Filmed entirely inside the narrow confines of a cable car, high above a jungle in Nepal, that transports villagers to an ancient mountaintop temple, _Manakamana_ is an acute ethnographic investigation into culture, religion, technology and modernity.
In the Makarenko public elementary school in the Paris outskirts, children want to learn and to be cheered while teachers know they do not only teach, they also educate. With care, tenacity and efforts, children are trained to become not only responsible citizens but also human beings.
For five years, at the heart of the Syrian civil war, a group of aspiring filmmakers documented the fighting and the daily life of the people in the city of Douma, in Eastern Ghouta, a besieged suburb of Damascus.
After a Dantean journey, women from Nigeria arrive alone and ever younger in Italy, looking for a better life. Such horrors as human trafficking and sexual slavery are waiting for them, as we discover in this ensemble film, featuring harrowing stories told in a sensible way that spares us from the unbearable. These tales provoke a broader reflection on migration and otherness.
_Dog Stories_ reveals as much about the people telling the stories as the dogs they are describing. The dog owners are more honest about their feelings about a dog than almost any other aspect of their lives, and in the process they reveal a lot about themselves.
Robert Frank revolutionised photography and independent film. He documented the Beats, Welsh coal miners, Peruvian Indians, The Stones, London bankers, and the Americans. This is the bumpy ride, revealed with unblinking honesty by the reclusive artist himself.
How does one remember a homeland they are so deeply connected to and disconnected from? When Canadian-born filmmaker Emilie Serri travels to Syria for the first time in ten years, she feels alienated. A year later, when her grandmother dies and the war begins, she tries to piece back together an image of this elusive country she desperately wants to call her own. Gathering evidence from the pas...
With lush and intimate photography, Wojciech Staroń documents his family's move from Poland to Argentina. Struggling to adapt in a foreign country, his 8-year-old son Janek finds a friend in Marcia, a grounded 11-year-old Argentinean of Polish descent. With a strength and determination well beyond her years, Marcia must help make ends meet while holding her family together.
Kanehsatake: 270 Years of Resistance
Duration: 3h58In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Director Alanis Obomsawin—at times with a small crew, at times alone—spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protesto...
Filmed entirely inside the narrow confines of a cable car, high above a jungle in Nepal, that transports villagers to an ancient mountaintop temple, _Manakamana_ is an acute ethnographic investigation into culture, religion, technology and modernity.
In the Makarenko public elementary school in the Paris outskirts, children want to learn and to be cheered while teachers know they do not only teach, they also educate. With care, tenacity and efforts, children are trained to become not only responsible citizens but also human beings.
For five years, at the heart of the Syrian civil war, a group of aspiring filmmakers documented the fighting and the daily life of the people in the city of Douma, in Eastern Ghouta, a besieged suburb of Damascus.
After a Dantean journey, women from Nigeria arrive alone and ever younger in Italy, looking for a better life. Such horrors as human trafficking and sexual slavery are waiting for them, as we discover in this ensemble film, featuring harrowing stories told in a sensible way that spares us from the unbearable. These tales provoke a broader reflection on migration and otherness.
_Dog Stories_ reveals as much about the people telling the stories as the dogs they are describing. The dog owners are more honest about their feelings about a dog than almost any other aspect of their lives, and in the process they reveal a lot about themselves.
Robert Frank revolutionised photography and independent film. He documented the Beats, Welsh coal miners, Peruvian Indians, The Stones, London bankers, and the Americans. This is the bumpy ride, revealed with unblinking honesty by the reclusive artist himself.
How does one remember a homeland they are so deeply connected to and disconnected from? When Canadian-born filmmaker Emilie Serri travels to Syria for the first time in ten years, she feels alienated. A year later, when her grandmother dies and the war begins, she tries to piece back together an image of this elusive country she desperately wants to call her own. Gathering evidence from the pas...
With lush and intimate photography, Wojciech Staroń documents his family's move from Poland to Argentina. Struggling to adapt in a foreign country, his 8-year-old son Janek finds a friend in Marcia, a grounded 11-year-old Argentinean of Polish descent. With a strength and determination well beyond her years, Marcia must help make ends meet while holding her family together.
Kanehsatake: 270 Years of Resistance
Duration: 3h58In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Director Alanis Obomsawin—at times with a small crew, at times alone—spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protesto...
_Speakn’ Trane_ is a visual conversation that considers one of the great masterpieces of music through the eyes of its creator. Mirroring the dialogue at its core, it mixes 16mm film and digital images, performance and nature footage to illustrate the revolutionary themes and ideas that would combine to craft the album _A Love Supreme_: the generative practice of meditation, the creative potent...
