universities were being occupied by students. In this climate of protest, the students of the École des beaux-arts seized control of ...
With the help of a sketch, a little girl illustrates how space and games are divided up during recess at school, especially between boys and girls, and explains how this is a daily problem for her. Despite her various attempts to change things, she cannot find a solution—especially since the issue remains invisible to others, children and adults alike, who don’t seem to be concerned. What emerg...
Medical students in their early twenties and experienced care workers take part in medical simulations. Faced with comedians portraying patients, they learn to speak the right words, reflect on their reactions, and build a caring practice. But in an increasingly liberal hospital system, which itself exerts violence on medical staff, is this relational ideal really possible?
It’s the day of the entrance exam. Aspiring filmmakers step through the heavy gates of La Fémis for the first time. Each of them dreams of cinema, but also of success. Every hope is allowed, every anxiety as well. The juries deliberate, searching for their worthy successors. From the arrival of the candidates to the final deliberations, the film explores the confrontation between two generation...
An endless ride from one taxi to another in 1990s Lima. So many people, so few ways to make a living in the country in crisis; each person tries their luck with a car on the verge of collapse. Life itself is there—condensed and somehow enchanted.
In the village of Saint-Casimir, a seniors’ residence houses five people. At the heart of this confined space shaped by daily routines, a parallel world unfolds. Hours pass slowly in an endless waiting, punctuated by the presence of a local community TV station that intrudes into their universe through the television screen. Alternating between the sweetness of childhood memories and the presen...
Simon is living with an inoperable brain tumor that casts a shadow over his remaining days. The time for major decisions is approaching. Supported by his partner Marianne, Simon stands at the threshold of two worlds—fragile, lucid, fully present to everything around him. Filmed almost entirely at night and in black and white, the documentary captures their final summer together.
Noriko Oi, a Japanese Canadian who has lived in Montreal for more than 20 years, is preparing to return to Nagasaki, her hometown, to help her siblings clear out the family home that will soon be sold. Within the walls of this old house lie fragments of the Oi family’s history. Noriko decides to reconstruct the past of her mother, Mitsuko, an atomic bomb survivor, in the hope of coming to terms...
Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
Duration: 1h00The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...
La république des Beaux-Arts - La malédiction de la momie
New product!This film traces the history of the École des beaux-arts de Montréal, from its founding in 1923 to its dissolution in 1969, when it was integrated into the Université du Québec à Montréal. At that time, tensions were rising within the education system: CEGEPs and universities were being occupied by students. In this climate of protest, the students of the École des beaux-arts seized control of ...
With the help of a sketch, a little girl illustrates how space and games are divided up during recess at school, especially between boys and girls, and explains how this is a daily problem for her. Despite her various attempts to change things, she cannot find a solution—especially since the issue remains invisible to others, children and adults alike, who don’t seem to be concerned. What emerg...
Medical students in their early twenties and experienced care workers take part in medical simulations. Faced with comedians portraying patients, they learn to speak the right words, reflect on their reactions, and build a caring practice. But in an increasingly liberal hospital system, which itself exerts violence on medical staff, is this relational ideal really possible?
It’s the day of the entrance exam. Aspiring filmmakers step through the heavy gates of La Fémis for the first time. Each of them dreams of cinema, but also of success. Every hope is allowed, every anxiety as well. The juries deliberate, searching for their worthy successors. From the arrival of the candidates to the final deliberations, the film explores the confrontation between two generation...
An endless ride from one taxi to another in 1990s Lima. So many people, so few ways to make a living in the country in crisis; each person tries their luck with a car on the verge of collapse. Life itself is there—condensed and somehow enchanted.
In the village of Saint-Casimir, a seniors’ residence houses five people. At the heart of this confined space shaped by daily routines, a parallel world unfolds. Hours pass slowly in an endless waiting, punctuated by the presence of a local community TV station that intrudes into their universe through the television screen. Alternating between the sweetness of childhood memories and the presen...
Simon is living with an inoperable brain tumor that casts a shadow over his remaining days. The time for major decisions is approaching. Supported by his partner Marianne, Simon stands at the threshold of two worlds—fragile, lucid, fully present to everything around him. Filmed almost entirely at night and in black and white, the documentary captures their final summer together.
Noriko Oi, a Japanese Canadian who has lived in Montreal for more than 20 years, is preparing to return to Nagasaki, her hometown, to help her siblings clear out the family home that will soon be sold. Within the walls of this old house lie fragments of the Oi family’s history. Noriko decides to reconstruct the past of her mother, Mitsuko, an atomic bomb survivor, in the hope of coming to terms...
Within the troupe, the wave of departures that began around _As-tu vu? Les maisons s’emportent!_ continues, and paths diverge. Activism is a never-ending task: sometimes, it’s exhausting. In 2006, thirty years after the March 8, 1976 speech that closes the first episode of _Nous sortirons de nos cuisines_, Québécois women won their battle for free access to abortion: from then on, voluntary ter...
Nous sortirons de nos cuisines - Épisode 3 - As-tu vu? Les maisons s’emportent! (1979-81)
Duration: 1h00The premiere of _As-tu vu? Les maisons s’emportent!_ takes place 10 days before the first referendum on Quebec sovereignty. A wave of conservatism is sweeping the West: privatization policies benefit those who already have everything, and we witness the gradual dismantling of the state and the common good. Carole Fréchette suggests: “What if we made a play? But this time, we should make a play ...