_Ghost Strata_ refers to the missing elements from within the rock strata that despite their absence offer hints of what was once there. The film is divided into the months of the year in which the footage was captured. Filmed in various places over the globe, charting various personal movements of the filmmaker, _Ghost Strata_ explores the differing scales of impact that humanity’s presence ha...
In a Swiss mountain village, hikers head out, a fountain splashes reassuringly and a churchwarden prepares a mass. There’s something going on here, but what is it? Men with high-tech measuring instruments pepper the landscape, and local people study their surroundings intensely. An ecological dystopia about a community living under constant threat.
Filmed entirely inside the narrow confines of a cable car, high above a jungle in Nepal, that transports villagers to an ancient mountaintop temple, _Manakamana_ is an acute ethnographic investigation into culture, religion, technology and modernity.
October 2018. Mat and her friends organize a self-gynecology workshop in their squat in Nantes. It's an opportunity for filmmaker Pauline Pénichout to paint a portrait of this young woman.
On a freezing winter night, in an small, isolated village, masked figures prowl. The monsters lurk by the houses, knock on doors. You let these strangers into your home. They remain silent. They observe you. _With Veiled Intent_, a documentary horror film, or maybe an experimental fable, brings to life an endangered tradition: Mi-Carême (Mid-Lent), as it is celebrated in Natashquan. Welcome to ...
In this intimate documentary, the filmmaker delicately examines the complex relationships that evolve, fracture, and reshape among the children of a blended family after a breakup. By pushing the boundaries of the "desktop documentary" format, she crafts a poignant and heartfelt portrait of a grief rarely acknowledged, offering a unique and compelling exploration of loss and connection.
Gabriel Drolet-Maguire, a queer fashion designer living in Montréal, takes us into their artistic world to speak about their HIV diagnosis and the process of acceptance that led them to reach out to the HIV-positive community. _It Will Always End in the End_ is a timely and hopeful look at past and present day HIV activism in Quebec.
Featuring indigenous women of various generations, _Pidikwe_ integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.
Amid the abandoned factories and crumbling buildings of Griffintown lies Montreal’s oldest stable, the last remnant of a bygone era. In this intriguing, anachronistic enclave, brushing up against modernity, time seems to have stood still. But ever since its aging owner decided to sell the property, the days of the Horse Palace are numbered…
_Speakn’ Trane_ is a visual conversation that considers one of the great masterpieces of music through the eyes of its creator. Mirroring the dialogue at its core, it mixes 16mm film and digital images, performance and nature footage to illustrate the revolutionary themes and ideas that would combine to craft the album _A Love Supreme_: the generative practice of meditation, the creative potent...
_Ghost Strata_ refers to the missing elements from within the rock strata that despite their absence offer hints of what was once there. The film is divided into the months of the year in which the footage was captured. Filmed in various places over the globe, charting various personal movements of the filmmaker, _Ghost Strata_ explores the differing scales of impact that humanity’s presence ha...
In a Swiss mountain village, hikers head out, a fountain splashes reassuringly and a churchwarden prepares a mass. There’s something going on here, but what is it? Men with high-tech measuring instruments pepper the landscape, and local people study their surroundings intensely. An ecological dystopia about a community living under constant threat.
Filmed entirely inside the narrow confines of a cable car, high above a jungle in Nepal, that transports villagers to an ancient mountaintop temple, _Manakamana_ is an acute ethnographic investigation into culture, religion, technology and modernity.
October 2018. Mat and her friends organize a self-gynecology workshop in their squat in Nantes. It's an opportunity for filmmaker Pauline Pénichout to paint a portrait of this young woman.
On a freezing winter night, in an small, isolated village, masked figures prowl. The monsters lurk by the houses, knock on doors. You let these strangers into your home. They remain silent. They observe you. _With Veiled Intent_, a documentary horror film, or maybe an experimental fable, brings to life an endangered tradition: Mi-Carême (Mid-Lent), as it is celebrated in Natashquan. Welcome to ...
In this intimate documentary, the filmmaker delicately examines the complex relationships that evolve, fracture, and reshape among the children of a blended family after a breakup. By pushing the boundaries of the "desktop documentary" format, she crafts a poignant and heartfelt portrait of a grief rarely acknowledged, offering a unique and compelling exploration of loss and connection.
Gabriel Drolet-Maguire, a queer fashion designer living in Montréal, takes us into their artistic world to speak about their HIV diagnosis and the process of acceptance that led them to reach out to the HIV-positive community. _It Will Always End in the End_ is a timely and hopeful look at past and present day HIV activism in Quebec.
Featuring indigenous women of various generations, _Pidikwe_ integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.
Amid the abandoned factories and crumbling buildings of Griffintown lies Montreal’s oldest stable, the last remnant of a bygone era. In this intriguing, anachronistic enclave, brushing up against modernity, time seems to have stood still. But ever since its aging owner decided to sell the property, the days of the Horse Palace are numbered…